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Record Nr. |
UNINA9910155520103321 |
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Titolo |
Double-Takes : Intersections between Canadian Literature and Film / / edited by David R. Jarraway |
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Pubbl/distr/stampa |
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Ottawa, ON : , : University of Ottawa Press, , 2013 |
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Baltimore, Md. : , : Project MUSE, , 2013 |
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©2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (367 p.) |
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Collana |
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Reappraisals: Canadian writers ; ; 35 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Film adaptations - History and criticism |
Canadian literature - Film adaptations |
Motion pictures and literature - Canada |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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COVER ; TITLE PAGE ; COPYRIGHT NOTICE; DEDICATION; TABLE OF CONTENTS; INTRODUCTION; PART ONE : REALISM AND ITS "OTHERS"; Beyond the National-Realist Text: Imagining the Impossible Nation in Contemporary Canadian Cinema; Griersonian "Actuality" and Social Protest in Dorothy Livesay's Documentary Poems; "Stunning and Strange": Iceland as Memory and Prophecy in Alice Munro's "White Dump" and Sarah Polley's "Away from Her"; Maddin, Melodrama and the Pre-National; Dialogic Phantasy in Bruce McDonald's Adaptive Narratives; PART TWO : ADAPTATION, FOR BETTER OR WORSE |
Reading Canadian Film Credits: Adapting Institutions, Systems and AffectsSisters in the Wilderness: Mythologizing Catharine Parr Traill; "Triumph" in the Backwoods: The CBC's Take on Moodie and Traill in Sisters in the Wilderness (2000); The Director's Medium: Richard Attenborough's De-Authorization of Grey Owl; Narrative Structure and Narrative Voices in The English Patient: Film and Novel-A Comparative Study; Loser Wins: The Rhetoric of High Modernism in The Apprenticeship of Duddy Kravitz; Why They Cannot Get It Right: A Reader's Notes about Richler on Screen |
"[I]t's my nature": A Comparison of Hagar Shipley's Pride in The Stone |
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