01049nam a22002651i 450099100283751970753620040405115908.0040624s1977 sp a||||||||||||||||eng 8460008142b12986057-39ule_instARCHE-094373ExLDip.to Beni CulturaliitaA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l.939.5Knapp, Robert C104338Aspects of the Roman experience in Iberia, 206-100 B.C. /Robert C. KnappValladolid :Universidad,1977238 p. :ill. ;24 cmAnejos de Hispania antiqua ;9SpagnaStoriaPeriodo romano 206 A.C.-100 D.C..b1298605702-04-1412-07-04991002837519707536LE001 SR IV 3712001000037605le001C. 1-E0.00-l- 00000.i1359065012-07-04Aspects of the Roman experience in Iberia, 206-100 B.C284362UNISALENTOle00112-07-04ma -engsp 0100906nam a2200265 i 450099100172092970753620020503152855.0000704s1944 it ||| | ita b10263445-39ule_instEXGIL90419ExLBiblioteca Interfacoltàita843.6Constant, Benjamin134787Adolphe :diario /Benjamin Constant ; a cura di Giulia GeraceTorino :UTET,1944165 p. ;18 cm.I grandi scrittori stranieri ;39Tit. orig.: AdolpheGerace, Giulia.b1026344502-04-1427-06-02991001720929707536LE002 Lett. I E 512002000503992le002-E0.00-l- 01110.i1031452027-06-02Adolphe136152UNISALENTOle00201-01-00ma -itait 0103862oam 22007214a 450 991013148910332120240418071720.01-003-69531-01-04-078863-790-485-2755-410.1515/9789048527557(CKB)3710000000455667(EBL)3563351(SSID)ssj0001557475(PQKBManifestationID)16180757(PQKBTitleCode)TC0001557475(PQKBWorkID)14818159(PQKB)10414009(MiAaPQ)EBC3563351(OCoLC)916529296(DE-B1597)502634(DE-B1597)9789048527557(OCoLC)1112364138(MdBmJHUP)muse76486(oapen)https://directory.doabooks.org/handle/20.500.12854/35681(ScCtBLL)958e0652-567e-4bd6-8664-121827ca5eaf(Perlego)1459068(oapen)doab35681(ScCtBLL)4bb4ac4f-fa13-4f05-9508-025519d4dc50(EXLCZ)99371000000045566720190816e20192015 uy 0engurmn#---|||||txtrdacontentcrdamediacrrdacarrierFarocki/GodardVolker Pantenburg ; translated by Micheal Turnbull1st ed.Amsterdam University Press2015Baltimore, Maryland :Project Muse,2019©20191 online resource (285 pages) illustrationsIKKM books ;volume 25Film Culture in Transition"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso.90-8964-891-7 Includes bibliographical references (pages 263-275) and indexes.Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion.This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;Bd. 25.Film culture in transition.Motion picturesPhilosophyMotion picturesPhilosophy.791Pantenburg Volker1973-772872Turnbull Michael1959-Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie.MdBmJHUPMdBmJHUPBOOK9910131489103321Farocki2222384UNINA