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[null,null,"Autore",null,"Kane Carolyn L"]
[null,null,"Titolo",null,"High-Tech Trash : Glitch, Noise, and Aesthetic Failure"]
[null,null,"Pubbl/distr/stampa",null,"Oakland, : University of California Press, 2019"]
[{"$nulls":4},"Berkeley : , : University of California Press, , 2019"]
[{"$nulls":4},"©2019"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 electronic resource (253 p.)"]
[null,null,"Collana",null,"Rhetoric and Public Culture: History, Theory, Critique Series ; ; v.1"]
[null,null,"Disciplina",null,"700.1/05"]
[null,null,"Soggetti",null,"Communication studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Title Page -- Copyright Page -- Dedication -- Epigraph -- Contents -- Illustrations -- Acknowledgments -- Introduction \"Welcome to the Failure Age\" -- Part I. Precursors -- 1 Colors of Error -- 2 Avant-Garde Glitch -- Part II. Bring the Noise! -- 3 Color as Signal / Noise -- 4 Visual Noise in the New Photography -- 5 Chroma Glitch -- Part III. Toxic Beauty -- 6 The X-Ray Sublime -- 7 Landscape as Data -- Postscript -- Notes -- Bibliography -- Index."]
[null,null,null,"Sommario/riassunto","High-Tech Trash: Glitch, Noise, and Aesthetic Failure maps an archaeology of failure in a culture seemingly ill-equipped to deal with it. To better understand failure, Kane argues, we must abstract from our subjective, personal disappointments and see them as meaningful symbols of a broader human struggle. By connecting twenty-first century digital aesthetics to critical issues in the history of high-tech, the book elucidates what it means to be an error-prone, fallible human in an age of hyper technology; to fail again and again without recourse to anything but repetition."]