Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger
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| Autore: |
Berger Harris M. <1966->
|
| Titolo: |
Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger
|
| Pubblicazione: | Hanover, N.H., : University Press of New England, c1999 |
| Descrizione fisica: | 1 online resource (578 p.) |
| Disciplina: | 781.65 |
| Soggetto topico: | Musical perception |
| Music - Philosophy and aesthetics | |
| Rock music - Ohio - Cleveland - History and criticism | |
| Rock music - Ohio - Akron - History and criticism | |
| Jazz - Ohio - Cleveland - History and criticism | |
| Jazz - Ohio - Akron - History and criticism | |
| Music - Social aspects | |
| Soggetto genere / forma: | Electronic books. |
| Note generali: | "Wesleyan University Press." |
| Nota di bibliografia: | Includes bibliographical references (p. 315-323) and index. |
| Nota di contenuto: | Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes |
| 6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence | |
| 12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index | |
| Sommario/riassunto: | A lively comparison of musical meaning in Ohio's Jazz, metal, and hard rock scene. |
| Titolo autorizzato: | Metal, rock, and jazz |
| ISBN: | 1-283-10991-3 |
| 9786613109910 | |
| 0-8195-7182-2 | |
| 0-585-38754-0 | |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910455661203321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |
Serie:
Music/culture.