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100   $a19981007d2000      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 12$aA theory of art$b[electronic resource] /$fKarol Berger
210   $aNew York $cOxford University Press$d2000
215   $a1 online resource (302 p.)
300   $aDescription based upon print version of record.
311   $a0-585-36697-7 
311   $a0-19-512860-5 
320   $aIncludes bibliographical references (p. 269-276) and index.
327   $a""Contents""; ""PROLOGUE: THE FUNCTION AND VALUE OF ART""; ""PART I: AESTHETICS: THE ENDS OF ARTWORKS""; ""CHAPTER 1 AESTHETICS I. THE NATURE OF ART""; ""a. The Media of Culture""; ""b. Visual Media""; ""c. Music""; ""d. Language""; ""e. Works and Performances, Originals and Copies""; ""f. Representations and Arguments""; ""CHAPTER 2 AESTHETICS II. THE USES OF ART""; ""a. The Ethical Life""; ""b. Art and History""; ""c. Art and Philosophy""; ""d. Art, Religion, and the State""; ""e. Pleasure""; ""CHAPTER 3 AESTHETICS III. THE GENEALOGY OF MODERN EUROPEAN ART MUSIC""
327   $a""a. Social Practices and Their Histories""""b. Functional and Autonomous Music""; ""c. The Rise of Mimetic Music""; ""d. The Rise of Abstract Music""; ""e. The Cold War of Mimesis and Abstraction""; ""f. The Significance of Abstraction""; ""PART II: POETICS AND HERMENEUTICS: THE CONTENTS AND INTERPRETATION OF ARTWORKS""; ""CHAPTER 4 POETICS I. DIEGESIS AND MIMESIS: THE POETIC MODES AND THE MATTER OF ARTISTIC PRESENTATION""; ""a. The Voices""; ""b. The Modes in Painting and Music""; ""c. The Author, Implied and Real, Dead and Alive""
327   $a""CHAPTER 5 POETICS II. NARRATIVE AND LYRIC: THE POETIC FORMS AND THE OBJECT OF ARTISTIC PRESENTATION""""a. Narrative and Lyric""; ""b. The Forms in Painting and Music""; ""c. Action and Passion""; ""CHAPTER 6 HERMENEUTICS. INTERPRETATION AND ITS VALIDITY""; ""a. Interpretation: Metaphor and Metonymy""; ""b. Validity: Persuasion and Legitimacy""; ""EPILOGUE: THE POWER OF TASTE""; ""Notes""; ""Selected Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z""
330 8 $aThis philosophical theory of art has three main objectives: to shift the focus of aesthetics from What is art? to What is art for?; to describe the social and historical situation of art today; and to combine aesthetics with poetics and hermeneutics.
606   $aArts$xPhilosophy
606   $aAesthetics
606   $aPoetics
608   $aElectronic books.
615  0$aArts$xPhilosophy.
615  0$aAesthetics.
615  0$aPoetics.
676   $a700/.1
700   $aBerger$b Karol$f1947-$0297230
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
912   $a9910455728203321
996   $aA theory of art$92460218
997   $aUNINA