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1. |
Record Nr. |
UNINA9910459380803321 |
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Autore |
Stevenson Robert Joseph |
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Titolo |
Organizational reaction to social deviance [[electronic resource] ] : the military case / / Robert J. Stevenson |
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Pubbl/distr/stampa |
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New York, : Algora Pub., 2010 |
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ISBN |
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Descrizione fisica |
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1 online resource (266 p.) |
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Disciplina |
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Soggetti |
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Sociology, Military - United States |
Military discipline - United States |
Social control - United States |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Social deviance and military sociology : introduction -- Internal controls : courts-martial -- Organizational reaction : "bad paper" discharges -- Containment and expulsion -- The physical and social risks of war -- Organizational reaction and the officer-enlisted distinction -- Organizational reaction and the volume of deviance in the army : the Vietnam era -- Social deviance in military institutions : summary and implications. |
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Sommario/riassunto |
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Military justice issues have become increasingly salient since 9/11. And indeed, the types and frequency of sanctioning in the military have changed substantially since World War II. This study explores differences in how officers and enlisted men are treated, how the different branches of the military have imposed sanctions, and changes in severity and frequency of sanctions during different periods of different wars. The character of social institutions is known by the nature of rule breakers discovered, or created, within them. The US Military produces casualties in terms of due to physical |
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2. |
Record Nr. |
UNINA9910798176103321 |
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Autore |
Brøvig-Hanssen Ragnhild |
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Titolo |
Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
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Pubbl/distr/stampa |
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Cambridge, MA : , : The MIT Press, , [2016] |
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©2016 |
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ISBN |
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0-262-33445-3 |
0-262-33446-1 |
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Descrizione fisica |
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1 online resource (199 p.) |
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Disciplina |
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Soggetti |
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Popular music - Philosophy and aesthetics |
Popular music - Production and direction |
Sound - Recording and reproducing - Digital techniques |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
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Sommario/riassunto |
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How sonically distinctive digital "signatures"--Including reverb, glitches, and autotuning -- affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others. |
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