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005 20240912144557.0
035   $a(CKB)5470000000566242
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35465
035   $a(MiAaPQ)EBC31594299
035   $a(EXLCZ)995470000000566242
100   $a20202102d2019      |y         0
101 0 $aeng
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aHigh-Tech Trash$eGlitch, Noise, and Aesthetic Failure
210   $aOakland$cUniversity of California Press$d2019
215   $a1 electronic resource (253 p.)
311   $a0-520-34014-0 
330   $aHigh-Tech Trash: Glitch, Noise, and Aesthetic Failure maps an archaeology of failure in a culture seemingly ill-equipped to deal with it. To better understand failure, Kane argues, we must abstract from our subjective, personal disappointments and see them as meaningful symbols of a broader human struggle. By connecting twenty-first century digital aesthetics to critical issues in the history of high-tech, the book elucidates what it means to be an error-prone, fallible human in an age of hyper technology; to fail again and again without recourse to anything but repetition.
517   $aHigh-Tech Trash 
606   $aCommunication studies$2bicssc
610   $aglitch
610   $aerror
610   $afailure
610   $anoise
610   $atrash
610   $aaesthetics
610   $aaesthetic of failure
610   $amedia art
610   $amedia theory
615  7$aCommunication studies
700   $aKane$b Carolyn L$4auth$0989130
906   $aBOOK
912   $a9910476846903321
996   $aHigh-Tech Trash$92262154
997   $aUNINA