| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910824770503321 |
|
|
Autore |
Kaplan E. Ann |
|
|
Titolo |
Women and film : both sides of the camera / / E. Ann Kaplan |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York, : Methuen, 1983 |
|
London ; ; New York : , : Routledge, , 2005 |
|
|
|
|
|
|
|
|
|
ISBN |
|
1-134-97240-7 |
1-85727-081-9 |
1-134-97241-5 |
1-280-32849-5 |
0-203-13531-8 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (273 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Women in motion pictures |
Women in the motion picture industry |
Feminist films - History and criticism |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
"First published in 1983 by Methuen, Inc." |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliography: p. [242]-252 and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; WOMEN AND FILM: Both sides of the camera; Copyright; Contents; List of plates; Preface; Acknowledgements; Introduction; PART I The classical and contemporary Hollywood cinema; 1 Is the gaze male?; 2 Patriarchy and the male gaze in Cukor's Camille (1936); 3 Fetishism and the repression of Motherhood in Von Sternberg's Blonde Venus {1932); 4 The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946); 5 Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr Goodbar (1977) |
PART II The independent feminist film6 The avant-gardes in Europe and the USA; 7 Silence as female resistance in Marguerite Duras's Nathalie Granger (1972); 8 Female politics in the symbolic realm: Von Trotta's Marianne and ]uliane (The German Sisters) (1981); 9 The American experimental woman's film: Yvonne Rainer's Lives of Performers and Film about a Woman Who . . . (1972-4); 10 The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81) |
|
|
|
|
|
|
|
|
|
|
|
11 The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980)12 Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-Rite (1978); 13 The woman director in the Third World: Sara Gomez's One Way or Another (1974); 14 The future of the independent feminist film: strategies of production, exhibition, and distribution in the USA; 15 Conclusion: Motherhood and patriarchal discourse; Notes; Filmographies and synopses; Appendix for teachers |
BibliographyName index; Subject index |
|
|
|
|
|
|
Sommario/riassunto |
|
""Written with unequivocal enthusiasm for film, feminism and theory, ""Women and Film"" is a welcome and useful guide to a complex area.""--""The Arts"" |
|
|
|
|
|
|
|
| |