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Transmediating the Whedonverse(s) : Essays on Texts, Paratexts, and Metatexts / / edited by Juliette C. Kitchens, Julie L. Hawk
Transmediating the Whedonverse(s) : Essays on Texts, Paratexts, and Metatexts / / edited by Juliette C. Kitchens, Julie L. Hawk
Edizione [1st ed. 2019.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019
Descrizione fisica 1 online resource (221 pages)
Disciplina 791.430233092
791.450233092
Soggetto topico Popular Culture
Film genres
Communication
United States—Study and teaching
Genre
Media and Communication
American Culture
ISBN 3-030-24616-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Chapter 1: Exploring a Whedonverse, the Whedonverses, and the Whedonverse(s): The Shape of Transmedia Storytelling in Joss Whedon’s World(s) -- Chapter 2: Un-Warren-ted: Or, How I Learned to Stop Worrying and Love My Transgressive Fandom -- Chapter 3: History Has Its Eyes on the Greatest Hellmouth in the World: Transmedia, Hint Fiction, and Mashup Memes -- Chapter 4: Transmediating the Whedon Classroom -- Chapter 5: “This is the next me”: The Evolution of AI in the Whedonverse -- Chapter 6: “You’re not the source of me”: Navigating and Mastering the Transmedial at the End of Buffy the Vampire Slayer’s Fourth Season -- Chapter 7: “To Speak Against an Opponent Eloquently Makes You an Unusual Personage”: Joss Whedon as Deleuzian ‘Minor Writer’ -- Chapter 8: The Transtextual Road Trip: Buffy the Vampire Slayer, Supernatural, and Televisual Forebears -- Chapter 9: A Brief Note on Looking Forward -- Index. .
Record Nr. UNINA-9910481964103321
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Transnational Horror Cinema : Bodies of Excess and the Global Grotesque / / edited by Sophia Siddique, Raphael Raphael
Transnational Horror Cinema : Bodies of Excess and the Global Grotesque / / edited by Sophia Siddique, Raphael Raphael
Edizione [1st ed. 2016.]
Pubbl/distr/stampa London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016
Descrizione fisica 1 online resource (250 pages) : illustrations
Disciplina 791.436164
Soggetto topico Film genres
Human body—Social aspects
Culture
Gender
Culture—Study and teaching
Motion pictures
Genre
Sociology of the Body
Culture and Gender
Cultural Theory
Global Cinema and TV
Soggetto genere / forma Criticism, interpretation, etc.
ISBN 1-137-58417-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Machine generated contents note: ; 1. Introduction / Raphael Raphael -- ; pt. I Questions of Genre -- ; 2. Butchered in Translation: A Transnational "Grotesuqe" / Mike Dillon -- ; 3. An Introduction to the Continental Horror Film / Kevin Wynter -- ; 4. Dracula, Vampires, and Kung Fu Fighters: The Legend of the Seven Golden Vampires and Transnational Horror Co-production in 1970s Hong Kong / Sangjoon Lee -- ; pt. II The Horrific Body (Disability and Horror) -- ; 5. Dead Meat: Horror, Disability, and Eating Rituals / Julia Gruson-Wood -- ; 6. Music, Sound, and Noise as Bodily Disorders: Disabling the Filmic Diegesis in Hideo Nakata's Ringu and Gore Verbinski's The Ring / Stefan Sunandan Honisch -- ; 7. An Eyepatch of Courage: Battle-Scarred Amazon Warriors in the Movies of Robert Rodriguez and Quentin Tarantino / Moritz Fink -- ; 8. Scary Truths: Morality and the Differently Abled Mind in Lars von Trier's The Kingdom / Paul Rae Marchbanks -- ; pt. III Responses to Trauma -- ; 9. Towards a Southeast Asian Model of Horror: Thai Horror Cinema in Malaysia, Urbanization, and Cultural Proximity / Mary J. Ainslie -- ; 10. Planet Kong: Transnational Flows of King Kong (1933) in Japan and East Asia / Raphael Raphael -- ; 11. Embodying Spectral Vision in The Eye / Sophia Siddique.
Record Nr. UNINA-9910255246303321
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016
Materiale a stampa
Lo trovi qui: Univ. Federico II
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True Event Adaptation : Scripting Real Lives / / edited by Davinia Thornley
True Event Adaptation : Scripting Real Lives / / edited by Davinia Thornley
Edizione [1st ed. 2018.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018
Descrizione fisica 1 online resource (241 pages)
Disciplina 791.436
Collana Palgrave Studies in Adaptation and Visual Culture
Soggetto topico Motion pictures
Film genres
Historiography
Adaptation Studies
Genre
Memory Studies
ISBN 3-319-97322-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Part I -- 1. Introduction—Scripting Real Lives, Davinia Thornley -- 2. The Study of Historical Films as Adaptation: Some Critical Reflections, Patrick Cattrysse -- 3. Waiting for the Great Swell of ‘74: John Milius and Autobiographical Self-projection in Big Wednesday, Alfio Leotta -- 4. Making Robert Sarkies’ Film Out of the Blue: Adaptation & Indigenization in Aotearoa New Zealand, Davinia Thornley -- Part II -- 5. When the Truth becomes Too Hard to Tell: Jocylene Saab & Dunia (2005), Margaret McVeigh -- 6. Making It “Real”/“Reel”: Truth, Trauma, and American Exceptionalism in Zero Dark Thirty, Jennifer L. Gauthier -- 7. (The Facts before) The Fiction before the Facts: Suburra from Novel (to Trial) to Feature to TV Serial, Paolo Russo -- 8. Reaching Young Audiences through Research: Using the NABC Method to Create the Norwegian Web Teenage Drama SKAM/Shame, Eva N. Redvall -- Part III -- 9. An Adaptation of Life: Ethnographically-grounded Fiction as a Method of Inquiry into Personal Accounts of Traumatic Events, Ester T. Roura -- 10. Writing the Screenplay for the History Film: A Case Study Featuring the Historical Figure, C.Y. O’Connor, Nadia Meneghello.
Record Nr. UNINA-9910300037903321
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Understanding Genres in Comics / / by Nicolas Labarre
Understanding Genres in Comics / / by Nicolas Labarre
Autore Labarre Nicolas
Edizione [1st ed. 2020.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2020
Descrizione fisica 1 online resource : illustrations
Disciplina 741.59
301
Collana Palgrave Studies in Comics and Graphic Novels
Soggetto topico Comic books, strips, etc
Film genres
Communication
Literature, Modern—20th century
Literature, Modern—21st century
Comics Studies
Genre
Media and Communication
Contemporary Literature
ISBN 3030435547
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto 1. Introduction: Genres as formula, genres beyond formula -- 2. Are genres media-specific? -- 3. Where are genres in comics? -- 4. How genres emerge: horror comics -- 5. How genres are maintained: the case of genre curation in crossovers -- 6. The uses of genre: productivity, cultural distinction and shared culture -- 7. The uses of genre: generic discourses among producing fans -- 8. The uses of genres: asserting authority -- 10. Invisible genres and other architexts -- 11. Conclusion: Beyond genre?.
Record Nr. UNINA-9910483038303321
Labarre Nicolas  
Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2020
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Victorian Detectives in Contemporary Culture : Beyond Sherlock Holmes / / edited by Lucyna Krawczyk-Żywko
Victorian Detectives in Contemporary Culture : Beyond Sherlock Holmes / / edited by Lucyna Krawczyk-Żywko
Edizione [1st ed. 2017.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2017
Descrizione fisica 1 online resource (XIII, 116 p.)
Disciplina 823.087209
Collana Palgrave Pivot
Soggetto topico Popular Culture
Motion pictures
Film genres
Literature, Modern—19th century
Adaptation Studies
Genre
Nineteenth-Century Literature
Soggetto genere / forma Criticism, interpretation, etc.
ISBN 3-319-69311-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNINA-9910255093303321
Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2017
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Virtual Weaponry : The Militarized Internet in Hollywood War Films / / by Aaron Tucker
Virtual Weaponry : The Militarized Internet in Hollywood War Films / / by Aaron Tucker
Autore Tucker Aaron
Edizione [1st ed. 2017.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017
Descrizione fisica 1 online resource (XI, 250 p. 22 illus., 21 illus. in color.)
Disciplina 791.430973
Soggetto topico Motion pictures—United States
Culture
Technology
Film genres
Popular Culture
Communication
American Cinema and TV
Culture and Technology
Genre
Media and Communication
ISBN 3-319-60198-9
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Chapter 1: Introduction: Virtual Weaponry -- Chapter 2: The Hard Technological Body in the Exoskeletal Soldier -- Chapter 3: The Soldier Interfaces on the Digitally Augmented Battlefield -- Chapter 4: War Films, Combat Simulators and The Absent Virtual Soldier -- Chapter 5: Ender’s War Games: Drones, Data and the Simulation of War as Weapon and Tactic -- Chapter 6: The Civilian Soldiers of Cyberwarfare.
Record Nr. UNINA-9910255075103321
Tucker Aaron  
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017
Materiale a stampa
Lo trovi qui: Univ. Federico II
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The Western and Political Thought : A Fistful of Politics / / edited by Damien K. Picariello
The Western and Political Thought : A Fistful of Politics / / edited by Damien K. Picariello
Autore Picariello Damien K
Edizione [1st ed. 2023.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023
Descrizione fisica 1 online resource (233 pages)
Disciplina 320.01
813.087409
Soggetto topico Political science
Film genres
Popular Culture
Motion pictures, American
Fiction
Political Theory
Genre Studies
American Film and TV
Fiction Literature
ISBN 3-031-27284-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction:Thus in the beginning all the World was America -- Part I: Foundings, Law, Lawlessness, and John Ford -- Chapter 1. Virtue, Tyranny, and Political Rule in David Milch's Deadwood -- Chapter 2. Print the Legend: Violence, Virtue, and the Social Contract in Hang 'Em High and The Man Who Shot Liberty Valance -- Chapter 3. John Ford's Legendary Western Ambiguity and White Settler Colonialism -- Chapter 4. This is Our Town': Political Community in High Noon and The Man Who Shot Liberty Valance -- Part II: The Western as Mirror and Teacher -- Chapter 5. Simmering Madness: Mob Justice and The Ox-Bow Incident -- Chapter 6. The Loner on the 'Frontier of Unfilled Hopes and Unfilled Threats': Serling's Old West in Kennedy's New Frontier -- Chapter 7. No Man's Land: Film Cycles, Femininity, and Female Empowerment in the Modern Western -- Chapter 8. Horse Operas Talk Back: History, Memory, and the Black Cowboy Performing -- Chapter 9. Aristophanes in Spurs: Blazing Saddles, Attic Comedy, HBO, and the Politics of Democratic Laughter -- Part III: The Adaptable, International West -- Chapter 10. Towards Assimilationist Politics on the Filmic Frontier: Mid-Twentieth Century Westerns in Australia -- Chapter 11.Ideological Uses of the Western in Film Depictions of Post-War Polish Borderlands -- Chapter 12.Magnificent Strangers: Violence and Difference.
Record Nr. UNINA-9910731488703321
Picariello Damien K  
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023
Materiale a stampa
Lo trovi qui: Univ. Federico II
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World cinema through global genres / / William V. Costanzo
World cinema through global genres / / William V. Costanzo
Autore Costanzo William V
Pubbl/distr/stampa Chichester, England : , : Wiley-Blackwell, , 2014
Descrizione fisica 1 online resource (451 p.)
Disciplina 791.43071
Soggetto topico Motion pictures - Study and teaching
Film genres
Soggetto genere / forma Electronic books.
ISBN 1-118-71310-9
1-118-71291-9
1-118-71308-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto World Cinema through Global Genres; Copyright; Contents; Preface; Acknowledgments; How to Use This Book; Introduction; Unit I The Warrior Hero; Chapter 1 The Warrior Hero; The Western Hero and the Samurai; Men with Guns: The Western Hero; Men with Swords: The Samurai Tradition; Enchanted Swords and Flying Fists: Wuxia and Kung Fu; Evolution of the Wuxia Hero; Zhang Yimou's "Hero" and Chinese Aesthetics; The Kung Fu Craze Begins; Hong Kong's Movie Industry Comes of Age; Kung Fu, Wuxia, and the Aesthetics of Action; Filmography; Notes; Further Reading; Deep Focus on Chinese Cinemas
The Three Chinas Crouching Tiger, Hidden Dragon: The Making of a Transnational Chinese-Language Film; Notes; Further Reading; Close-up The Magnificent Seven; Questions; Notes; Further Reading and Other Media; Close-up Seven Samurai; Questions; Note; Further Reading; Close-up Sholay; Questions; Note; Further Reading; Close-up Way of the Dragon; Questions; Notes; Unit II The Weeding Film; Chapter 2 The Wedding Film; Questions of Genre and Myth; Every Girl's Dream, Every Father's Nightmare; Wedding Movies as Romantic Comedy; Best Friends, Buddies, and Other Wedding Saboteurs
Black Comedy and Dysfunctional Families: Wedding Films as Social Satire Arab Brides on the Border; Rites of Passage, Icons of Success: The Mythology of Wedding Films; Comparative Weddings 101; Towards a Definition of the Genre; Filmography; Notes; Further Reading; Deep Focus on Indian Cinemas; Classical Indian Cinema; History, Politics, and the Indian Film; Native Aesthetics; Song, Saris, Dance, and Stars; Questions of Influence; Bollywood in the 1990's: Hum Aapke Hain Koun...!and Family Wedding Films; Bride and Prejudice: The Indian Diaspora and Beyond; Global Bollywood and the Wedding Myth; Notes
Further Reading Close-up My Big Fat Greek Wedding; Questions; Notes; Close-up Monsoon Wedding; Questions; Notes; Close-up The Wedding Banquet; Questions; Notes; Close-up Wedding in Galilee; Questions; Notes; Unit III The Horror Film; Chapter 3 The Horror Film; Why We Watch Horror Films: The Thrill of Fear; Vampires: The Evolution of a Monster; Gothic Ghosts and Grand Guignol Gore; Soundless Screams on Silent Screens; The 1930's: Universal's Classic Monsters; The 1940's: World War II and Horror Noir; The 1950's: Creature Features and the Cold War
The 1960's: Psychos and Zombies, Civil Rights and Vietnam The 1970's: Stalking the American Family; The 1980's: Hauntings and Howlings in the Age of Reagan; The 1990's: Postmodern Horror and Supernatural Realismat the End of the Millennium; The New Millennium: Horror to the Extreme; Filmography; Notes; Further Reading; Deep Focus on Japanese Cinemas; Early History and Culture; Genres and Aesthetics; Anime; J-Horror; Notes; Further Reading; Close-up Halloween; Questions; Notes; Further Reading; Close-up Suspiria; Questions; Notes; Further Reading; Close-up The Devil's Backbone; Questions; Notes
Further Reading
Record Nr. UNINA-9910453671303321
Costanzo William V  
Chichester, England : , : Wiley-Blackwell, , 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
World cinema through global genres / / William V. Costanzo
World cinema through global genres / / William V. Costanzo
Autore Costanzo William V
Pubbl/distr/stampa Chichester, England : , : Wiley-Blackwell, , 2014
Descrizione fisica 1 online resource (451 p.)
Disciplina 791.43071
Collana New York Academy of Sciences
Soggetto topico Motion pictures - Study and teaching
Film genres
ISBN 1-118-71310-9
1-118-71291-9
1-118-71308-7
Classificazione PER004030
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto World Cinema through Global Genres; Copyright; Contents; Preface; Acknowledgments; How to Use This Book; Introduction; Unit I The Warrior Hero; Chapter 1 The Warrior Hero; The Western Hero and the Samurai; Men with Guns: The Western Hero; Men with Swords: The Samurai Tradition; Enchanted Swords and Flying Fists: Wuxia and Kung Fu; Evolution of the Wuxia Hero; Zhang Yimou's "Hero" and Chinese Aesthetics; The Kung Fu Craze Begins; Hong Kong's Movie Industry Comes of Age; Kung Fu, Wuxia, and the Aesthetics of Action; Filmography; Notes; Further Reading; Deep Focus on Chinese Cinemas
The Three Chinas Crouching Tiger, Hidden Dragon: The Making of a Transnational Chinese-Language Film; Notes; Further Reading; Close-up The Magnificent Seven; Questions; Notes; Further Reading and Other Media; Close-up Seven Samurai; Questions; Note; Further Reading; Close-up Sholay; Questions; Note; Further Reading; Close-up Way of the Dragon; Questions; Notes; Unit II The Weeding Film; Chapter 2 The Wedding Film; Questions of Genre and Myth; Every Girl's Dream, Every Father's Nightmare; Wedding Movies as Romantic Comedy; Best Friends, Buddies, and Other Wedding Saboteurs
Black Comedy and Dysfunctional Families: Wedding Films as Social Satire Arab Brides on the Border; Rites of Passage, Icons of Success: The Mythology of Wedding Films; Comparative Weddings 101; Towards a Definition of the Genre; Filmography; Notes; Further Reading; Deep Focus on Indian Cinemas; Classical Indian Cinema; History, Politics, and the Indian Film; Native Aesthetics; Song, Saris, Dance, and Stars; Questions of Influence; Bollywood in the 1990's: Hum Aapke Hain Koun...!and Family Wedding Films; Bride and Prejudice: The Indian Diaspora and Beyond; Global Bollywood and the Wedding Myth; Notes
Further Reading Close-up My Big Fat Greek Wedding; Questions; Notes; Close-up Monsoon Wedding; Questions; Notes; Close-up The Wedding Banquet; Questions; Notes; Close-up Wedding in Galilee; Questions; Notes; Unit III The Horror Film; Chapter 3 The Horror Film; Why We Watch Horror Films: The Thrill of Fear; Vampires: The Evolution of a Monster; Gothic Ghosts and Grand Guignol Gore; Soundless Screams on Silent Screens; The 1930's: Universal's Classic Monsters; The 1940's: World War II and Horror Noir; The 1950's: Creature Features and the Cold War
The 1960's: Psychos and Zombies, Civil Rights and Vietnam The 1970's: Stalking the American Family; The 1980's: Hauntings and Howlings in the Age of Reagan; The 1990's: Postmodern Horror and Supernatural Realismat the End of the Millennium; The New Millennium: Horror to the Extreme; Filmography; Notes; Further Reading; Deep Focus on Japanese Cinemas; Early History and Culture; Genres and Aesthetics; Anime; J-Horror; Notes; Further Reading; Close-up Halloween; Questions; Notes; Further Reading; Close-up Suspiria; Questions; Notes; Further Reading; Close-up The Devil's Backbone; Questions; Notes
Further Reading
Record Nr. UNINA-9910790838103321
Costanzo William V  
Chichester, England : , : Wiley-Blackwell, , 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
World cinema through global genres / / William V. Costanzo
World cinema through global genres / / William V. Costanzo
Autore Costanzo William V
Pubbl/distr/stampa Chichester, England : , : Wiley-Blackwell, , 2014
Descrizione fisica 1 online resource (451 p.)
Disciplina 791.43071
Collana New York Academy of Sciences
Soggetto topico Motion pictures - Study and teaching
Film genres
ISBN 1-118-71310-9
1-118-71291-9
1-118-71308-7
Classificazione PER004030
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto World Cinema through Global Genres; Copyright; Contents; Preface; Acknowledgments; How to Use This Book; Introduction; Unit I The Warrior Hero; Chapter 1 The Warrior Hero; The Western Hero and the Samurai; Men with Guns: The Western Hero; Men with Swords: The Samurai Tradition; Enchanted Swords and Flying Fists: Wuxia and Kung Fu; Evolution of the Wuxia Hero; Zhang Yimou's "Hero" and Chinese Aesthetics; The Kung Fu Craze Begins; Hong Kong's Movie Industry Comes of Age; Kung Fu, Wuxia, and the Aesthetics of Action; Filmography; Notes; Further Reading; Deep Focus on Chinese Cinemas
The Three Chinas Crouching Tiger, Hidden Dragon: The Making of a Transnational Chinese-Language Film; Notes; Further Reading; Close-up The Magnificent Seven; Questions; Notes; Further Reading and Other Media; Close-up Seven Samurai; Questions; Note; Further Reading; Close-up Sholay; Questions; Note; Further Reading; Close-up Way of the Dragon; Questions; Notes; Unit II The Weeding Film; Chapter 2 The Wedding Film; Questions of Genre and Myth; Every Girl's Dream, Every Father's Nightmare; Wedding Movies as Romantic Comedy; Best Friends, Buddies, and Other Wedding Saboteurs
Black Comedy and Dysfunctional Families: Wedding Films as Social Satire Arab Brides on the Border; Rites of Passage, Icons of Success: The Mythology of Wedding Films; Comparative Weddings 101; Towards a Definition of the Genre; Filmography; Notes; Further Reading; Deep Focus on Indian Cinemas; Classical Indian Cinema; History, Politics, and the Indian Film; Native Aesthetics; Song, Saris, Dance, and Stars; Questions of Influence; Bollywood in the 1990's: Hum Aapke Hain Koun...!and Family Wedding Films; Bride and Prejudice: The Indian Diaspora and Beyond; Global Bollywood and the Wedding Myth; Notes
Further Reading Close-up My Big Fat Greek Wedding; Questions; Notes; Close-up Monsoon Wedding; Questions; Notes; Close-up The Wedding Banquet; Questions; Notes; Close-up Wedding in Galilee; Questions; Notes; Unit III The Horror Film; Chapter 3 The Horror Film; Why We Watch Horror Films: The Thrill of Fear; Vampires: The Evolution of a Monster; Gothic Ghosts and Grand Guignol Gore; Soundless Screams on Silent Screens; The 1930's: Universal's Classic Monsters; The 1940's: World War II and Horror Noir; The 1950's: Creature Features and the Cold War
The 1960's: Psychos and Zombies, Civil Rights and Vietnam The 1970's: Stalking the American Family; The 1980's: Hauntings and Howlings in the Age of Reagan; The 1990's: Postmodern Horror and Supernatural Realismat the End of the Millennium; The New Millennium: Horror to the Extreme; Filmography; Notes; Further Reading; Deep Focus on Japanese Cinemas; Early History and Culture; Genres and Aesthetics; Anime; J-Horror; Notes; Further Reading; Close-up Halloween; Questions; Notes; Further Reading; Close-up Suspiria; Questions; Notes; Further Reading; Close-up The Devil's Backbone; Questions; Notes
Further Reading
Record Nr. UNINA-9910820708703321
Costanzo William V  
Chichester, England : , : Wiley-Blackwell, , 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui