04127nam 2200793 a 450 991045572820332120211004235114.00-19-515852-00-19-978580-51-280-47213-897866104721300-19-802952-71-60256-354-3(CKB)111004366530230(EBL)3052072(OCoLC)922952764(SSID)ssj0000089846(PQKBManifestationID)11124248(PQKBTitleCode)TC0000089846(PQKBWorkID)10092275(PQKB)10096052(SSID)ssj0001149759(PQKBManifestationID)12513820(PQKBTitleCode)TC0001149759(PQKBWorkID)11175466(PQKB)10661763(StDuBDS)EDZ0000075391(MiAaPQ)EBC3052072(Au-PeEL)EBL3052072(CaPaEBR)ebr10142385(CaONFJC)MIL47213(OCoLC)925415103(MiAaPQ)EBC270910(Au-PeEL)EBL270910(OCoLC)191827398(EXLCZ)9911100436653023019981007d2000 uy 0engur|n|---|||||txtccrA theory of art[electronic resource] /Karol BergerNew York Oxford University Press20001 online resource (302 p.)Description based upon print version of record.0-585-36697-7 0-19-512860-5 Includes bibliographical references (p. 269-276) and index.""Contents""; ""PROLOGUE: THE FUNCTION AND VALUE OF ART""; ""PART I: AESTHETICS: THE ENDS OF ARTWORKS""; ""CHAPTER 1 AESTHETICS I. THE NATURE OF ART""; ""a. The Media of Culture""; ""b. Visual Media""; ""c. Music""; ""d. Language""; ""e. Works and Performances, Originals and Copies""; ""f. Representations and Arguments""; ""CHAPTER 2 AESTHETICS II. THE USES OF ART""; ""a. The Ethical Life""; ""b. Art and History""; ""c. Art and Philosophy""; ""d. Art, Religion, and the State""; ""e. Pleasure""; ""CHAPTER 3 AESTHETICS III. THE GENEALOGY OF MODERN EUROPEAN ART MUSIC""""a. Social Practices and Their Histories""""b. Functional and Autonomous Music""; ""c. The Rise of Mimetic Music""; ""d. The Rise of Abstract Music""; ""e. The Cold War of Mimesis and Abstraction""; ""f. The Significance of Abstraction""; ""PART II: POETICS AND HERMENEUTICS: THE CONTENTS AND INTERPRETATION OF ARTWORKS""; ""CHAPTER 4 POETICS I. DIEGESIS AND MIMESIS: THE POETIC MODES AND THE MATTER OF ARTISTIC PRESENTATION""; ""a. The Voices""; ""b. The Modes in Painting and Music""; ""c. The Author, Implied and Real, Dead and Alive""""CHAPTER 5 POETICS II. NARRATIVE AND LYRIC: THE POETIC FORMS AND THE OBJECT OF ARTISTIC PRESENTATION""""a. Narrative and Lyric""; ""b. The Forms in Painting and Music""; ""c. Action and Passion""; ""CHAPTER 6 HERMENEUTICS. INTERPRETATION AND ITS VALIDITY""; ""a. Interpretation: Metaphor and Metonymy""; ""b. Validity: Persuasion and Legitimacy""; ""EPILOGUE: THE POWER OF TASTE""; ""Notes""; ""Selected Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z""This philosophical theory of art has three main objectives: to shift the focus of aesthetics from What is art? to What is art for?; to describe the social and historical situation of art today; and to combine aesthetics with poetics and hermeneutics.ArtsPhilosophyAestheticsPoeticsElectronic books.ArtsPhilosophy.Aesthetics.Poetics.700/.1Berger Karol1947-297230MiAaPQMiAaPQMiAaPQBOOK9910455728203321A theory of art2460218UNINA