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[null,"1.","Record Nr.",null,"UNINA9910155520103321"]
[null,null,"Titolo",null,"Double-Takes : Intersections between Canadian Literature and Film / / edited by David R. Jarraway"]
[null,null,"Pubbl/distr/stampa",null,"Ottawa, ON : , : University of Ottawa Press, , 2013"]
[{"$nulls":4},"Baltimore, Md. : , : Project MUSE, , 2013"]
[{"$nulls":4},"©2013"]
[null,null,"ISBN",null,"0-7766-1988-8"]
[null,null,"Descrizione fisica",null,"1 online resource (367 p.)"]
[null,null,"Collana",null,"Reappraisals: Canadian writers ; ; 35"]
[null,null,"Disciplina",null,"791.43/657"]
[null,null,"Soggetti",null,"Film adaptations - History and criticism"]
[{"$nulls":4},"Canadian literature - Film adaptations"]
[{"$nulls":4},"Motion pictures and literature - Canada"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"COVER ; TITLE PAGE ; COPYRIGHT NOTICE; DEDICATION; TABLE OF CONTENTS; INTRODUCTION; PART ONE : REALISM AND ITS \"OTHERS\"; Beyond the National-Realist Text:  Imagining the Impossible Nation in Contemporary Canadian Cinema; Griersonian \"Actuality\" and  Social Protest in Dorothy Livesay's  Documentary Poems; \"Stunning and Strange\": Iceland as Memory and Prophecy in Alice Munro's \"White Dump\" and Sarah Polley's \"Away from Her\"; Maddin, Melodrama and  the Pre-National; Dialogic Phantasy in Bruce McDonald's Adaptive Narratives; PART TWO : ADAPTATION, FOR BETTER OR WORSE"]
[{"$nulls":4},"Reading Canadian Film Credits:  Adapting Institutions, Systems  and AffectsSisters in the Wilderness:  Mythologizing Catharine Parr Traill; \"Triumph\" in the Backwoods:  The CBC's Take on Moodie and Traill in Sisters in the Wilderness (2000); The Director's Medium: Richard Attenborough's  De-Authorization of Grey Owl; Narrative Structure and Narrative Voices in The English Patient:  Film and Novel-A Comparative Study; Loser Wins: The Rhetoric of High  Modernism in The Apprenticeship of Duddy Kravitz; Why They Cannot Get It Right:  A Reader's Notes about Richler on Screen"]
[{"$nulls":4},"\"[I]t's my nature\": A Comparison of  Hagar Shipley's Pride in The Stone Angel Novel and FilmPART THREE : IDENTITY: \"TO BE OR NOT TO BE\"; Why Sex Matters in Canadian Film  and Literature; The Nature of Things: Coupland, Cinema and the Canadian Sixties and Seventies; "]
[{"$nulls":4},"Adapting Men to New Times? Engagements with Masculinism in  John Howe's Why Rock the Boat?; Filming Music: Adapting  Transnational Sound in The English Patient and Fugitive Pieces; \"Something's missing\":  Exploding Girlhood and Narrative in  The Tracey Fragments; CONTRIBUTORS; INDEX; Reappraisals: Canadian Writers"]
[null,null,null,"Sommario/riassunto","The widest-ranging exploration to date of the interaction between English Canadian literature and film."]