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| Autore: |
Kane Carolyn L
|
| Titolo: |
High-Tech Trash : Glitch, Noise, and Aesthetic Failure
|
| Pubblicazione: | Oakland, : University of California Press, 2019 |
| Berkeley : , : University of California Press, , 2019 | |
| ©2019 | |
| Edizione: | 1st ed. |
| Descrizione fisica: | 1 electronic resource (253 p.) |
| Disciplina: | 700.1/05 |
| Soggetto topico: | Communication studies |
| Soggetto non controllato: | glitch |
| error | |
| failure | |
| noise | |
| trash | |
| aesthetics | |
| aesthetic of failure | |
| media art | |
| media theory | |
| Nota di contenuto: | Cover -- Title Page -- Copyright Page -- Dedication -- Epigraph -- Contents -- Illustrations -- Acknowledgments -- Introduction "Welcome to the Failure Age" -- Part I. Precursors -- 1 Colors of Error -- 2 Avant-Garde Glitch -- Part II. Bring the Noise! -- 3 Color as Signal / Noise -- 4 Visual Noise in the New Photography -- 5 Chroma Glitch -- Part III. Toxic Beauty -- 6 The X-Ray Sublime -- 7 Landscape as Data -- Postscript -- Notes -- Bibliography -- Index. |
| Sommario/riassunto: | High-Tech Trash: Glitch, Noise, and Aesthetic Failure maps an archaeology of failure in a culture seemingly ill-equipped to deal with it. To better understand failure, Kane argues, we must abstract from our subjective, personal disappointments and see them as meaningful symbols of a broader human struggle. By connecting twenty-first century digital aesthetics to critical issues in the history of high-tech, the book elucidates what it means to be an error-prone, fallible human in an age of hyper technology; to fail again and again without recourse to anything but repetition. |
| Altri titoli varianti: | High-Tech Trash |
| Titolo autorizzato: | High-Tech Trash ![]() |
| Formato: | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910476846903321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |