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Gender and the Nuclear Family in Twenty-First-Century Horror / / by Kimberly Jackson
| Gender and the Nuclear Family in Twenty-First-Century Horror / / by Kimberly Jackson |
| Autore | Jackson Kimberly |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (222 p.) |
| Disciplina | 791.436164 |
| Soggetto topico |
Motion pictures—History
Film genres Communication Social groups Family Film History Genre Media and Communication Sociology of Family, Youth and Aging |
| ISBN | 1-137-53275-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title Page; Copyright Page; Table of Contents; List of Figures; Acknowledgments; Introduction: The "Post" Era: Defining Postpatriarchy and Postfeminism; 1 Impossible Womanhood and Postfeminist Hegemony in Peirce's Carrie and Bertino's The Strangers; 2 Like Son, Like Father: Tracing the Male Possession Narrative through Shyamalan's The Sixth Sense, Koepp's Stir of Echoes, and Wan's Insidious and Insidious: Chapter 2; 3 Family Horror, Media Saturation, and the Phenomenon of True Crime in Derrickson's Sinister
4 Returning to the Archaic Mother: Collet-Serra's Orphan, Muschietti's Mama, and Flanagan's OculusConclusion; Notes; Bibliography; Filmography; Index |
| Record Nr. | UNINA-9910255252003321 |
Jackson Kimberly
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| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gender meets genre in postwar cinemas [[electronic resource] /] / edited by Christine Gledhill
| Gender meets genre in postwar cinemas [[electronic resource] /] / edited by Christine Gledhill |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, 2012 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 791.43/6522 |
| Altri autori (Persone) | GledhillChristine |
| Soggetto topico |
Sex role in motion pictures
Motion pictures and women Feminism and motion pictures Film genres Women in motion pictures Men in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-58281-3
9786613895264 0-252-09366-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan. |
| Record Nr. | UNINA-9910462058503321 |
| Urbana, : University of Illinois Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gender meets genre in postwar cinemas [[electronic resource] /] / edited by Christine Gledhill
| Gender meets genre in postwar cinemas [[electronic resource] /] / edited by Christine Gledhill |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, 2012 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 791.43/6522 |
| Altri autori (Persone) | GledhillChristine |
| Soggetto topico |
Sex role in motion pictures
Motion pictures and women Feminism and motion pictures Film genres Women in motion pictures Men in motion pictures |
| ISBN |
1-283-58281-3
9786613895264 0-252-09366-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan. |
| Record Nr. | UNINA-9910790297003321 |
| Urbana, : University of Illinois Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gender meets genre in postwar cinemas / / edited by Christine Gledhill
| Gender meets genre in postwar cinemas / / edited by Christine Gledhill |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, 2012 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 791.43/6522 |
| Altri autori (Persone) | GledhillChristine |
| Soggetto topico |
Sex role in motion pictures
Motion pictures and women Feminism and motion pictures Film genres Women in motion pictures Men in motion pictures |
| ISBN |
1-283-58281-3
9786613895264 0-252-09366-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan. |
| Record Nr. | UNINA-9910811622603321 |
| Urbana, : University of Illinois Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Genre Trouble and Extreme Cinema : Film Theory at the Fringes of Contemporary Art Cinema / / by Troy Bordun
| Genre Trouble and Extreme Cinema : Film Theory at the Fringes of Contemporary Art Cinema / / by Troy Bordun |
| Autore | Bordun Troy |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XI, 244 p. 13 illus. in color.) |
| Disciplina | 791.436 |
| Soggetto topico |
Film genres
Motion pictures Arts Genre Film Theory |
| ISBN | 3-319-65894-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Genre Trouble and Extreme Cinema -- 2. Carlos Reygadas, the Avant-Garde, and the Senses -- 3. !Que Viva Mexico!: Reygadas as Documentarian -- 4. I Don’t Know It When I See it: Catherine Breillat’s Pornography -- 5. Horrible Pornography: Fat Girl (À ma soeur!, 2001) -- 6. Onscreen and Off-screen Flesh and Blood: Performance, Pornography, Ethics -- 7. Reframing Spectatorship Theory with Extreme Cinema -- 8. Conclusion: Know Genre, No Trouble. |
| Record Nr. | UNINA-9910255086403321 |
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Bordun Troy
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Genre, authorship and contemporary women filmmakers / / Katarzyna Paszkiewicz [[electronic resource]]
| Genre, authorship and contemporary women filmmakers / / Katarzyna Paszkiewicz [[electronic resource]] |
| Autore | Paszkiewicz Katarzyna |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2018 |
| Descrizione fisica | 1 online resource (ix, 294 pages) : digital, PDF file(s) |
| Disciplina | 791.4302/33082 |
| Collana | Edinburgh scholarship online |
| Soggetto topico |
Women motion picture producers and directors - United States
Motion pictures - United States Film genres Motion picture authorship Motion pictures - History |
| ISBN |
1-4744-4963-8
1-4744-2528-3 1-4744-2527-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: impossible liaisons? genre and feminist film criticism -- Subversive auteur, subversive genre -- Repeat to remake: Diablo Cody and Karyn Kusama's Jennifer's Body -- Hollywood transvestite: Kathryn Bigelow's The Hurt Locker -- Genre in the margins: Kelly Reichardt's Meek's Cutoff -- Genre on the surface: Sofia Coppola's Marie Antoinette -- What a woman wants?: Nancy Meyers's The Intern -- Afterword: desperately seeking wonder women. |
| Record Nr. | UNISA-996472052003316 |
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Paszkiewicz Katarzyna
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| Edinburgh : , : Edinburgh University Press, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Genre, authorship and contemporary women filmmakers / / Katarzyna Paszkiewicz [[electronic resource]]
| Genre, authorship and contemporary women filmmakers / / Katarzyna Paszkiewicz [[electronic resource]] |
| Autore | Paszkiewicz Katarzyna |
| Pubbl/distr/stampa | Edinburgh University Press, 2008 |
| Descrizione fisica | 1 online resource (ix, 294 pages) : digital, PDF file(s) |
| Disciplina | 791.4302/33082 |
| Collana | Edinburgh scholarship online |
| Soggetto topico |
Women motion picture producers and directors - United States
Motion pictures - United States Film genres Motion picture authorship Motion pictures - History |
| Soggetto non controllato |
Performing Arts
Film Direction & Production |
| ISBN |
1-4744-4963-8
1-4744-2528-3 1-4744-2527-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: impossible liaisons? genre and feminist film criticism -- Subversive auteur, subversive genre -- Repeat to remake: Diablo Cody and Karyn Kusama's Jennifer's Body -- Hollywood transvestite: Kathryn Bigelow's The Hurt Locker -- Genre in the margins: Kelly Reichardt's Meek's Cutoff -- Genre on the surface: Sofia Coppola's Marie Antoinette -- What a woman wants?: Nancy Meyers's The Intern -- Afterword: desperately seeking wonder women. |
| Record Nr. | UNINA-9910433253703321 |
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Paszkiewicz Katarzyna
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| Edinburgh University Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Geographies, Genders and Geopolitics of James Bond / / by Lisa Funnell, Klaus Dodds
| Geographies, Genders and Geopolitics of James Bond / / by Lisa Funnell, Klaus Dodds |
| Autore | Funnell Lisa |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XI, 242 p. 20 illus. in color.) |
| Disciplina | 327 |
| Soggetto topico |
International relations
Film genres Motion pictures—Great Britain International Relations Genre British Cinema and TV |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN | 1-137-57024-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Abstract; Acknowledgements; Contents; List of Figures; Chapter 1: Introduction; Geographies, Genders, and Geopolitics of James Bond; The Book's Mission; Notes; Chapter 2: The Haptic Geographies of James Bond's Body; Haptic Geographies of James Bond; The Fit Body; The Sensual Body; The Technical Body; The Memorializing Body; The Calculative Body; In/Out of Touch: Regulating James Bond and His Missions; Notes; Chapter 3: The Anglo-American Connection; The Connery Era: Establishing the Anglo-American Connection; The Moore Era: Concentration and Differentiation of American Allies.
Dalton Era: American-Focused and American-CentricBrosnan Era: Bond Girl Take Over; Craig Era: Re-visioning American Identities; The Anglo-American Connection; Notes; Chapter 4: Shaken, Not Stirred: Shifting Representations of the Soviet Union and Russia; Bond Girl and the Bad Girl; From Russia with Love; GoldenEye; Bond and the Soviet Female Agent; Older and Younger Soviet Generals/Agents (or Soviet Doves and Hawks); Octopussy; A View to a Kill; The Living Daylights; Conclusion; Notes; Chapter 5: The Asian City: Modern/Vertical vs. Pre- modern/Horizontal Spaces. East Asian Modernity in the Connery EraVertical and Horizontal Contrasts in the Moore Era; The Technical/Modern Divide in the Brosnan Era; Techno-Orientalism in Skyfall; Conclusion; Notes; Chapter 6: Resourceful Bond; Gold; Goldfinger; Diamonds; Diamonds Are Forever; Die Another Day; Crude Oil/Petroleum; The Man with the Golden Gun; The World Is Not Enough; Quantum of Solace; Water Conflict; Quantum of Solace; Conclusion; Notes; Chapter 7: Smooth Operator: Space, Mobility, and Social Rituals; License to Destroy; Villain's Lair; Preserving Monuments; Construction Sites Trains, Planes, and AutomobilesTrains; Planes; Automobiles; High Versus Low Culture Spaces; Tourist Traps; Highbrow Social Spaces; The Casino; Symphony and Opera; Conclusion; Notes; Chapter 8: Heartland Geopolitics; Heartland Under Attack; Rallying Around the Flag; Blue; Red; Homecoming; Heartland Ruins; Notes; Afterword; Bibliography; Index. |
| Record Nr. | UNINA-9910157386303321 |
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Funnell Lisa
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gossip, Women, Film, and Chick Flicks / / by Sarah-Mai Dang
| Gossip, Women, Film, and Chick Flicks / / by Sarah-Mai Dang |
| Autore | Dang Sarah-Mai |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Pivot, , 2017 |
| Descrizione fisica | 1 online resource (XII, 75 p. 20 illus. in color.) |
| Disciplina | 791.4301 |
| Collana | Palgrave Pivot |
| Soggetto topico |
Motion pictures
Feminist theory Film genres Popular Culture Culture Gender Women Film Theory Feminism Genre Culture and Gender Women's Studies |
| ISBN | 1-137-56018-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Gossip as an Organizing Principle of Social Order and Perception -- 3. Easy A – “A is for Awesome” -- 4. Emma – “A match well made, a job well done.” -- 5. A Matter of Perspective. |
| Record Nr. | UNINA-9910153099803321 |
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Dang Sarah-Mai
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Pivot, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gothic Cinema : An introduction / / by Katharina Rein
| Gothic Cinema : An introduction / / by Katharina Rein |
| Autore | Rein Katharina |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Palgrave, , 2023 |
| Descrizione fisica | 1 online resource (204 pages) |
| Disciplina | 306.85 |
| Soggetto topico |
Film genres
Motion pictures Motion pictures—History Motion picture authorship Genre Studies Film Theory Film and TV History Screenwriting |
| ISBN | 3-658-40721-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Definition of terms and delimitation -- Elements, motifs, themes -- Gothic Cinema before 1960 -- Gothic Cinema from 1960 onwards -- Gothic around 2000: old monsters in new guises -- Between old and new -- The Haunting of Hill House (2018) -- Dracula (2020) -- Crimson Peak (2015). |
| Record Nr. | UNINA-9910734842503321 |
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Rein Katharina
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| Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Palgrave, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
-
Film genres
(122)
- Genre (88)
- Motion pictures (46)
- Film Theory (27)
- Popular Culture (23)