LEADER 02171nam 2200469 450 001 9910796011803321 005 20200124104440.0 010 $a2-8062-5459-0 035 $a(CKB)3790000000017547 035 $a(EBL)2051993 035 $a(OCoLC)910446048 035 $a(MiAaPQ)EBC2051993 035 $a(Au-PeEL)EBL2051993 035 $a(PPN)233409017 035 $a(EXLCZ)993790000000017547 100 $a20200124d2014 uy 0 101 0 $afre 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFrancisco Pizarro, un conquistador a? l'assaut du pe?rou $ela fin tragique de l'Empire inca. /$fpar Aude Cirier ; avec la collaboration de Marc Malevez 210 1$a[Place of publication not identified] :$c50Minutos.es,$d[2014] 210 4$dİ2014 215 $a1 online resource (33 p.) 225 0 $aGrandes De?couvertes ;$vNume?ro 10 300 $aDescription based upon print version of record. 311 $a2-8062-5637-2 327 $aSources bibliographiquesSources comple?mentaires; Litte?rature; Copyright 330 $a De?couvrez enfin tout ce qu'il faut savoir sur Francisco Pizarro en moins d'une heure !Dans l'Espagne du XVe sie?cle, en pleine expansion coloniale, Francisco Pizarro quitte Panama? en 1524, charge? par le gouverneur de l'E?tat de de?couvrir ou? se cache le Pe?rou, un empire lointain que l'on dit regorger de richesses. C'est le point de de?part d'une conque?te terrible, qui atteindra tre?s vite des sommets de violence.Tout en nous faisant de?couvrir la vie de Pizarro et la conque?te de l'Empire inca, ce livre n'omet aucun de?tail sur le contexte qui a pre?ce?de? son pe?riple, depuis la de?couverte de nouveaux m 410 0$aGrandes De?couvertes 607 $aPeru$xHistory$yConquest, 1522-1548 676 $a985.02 700 $aCirier$b Aude$01123218 702 $aMalevez$b Marc 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796011803321 996 $aFrancisco Pizarro, un conquistador a? l'assaut du pe?rou$93866738 997 $aUNINA LEADER 03862oam 22007214a 450 001 9910131489103321 005 20240418071720.0 010 $a1-003-69531-0 010 $a1-04-078863-7 010 $a90-485-2755-4 024 7 $a10.1515/9789048527557 035 $a(CKB)3710000000455667 035 $a(EBL)3563351 035 $a(SSID)ssj0001557475 035 $a(PQKBManifestationID)16180757 035 $a(PQKBTitleCode)TC0001557475 035 $a(PQKBWorkID)14818159 035 $a(PQKB)10414009 035 $a(MiAaPQ)EBC3563351 035 $a(OCoLC)916529296 035 $a(DE-B1597)502634 035 $a(DE-B1597)9789048527557 035 $a(OCoLC)1112364138 035 $a(MdBmJHUP)muse76486 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35681 035 $a(ScCtBLL)958e0652-567e-4bd6-8664-121827ca5eaf 035 $a(Perlego)1459068 035 $a(oapen)doab35681 035 $a(ScCtBLL)4bb4ac4f-fa13-4f05-9508-025519d4dc50 035 $a(EXLCZ)993710000000455667 100 $a20190816e20192015 uy 0 101 0 $aeng 135 $aurmn#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFarocki/Godard$fVolker Pantenburg ; translated by Micheal Turnbull 205 $a1st ed. 210 $cAmsterdam University Press$d2015 210 1$aBaltimore, Maryland :$cProject Muse,$d2019 210 4$dİ2019 215 $a1 online resource (285 pages) $cillustrations 225 1 $aIKKM books ;$vvolume 25 225 1 $aFilm Culture in Transition 300 $a"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. 311 08$a90-8964-891-7 320 $aIncludes bibliographical references (pages 263-275) and indexes. 327 $aIntroduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. 330 $aThis book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." 410 0$aSchriften des Internationalen Kollegs fu?r Kulturtechnikforschung und Medienphilosophie ;$vBd. 25. 410 0$aFilm culture in transition. 606 $aMotion pictures$xPhilosophy 615 0$aMotion pictures$xPhilosophy. 676 $a791 700 $aPantenburg$b Volker$f1973-$0772872 702 $aTurnbull$b Michael$f1959- 712 02$aInternationales Kolleg fu?r Kulturtechnikforschung und Medienphilosophie. 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910131489103321 996 $aFarocki$92222384 997 $aUNINA