Audience Engagement in the Performing Arts : A Critical Analysis / / by Ben Walmsley
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| Autore: |
Walmsley Ben
|
| Titolo: |
Audience Engagement in the Performing Arts : A Critical Analysis / / by Ben Walmsley
|
| Pubblicazione: | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Edizione: | 1st ed. 2019. |
| Descrizione fisica: | 1 online resource (XI, 248 p. 10 illus., 7 illus. in color.) |
| Disciplina: | 790 |
| 790.2 | |
| Soggetto topico: | Performing arts |
| Theater | |
| Culture - Study and teaching | |
| Arts | |
| Communication | |
| Art - Study and teaching | |
| Cultural property | |
| Theatre and Performance Arts | |
| Cultural Theory | |
| Media and Communication | |
| Creativity and Arts Education | |
| Cultural Heritage | |
| Nota di contenuto: | Chapter 1 -- Introduction.-Chapter 2 -- Understanding audiences: a critical review of audience research.-Chapter 3 -- Deconstructing audiences' experiences.-Chapter 4 -- Capturing, interpreting and evaluating cultural value.-Chapter 5 -- Research (with) audiences.-Chapter 6 -- From consumption to enrichment: the long slow death of arts marketing.-Chapter 7 -- Co-creating art, meaning and value.-Chapter 8 -- Engaging audiences through digital technologies.-Chapter 9 -- Conclusions and implications. |
| Sommario/riassunto: | This book explores the concept of audience engagement from a number of complementary perspectives, including cultural value, arts marketing and co-creation. It offers a critical review of the existing literature on audience research and an overview of established and emerging methodologies deployed to undertake research with audiences. The book draws from a rich diversity of academic fields to make the case for a radically interdisciplinary approach to audience research. The book’s underlying thesis is that at the heart of audience research there is a mutual exchange of value wherein audiences ideally play the role of strategic partners in the mission fulfilment of arts organisations. Illustrating how audiences have traditionally been side-lined, homogenised and vilified, it contends that the future paradigm of audience studies should be based on an engagement model, wherein audiences take their rightful place as subjects rather than objects of empirical research. |
| Titolo autorizzato: | Audience Engagement in the Performing Arts |
| ISBN: | 3-030-26653-2 |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910483989803321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |
Serie:
New Directions in Cultural Policy Research, . 2730-9258