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035   $a(OCoLC)941999240$z(OCoLC)958349991$z(OCoLC)958448400$z(OCoLC)959910313$z(OCoLC)1055374047$z(OCoLC)1066443184$z(OCoLC)1081221943
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100   $a20160301d2016      uy             0
101 0 $aeng
135   $aurcnu---unuuu
181   $ctxt
182   $cc
183   $acr
200 10$aDigital signatures $ethe impact of digitization on popular music sound /$fRagnhild Brøvig-Hanssen and Anne Danielsen
210  1$aCambridge, MA :$cThe MIT Press,$d[2016]
210  4$d©2016
215   $a1 online resource (199 p.)
300   $aDescription based upon print version of record.
311   $a0-262-03414-X 
320   $aIncludes bibliographical references and index.
327   $aIntroduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era.
330   $aHow sonically distinctive digital "signatures"--Including reverb, glitches, and autotuning -- affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.
606   $aPopular music$xPhilosophy and aesthetics
606   $aPopular music$xProduction and direction
606   $aSound$xRecording and reproducing$xDigital techniques
610   $aARTS/Music & Sound Studies
610   $aSOCIAL SCIENCES/Media Studies
610   $aCULTURAL STUDIES/Popular Culture
615  0$aPopular music$xPhilosophy and aesthetics.
615  0$aPopular music$xProduction and direction.
615  0$aSound$xRecording and reproducing$xDigital techniques.
676   $a781.640285
700   $aBrøvig-Hanssen$b Ragnhild$01576865
702   $aDanielsen$b Anne
801  0$bOCoLC-P
801  1$bOCoLC-P
906   $aBOOK
912   $a9910798176103321
996   $aDigital signatures$93854988
997   $aUNINA