04070nam 2200781Ia 450 991082477050332120200520144314.01-134-97240-71-85727-081-91-134-97241-51-280-32849-50-203-13531-810.4324/9780203135310(CKB)1000000000402615(EBL)1137839(SSID)ssj0000273114(PQKBManifestationID)11205689(PQKBTitleCode)TC0000273114(PQKBWorkID)10328374(PQKB)10490870(MiAaPQ)EBC3060342(MiAaPQ)EBC1137839(MiAaPQ)EBC178319(Au-PeEL)EBL3060342(CaPaEBR)ebr10070837(CaONFJC)MIL32849(OCoLC)922956534(OCoLC)958102916(Au-PeEL)EBL178319(OCoLC)437080307(OCoLC)1184472215(FINmELB)ELB132718(EXLCZ)99100000000040261519840409d1983 uy 0engur|n|---|||||txtccrWomen and film both sides of the camera /E. Ann Kaplan1st ed.New York Methuen19831 online resource (273 p.)University paperbacks"First published in 1983 by Methuen, Inc."1-138-17354-1 0-415-02764-0 Includes bibliography: p. [242]-252 and index.Cover; WOMEN AND FILM: Both sides of the camera; Copyright; Contents; List of plates; Preface; Acknowledgements; Introduction; PART I The classical and contemporary Hollywood cinema; 1 Is the gaze male?; 2 Patriarchy and the male gaze in Cukor's Camille (1936); 3 Fetishism and the repression of Motherhood in Von Sternberg's Blonde Venus {1932); 4 The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946); 5 Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr Goodbar (1977)PART II The independent feminist film6 The avant-gardes in Europe and the USA; 7 Silence as female resistance in Marguerite Duras's Nathalie Granger (1972); 8 Female politics in the symbolic realm: Von Trotta's Marianne and ]uliane (The German Sisters) (1981); 9 The American experimental woman's film: Yvonne Rainer's Lives of Performers and Film about a Woman Who . . . (1972-4); 10 The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81)11 The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980)12 Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-Rite (1978); 13 The woman director in the Third World: Sara Gomez's One Way or Another (1974); 14 The future of the independent feminist film: strategies of production, exhibition, and distribution in the USA; 15 Conclusion: Motherhood and patriarchal discourse; Notes; Filmographies and synopses; Appendix for teachersBibliographyName index; Subject index""Written with unequivocal enthusiasm for film, feminism and theory, ""Women and Film"" is a welcome and useful guide to a complex area.""--""The Arts""Women in motion picturesWomen in the motion picture industryFeminist filmsHistory and criticismWomen in motion pictures.Women in the motion picture industry.Feminist filmsHistory and criticism.791.430909352042Kaplan E. Ann460790MiAaPQMiAaPQMiAaPQBOOK9910824770503321Women and film3781831UNINA