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Titolo: |
Double-Takes : Intersections between Canadian Literature and Film / / edited by David R. Jarraway
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Pubblicazione: | Ottawa, ON : , : University of Ottawa Press, , 2013 |
Baltimore, Md. : , : Project MUSE, , 2013 | |
©2013 | |
Descrizione fisica: | 1 online resource (367 p.) |
Disciplina: | 791.43/657 |
Soggetto topico: | Film adaptations - History and criticism |
Canadian literature - Film adaptations | |
Motion pictures and literature - Canada | |
Altri autori: |
JarrawayDavid R
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Note generali: | Description based upon print version of record. |
Nota di bibliografia: | Includes bibliographical references and index. |
Nota di contenuto: | COVER ; TITLE PAGE ; COPYRIGHT NOTICE; DEDICATION; TABLE OF CONTENTS; INTRODUCTION; PART ONE : REALISM AND ITS "OTHERS"; Beyond the National-Realist Text: Imagining the Impossible Nation in Contemporary Canadian Cinema; Griersonian "Actuality" and Social Protest in Dorothy Livesay's Documentary Poems; "Stunning and Strange": Iceland as Memory and Prophecy in Alice Munro's "White Dump" and Sarah Polley's "Away from Her"; Maddin, Melodrama and the Pre-National; Dialogic Phantasy in Bruce McDonald's Adaptive Narratives; PART TWO : ADAPTATION, FOR BETTER OR WORSE |
Reading Canadian Film Credits: Adapting Institutions, Systems and AffectsSisters in the Wilderness: Mythologizing Catharine Parr Traill; "Triumph" in the Backwoods: The CBC's Take on Moodie and Traill in Sisters in the Wilderness (2000); The Director's Medium: Richard Attenborough's De-Authorization of Grey Owl; Narrative Structure and Narrative Voices in The English Patient: Film and Novel-A Comparative Study; Loser Wins: The Rhetoric of High Modernism in The Apprenticeship of Duddy Kravitz; Why They Cannot Get It Right: A Reader's Notes about Richler on Screen | |
"[I]t's my nature": A Comparison of Hagar Shipley's Pride in The Stone Angel Novel and FilmPART THREE : IDENTITY: "TO BE OR NOT TO BE"; Why Sex Matters in Canadian Film and Literature; The Nature of Things: Coupland, Cinema and the Canadian Sixties and Seventies; Adapting Men to New Times? Engagements with Masculinism in John Howe's Why Rock the Boat?; Filming Music: Adapting Transnational Sound in The English Patient and Fugitive Pieces; "Something's missing": Exploding Girlhood and Narrative in The Tracey Fragments; CONTRIBUTORS; INDEX; Reappraisals: Canadian Writers | |
Sommario/riassunto: | The widest-ranging exploration to date of the interaction between English Canadian literature and film. |
Titolo autorizzato: | Double-Takes ![]() |
ISBN: | 0-7766-1988-8 |
Formato: | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910155520103321 |
Lo trovi qui: | Univ. Federico II |
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