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[null,"1.","Record Nr.",null,"UNICAMPANIAVAN00238274"]
[null,null,"Titolo",null,"La monnaieantique : Grèce et Rome, 7. siècle av. J.-C.- 5. siècle apr. J.-C. / sous la direction de Michel Amandry ; Andrew Burnett ... [et al.]"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Ellipses, 2017"]
[null,null,"ISBN",null,"978-23-400-2160-0"]
[null,null,"Descrizione fisica",null,"307 p. : ill. ; 24 cm"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910131489103321"]
[null,null,"Autore",null,"Pantenburg Volker <1973->"]
[null,null,"Titolo",null,"Farocki/Godard / Volker Pantenburg ; translated by Micheal Turnbull"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam University Press, 2015"]
[{"$nulls":4},"Baltimore, Maryland : , : Project Muse, , 2019"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"1-003-69531-0"]
[{"$nulls":4},"1-04-078863-7"]
[{"$nulls":4},"90-485-2755-4"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (285 pages) : illustrations"]
[null,null,"Collana",null,"IKKM books ; ; volume 25"]
[{"$nulls":4},"Film Culture in Transition"]
[null,null,"Disciplina",null,"791"]
[null,null,"Soggetti",null,"Motion pictures - Philosophy"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006\"--Title page verso."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 263-275) and indexes."]
[null,null,"Nota di contenuto",null,"Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a \"Concrete Medium\" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion."]
[null,null,null,"Sommario/riassunto","This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to "]
[{"$nulls":4},"create \"film as theory.\""]