02698oam 2200577K 450 991079817610332120190503073429.00-262-33445-30-262-33446-1(OCoLC)941999240(OCoLC)958349991(OCoLC)958448400(OCoLC)959910313(OCoLC)1055374047(OCoLC)1066443184(OCoLC)1081221943(OCoLC-P)941999240(MaCbMITP)10192(MiAaPQ)EBC4424502(Au-PeEL)EBL4424502(CaPaEBR)ebr11206785(CaONFJC)MIL901000(OCoLC)941999240(EXLCZ)99371000000060357620160301d2016 uy 0engurcnu---unuuutxtccrDigital signatures the impact of digitization on popular music sound /Ragnhild Brøvig-Hanssen and Anne DanielsenCambridge, MA :The MIT Press,[2016]©20161 online resource (199 p.)Description based upon print version of record.0-262-03414-X Includes bibliographical references and index.Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era.How sonically distinctive digital "signatures"--Including reverb, glitches, and autotuning -- affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.Popular musicPhilosophy and aestheticsPopular musicProduction and directionSoundRecording and reproducingDigital techniquesARTS/Music & Sound StudiesSOCIAL SCIENCES/Media StudiesCULTURAL STUDIES/Popular CulturePopular musicPhilosophy and aesthetics.Popular musicProduction and direction.SoundRecording and reproducingDigital techniques.781.640285Brøvig-Hanssen Ragnhild1576865Danielsen AnneOCoLC-POCoLC-PBOOK9910798176103321Digital signatures3854988UNINA