A theory of art [[electronic resource] /] / Karol Berger
(Visualizza in formato marc)
(Visualizza in BIBFRAME)
| Autore: |
Berger Karol <1947->
|
| Titolo: |
A theory of art [[electronic resource] /] / Karol Berger
|
| Pubblicazione: | New York, : Oxford University Press, 2000 |
| Descrizione fisica: | 1 online resource (302 p.) |
| Disciplina: | 700/.1 |
| Soggetto topico: | Arts - Philosophy |
| Aesthetics | |
| Poetics | |
| Soggetto genere / forma: | Electronic books. |
| Note generali: | Description based upon print version of record. |
| Nota di bibliografia: | Includes bibliographical references (p. 269-276) and index. |
| Nota di contenuto: | ""Contents""; ""PROLOGUE: THE FUNCTION AND VALUE OF ART""; ""PART I: AESTHETICS: THE ENDS OF ARTWORKS""; ""CHAPTER 1 AESTHETICS I. THE NATURE OF ART""; ""a. The Media of Culture""; ""b. Visual Media""; ""c. Music""; ""d. Language""; ""e. Works and Performances, Originals and Copies""; ""f. Representations and Arguments""; ""CHAPTER 2 AESTHETICS II. THE USES OF ART""; ""a. The Ethical Life""; ""b. Art and History""; ""c. Art and Philosophy""; ""d. Art, Religion, and the State""; ""e. Pleasure""; ""CHAPTER 3 AESTHETICS III. THE GENEALOGY OF MODERN EUROPEAN ART MUSIC"" |
| ""a. Social Practices and Their Histories""""b. Functional and Autonomous Music""; ""c. The Rise of Mimetic Music""; ""d. The Rise of Abstract Music""; ""e. The Cold War of Mimesis and Abstraction""; ""f. The Significance of Abstraction""; ""PART II: POETICS AND HERMENEUTICS: THE CONTENTS AND INTERPRETATION OF ARTWORKS""; ""CHAPTER 4 POETICS I. DIEGESIS AND MIMESIS: THE POETIC MODES AND THE MATTER OF ARTISTIC PRESENTATION""; ""a. The Voices""; ""b. The Modes in Painting and Music""; ""c. The Author, Implied and Real, Dead and Alive"" | |
| ""CHAPTER 5 POETICS II. NARRATIVE AND LYRIC: THE POETIC FORMS AND THE OBJECT OF ARTISTIC PRESENTATION""""a. Narrative and Lyric""; ""b. The Forms in Painting and Music""; ""c. Action and Passion""; ""CHAPTER 6 HERMENEUTICS. INTERPRETATION AND ITS VALIDITY""; ""a. Interpretation: Metaphor and Metonymy""; ""b. Validity: Persuasion and Legitimacy""; ""EPILOGUE: THE POWER OF TASTE""; ""Notes""; ""Selected Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z"" | |
| Sommario/riassunto: | This philosophical theory of art has three main objectives: to shift the focus of aesthetics from What is art? to What is art for?; to describe the social and historical situation of art today; and to combine aesthetics with poetics and hermeneutics. |
| Titolo autorizzato: | A theory of art |
| ISBN: | 0-19-515852-0 |
| 0-19-978580-5 | |
| 1-280-47213-8 | |
| 9786610472130 | |
| 0-19-802952-7 | |
| 1-60256-354-3 | |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910455728203321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |