LEADER 03806oam 22006374a 450 001 9910155520103321 005 20220617200429.0 010 $a0-7766-1988-8 035 $a(CKB)3170000000060274 035 $a(EBL)4602980 035 $a(SSID)ssj0001058744 035 $a(PQKBManifestationID)11639592 035 $a(PQKBTitleCode)TC0001058744 035 $a(PQKBWorkID)11070494 035 $a(PQKB)10587553 035 $a(MiAaPQ)EBC4648846 035 $a(OCoLC)821261819 035 $a(MdBmJHUP)muse24834 035 $a(VaAlCD)20.500.12592/5jc82v 035 $a(DE-B1597)668203 035 $a(DE-B1597)9780776619880 035 $a(EXLCZ)993170000000060274 100 $a20130904d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aDouble-Takes$eIntersections between Canadian Literature and Film /$fedited by David R. Jarraway 210 1$aOttawa, ON :$cUniversity of Ottawa Press,$d2013. 210 3$aBaltimore, Md. :$cProject MUSE,$d2013 210 4$dİ2013. 215 $a1 online resource (367 p.) 225 0 $aReappraisals: Canadian writers ;$v35 300 $aDescription based upon print version of record. 311 $a0-7766-0779-0 320 $aIncludes bibliographical references and index. 327 $aCOVER ; TITLE PAGE ; COPYRIGHT NOTICE; DEDICATION; TABLE OF CONTENTS; INTRODUCTION; PART ONE : REALISM AND ITS "OTHERS"; Beyond the National-Realist Text: Imagining the Impossible Nation in Contemporary Canadian Cinema; Griersonian "Actuality" and Social Protest in Dorothy Livesay's Documentary Poems; "Stunning and Strange": Iceland as Memory and Prophecy in Alice Munro's "White Dump" and Sarah Polley's "Away from Her"; Maddin, Melodrama and the Pre-National; Dialogic Phantasy in Bruce McDonald's Adaptive Narratives; PART TWO : ADAPTATION, FOR BETTER OR WORSE 327 $aReading Canadian Film Credits: Adapting Institutions, Systems and AffectsSisters in the Wilderness: Mythologizing Catharine Parr Traill; "Triumph" in the Backwoods: The CBC's Take on Moodie and Traill in Sisters in the Wilderness (2000); The Director's Medium: Richard Attenborough's De-Authorization of Grey Owl; Narrative Structure and Narrative Voices in The English Patient: Film and Novel-A Comparative Study; Loser Wins: The Rhetoric of High Modernism in The Apprenticeship of Duddy Kravitz; Why They Cannot Get It Right: A Reader's Notes about Richler on Screen 327 $a"[I]t's my nature": A Comparison of Hagar Shipley's Pride in The Stone Angel Novel and FilmPART THREE : IDENTITY: "TO BE OR NOT TO BE"; Why Sex Matters in Canadian Film and Literature; The Nature of Things: Coupland, Cinema and the Canadian Sixties and Seventies; Adapting Men to New Times? Engagements with Masculinism in John Howe's Why Rock the Boat?; Filming Music: Adapting Transnational Sound in The English Patient and Fugitive Pieces; "Something's missing": Exploding Girlhood and Narrative in The Tracey Fragments; CONTRIBUTORS; INDEX; Reappraisals: Canadian Writers 330 $aThe widest-ranging exploration to date of the interaction between English Canadian literature and film. 410 0$aRe-appraisals, Canadian writers. 606 $aFilm adaptations$xHistory and criticism 606 $aCanadian literature$xFilm adaptations 606 $aMotion pictures and literature$zCanada 615 0$aFilm adaptations$xHistory and criticism. 615 0$aCanadian literature$xFilm adaptations. 615 0$aMotion pictures and literature 676 $a791.43/657 701 $aJarraway$b David R$0927120 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910155520103321 996 $aDouble-Takes$92083044 997 $aUNINA