Farocki/Godard / Volker Pantenburg ; translated by Micheal Turnbull
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| Autore: |
Pantenburg Volker <1973->
|
| Titolo: |
Farocki/Godard / Volker Pantenburg ; translated by Micheal Turnbull
|
| Pubblicazione: | Amsterdam University Press, 2015 |
| Baltimore, Maryland : , : Project Muse, , 2019 | |
| ©2019 | |
| Edizione: | 1st ed. |
| Descrizione fisica: | 1 online resource (285 pages) : illustrations |
| Disciplina: | 791 |
| Soggetto topico: | Motion pictures - Philosophy |
| Soggetto non controllato: | essay film |
| harun farocki | |
| film theory | |
| jean-luc godard | |
| Photography | |
| Persona (resp. second.): | TurnbullMichael <1959-> |
| Note generali: | "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. |
| Nota di bibliografia: | Includes bibliographical references (pages 263-275) and indexes. |
| Nota di contenuto: | Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. |
| Sommario/riassunto: | This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." |
| Titolo autorizzato: | Farocki |
| ISBN: | 90-485-2755-4 |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910131489103321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |
Serie:
Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; ; Bd. 25.
Film culture in transition.