Women and film : both sides of the camera / / E. Ann Kaplan
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| Autore: |
Kaplan E. Ann
|
| Titolo: |
Women and film : both sides of the camera / / E. Ann Kaplan
|
| Pubblicazione: | New York, : Methuen, 1983 |
| London ; ; New York : , : Routledge, , 2005 | |
| Edizione: | 1st ed. |
| Descrizione fisica: | 1 online resource (273 p.) |
| Disciplina: | 791.430909352042 |
| Soggetto topico: | Women in motion pictures |
| Women in the motion picture industry | |
| Feminist films - History and criticism | |
| Note generali: | "First published in 1983 by Methuen, Inc." |
| Nota di bibliografia: | Includes bibliography: p. [242]-252 and index. |
| Nota di contenuto: | Cover; WOMEN AND FILM: Both sides of the camera; Copyright; Contents; List of plates; Preface; Acknowledgements; Introduction; PART I The classical and contemporary Hollywood cinema; 1 Is the gaze male?; 2 Patriarchy and the male gaze in Cukor's Camille (1936); 3 Fetishism and the repression of Motherhood in Von Sternberg's Blonde Venus {1932); 4 The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946); 5 Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr Goodbar (1977) |
| PART II The independent feminist film6 The avant-gardes in Europe and the USA; 7 Silence as female resistance in Marguerite Duras's Nathalie Granger (1972); 8 Female politics in the symbolic realm: Von Trotta's Marianne and ]uliane (The German Sisters) (1981); 9 The American experimental woman's film: Yvonne Rainer's Lives of Performers and Film about a Woman Who . . . (1972-4); 10 The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81) | |
| 11 The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980)12 Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-Rite (1978); 13 The woman director in the Third World: Sara Gomez's One Way or Another (1974); 14 The future of the independent feminist film: strategies of production, exhibition, and distribution in the USA; 15 Conclusion: Motherhood and patriarchal discourse; Notes; Filmographies and synopses; Appendix for teachers | |
| BibliographyName index; Subject index | |
| Sommario/riassunto: | ""Written with unequivocal enthusiasm for film, feminism and theory, ""Women and Film"" is a welcome and useful guide to a complex area.""--""The Arts"" |
| Altri titoli varianti: | Women & film |
| Titolo autorizzato: | Women and film |
| ISBN: | 1-134-97240-7 |
| 1-85727-081-9 | |
| 1-134-97241-5 | |
| 1-280-32849-5 | |
| 0-203-13531-8 | |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910824770503321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |