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Autore: | Brøvig-Hanssen Ragnhild |
Titolo: | Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
Pubblicazione: | Cambridge, MA : , : The MIT Press, , [2016] |
©2016 | |
Descrizione fisica: | 1 online resource (199 p.) |
Disciplina: | 781.640285 |
Soggetto topico: | Popular music - Philosophy and aesthetics |
Popular music - Production and direction | |
Sound - Recording and reproducing - Digital techniques | |
Soggetto non controllato: | ARTS/Music & Sound Studies |
SOCIAL SCIENCES/Media Studies | |
CULTURAL STUDIES/Popular Culture | |
Persona (resp. second.): | DanielsenAnne |
Note generali: | Description based upon print version of record. |
Nota di bibliografia: | Includes bibliographical references and index. |
Nota di contenuto: | Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
Sommario/riassunto: | How sonically distinctive digital "signatures"--Including reverb, glitches, and autotuning -- affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others. |
Titolo autorizzato: | Digital signatures |
ISBN: | 0-262-33445-3 |
0-262-33446-1 | |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910798176103321 |
Lo trovi qui: | Univ. Federico II |
Opac: | Controlla la disponibilità qui |