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Record Nr. |
UNINA9910455661203321 |
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Autore |
Berger Harris M. <1966-> |
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Titolo |
Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger |
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Pubbl/distr/stampa |
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Hanover, N.H., : University Press of New England, c1999 |
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ISBN |
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1-283-10991-3 |
9786613109910 |
0-8195-7182-2 |
0-585-38754-0 |
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Descrizione fisica |
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1 online resource (578 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Musical perception |
Music - Philosophy and aesthetics |
Rock music - Ohio - Cleveland - History and criticism |
Rock music - Ohio - Akron - History and criticism |
Jazz - Ohio - Cleveland - History and criticism |
Jazz - Ohio - Akron - History and criticism |
Music - Social aspects |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"Wesleyan University Press." |
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Nota di bibliografia |
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Includes bibliographical references (p. 315-323) and index. |
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Nota di contenuto |
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Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes |
6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: |
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Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence |
12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index |
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Sommario/riassunto |
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A lively comparison of musical meaning in Ohio's Jazz, metal, and hard rock scene. |
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