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010   $a9786613109910
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010   $a0-585-38754-0
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100   $a19981110d1999      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMetal, rock, and jazz$b[electronic resource] $eperception and the phenomenology of musical experience /$fHarris M. Berger
210   $aHanover, N.H. $cUniversity Press of New England$dc1999
215   $a1 online resource (578 p.)
225 1 $aMusic/culture
300   $a"Wesleyan University Press."
311   $a0-8195-6371-4 
320   $aIncludes bibliographical references (p. 315-323) and index.
327   $aCover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes
327   $a6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence
327   $a12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index
330   $aA lively comparison of musical meaning in Ohio's Jazz, metal, and hard rock scene.
410  0$aMusic/culture.
606   $aMusical perception
606   $aMusic$xPhilosophy and aesthetics
606   $aRock music$zOhio$zCleveland$xHistory and criticism
606   $aRock music$zOhio$zAkron$xHistory and criticism
606   $aJazz$zOhio$zCleveland$xHistory and criticism
606   $aJazz$zOhio$zAkron$xHistory and criticism
606   $aMusic$xSocial aspects
608   $aElectronic books.
615  0$aMusical perception.
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aRock music$xHistory and criticism.
615  0$aRock music$xHistory and criticism.
615  0$aJazz$xHistory and criticism.
615  0$aJazz$xHistory and criticism.
615  0$aMusic$xSocial aspects.
676   $a781.65
700   $aBerger$b Harris M.$f1966-$0870525
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910455661203321
996   $aMetal, rock, and jazz$91943205
997   $aUNINA