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The Modern Supernatural and the Beginnings of Cinema [[electronic resource] /] / by Murray Leeder
The Modern Supernatural and the Beginnings of Cinema [[electronic resource] /] / by Murray Leeder
Autore Leeder Murray
Edizione [1st ed. 2017.]
Pubbl/distr/stampa London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017
Descrizione fisica 1 online resource (XII, 209 p. 21 illus., 1 illus. in color.)
Disciplina 791.4309
Soggetto topico Motion pictures—History
Film genres
Motion pictures
Stage management
Motion picture acting
Film History
Genre
Film Theory
Technology and Stagecraft
Screen Performance
Film/TV Technology
Soggetto genere / forma History
ISBN 1-137-58371-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto 1.Introduction -- 2. The Haunting of Film Theory -- 3. Light and Lies: Screen Practice and (Super-) Natural Magic -- 4. The Strange Case of George Albert Smith: Mesmerism, Psychical Research and Cinema -- 5. Aesthetics of Co-Registration: Spirit Photography, X-Rays and Cinema -- 6. Méliès’s Skeleton: Gender, Cinema’s Danse Macabre and the Erotics of Bone -- 7. Living Pictures at Will: Projecting Haunted Minds -- 8. Conclusion: Lost Worlds, Ghost Worlds. .
Record Nr. UNINA-9910158965803321
Leeder Murray  
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017
Materiale a stampa
Lo trovi qui: Univ. Federico II
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National Identity in 21st-Century Cuban Cinema [[electronic resource] ] : Screening the Repeating Island / / by Dunja Fehimović
National Identity in 21st-Century Cuban Cinema [[electronic resource] ] : Screening the Repeating Island / / by Dunja Fehimović
Autore Fehimović Dunja
Edizione [1st ed. 2018.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018
Descrizione fisica 1 online resource (290 pages)
Disciplina 305.80097291
Soggetto topico Motion pictures, American
Ethnology—Latin America
Popular Culture
Film genres
Latin America—Politics and government
Latin American Cinema and TV
Latin American Culture
Genre
Latin American Politics
ISBN 3-319-93103-2
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto 1. Introduction: Screening the Repeating Island -- 2. A Cuban Zombie Nation?: Monsters in Havana -- 3. Not Child's Play: Tactics, Strategies, and Heterotopias -- 4. Time 'Out of Joint': Icons, Images, and Archives -- 5. Of Moles and Giraffes: Recluses, Drifters, and Disconnection -- 6. Conclusion: Shipwrecks and Seasickness.
Record Nr. UNINA-9910300031903321
Fehimović Dunja  
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Neo-Noir as Post-Classical Hollywood Cinema [[electronic resource] /] / by Robert Arnett
Neo-Noir as Post-Classical Hollywood Cinema [[electronic resource] /] / by Robert Arnett
Autore Arnett Robert
Edizione [1st ed. 2020.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020
Descrizione fisica 1 online resource
Disciplina 791.43655
Soggetto topico Film genres
Motion pictures—United States
Genre
American Cinema and TV
ISBN 3-030-43668-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Chapter 1 - Transition Noir 1960-1970 -- Chapter 2 - Film Noir in the New Hollywood 1969-1979 -- Chapter 3 - Eighties Noir -- Chapter 4 - Nineties Noir -- Chapter 5 - Digital Noir -- Chapter 6 - Nostalgia Noir -- Chapter 7 - Genre Hybridity on Neo-Noir -- Chapter 8 - Remakes and Homage.
Record Nr. UNINA-9910484690303321
Arnett Robert  
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020
Materiale a stampa
Lo trovi qui: Univ. Federico II
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New Perspectives on the War Film [[electronic resource] /] / edited by Clémentine Tholas, Janis L. Goldie, Karen A. Ritzenhoff
New Perspectives on the War Film [[electronic resource] /] / edited by Clémentine Tholas, Janis L. Goldie, Karen A. Ritzenhoff
Edizione [1st ed. 2019.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019
Descrizione fisica 1 online resource (XVI, 301 p. 17 illus., 14 illus. in color.)
Disciplina 791.436
Soggetto topico Film genres
Motion pictures—History
Popular Culture
Motion pictures
Genre
Film History
Global Cinema and TV
Close Reading
ISBN 3-030-23096-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Foreword; Robert Burgoyne. -- Introduction; Clémentine Tholas-Disset, Janis Goldie, and Karen A. Ritzenhoff -- 1.Women and Nation in Films of the Great War; Thomas J. Saunders -- 2. Vamps and Virgins: The Women of 1920s Hollywood War Romances; Liz Clarke -- 3. Rafi Bukai's Avanti Popolo: Telling the War from the Traumatized Perpetrator's Perspective; Yael Munk -- 4.The Other Fights Back: Indigenizing the War Film; Jennifer Gauthier -- 5: Shoulder Arms (1918), What Price Glory (1926), Wings (1927): How silent war films discuss homosexuality and gender representations during World War One; Clémentine Tholas -- 6. Black Skin, White Faces: Dead Presidents, and the African-American Vietnam Veteran; Kathleen McClancy -- 7. “So long as they are maintaining a bona fide family relationship in the home”: Women in WWII American Film Propaganda; Zachary Baqué -- 8. Post-Socialist Hauntings in Vietnamese Revisionist Cinema; Thong Win -- 9. The New Face of Fear: How Pandemics and Terrorism Reinvent Terror (and Heroes) in the Twenty-First Century; Dahlia Schweitzer -- 10. Rebelle Rebel: African Child Soldiers, Gender, and the War Film; Janis L. Goldie -- 11. Sisters in Arms: Epic Narratives in United Red Army (2007) and The Baader Meinhof Complex (2008); Elena Caoduro -- 12: The Form of the White Ethno-State: Dunkirk (2017) Omits Indian Soldiers for White Vulnerable Bodies; Zachary Powell. .
Record Nr. UNINA-9910484975403321
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Nordic Noir, Adaptation, Appropriation [[electronic resource] /] / edited by Linda Badley, Andrew Nestingen, Jaakko Seppälä
Nordic Noir, Adaptation, Appropriation [[electronic resource] /] / edited by Linda Badley, Andrew Nestingen, Jaakko Seppälä
Edizione [1st ed. 2020.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020
Descrizione fisica 1 online resource (341 pages) : illustrations
Disciplina 791.436556
Collana Palgrave Studies in Adaptation and Visual Culture
Soggetto topico Motion pictures
Film genres
Adaptation Studies
Genre
ISBN 3-030-38658-9
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Section I, Center/Periphery -- Chapter 01, Appropriations of Nordic locations: Shetland and Ø - Gunhild Agger -- Chapter 02, Arctic Noir on Screen: Midnight Sun (2016–) as a Mix of Geopolitical Criticism and Spectacular, Mythical Landscapes - Anne Marit Waade -- Chapter 03, Arctic Noir: Revitalizing Sámi Culture through Film Noir - Gunnar Iversen -- Chapter 04, Law of the Land Balancing Between Noir and Western - Kaisa Hiltunen -- Chapter 05, Revisiting the Crime Scene: Intermedial Translation, Adaptation and Novelisation of The Killing - Jakob Stougaard-Nielsen -- Chapter 06, Paratextual Adaptations of Nordic Noir - Pietari Kaapa -- Section II, Similarity/Difference -- Chapter 07, The Postman Rings Yet Again. Or: The Appropriation of James M. Cain in Norway - Audun Engelstad -- Chapter 08, Nordic Noir: The Broad Picture - Luis M. García-Mainar -- Chapter 09, Traces of the (in)visible: David Lagercrantz’ Novel The Girl in the Spider’s Web as Filmic Text - Maaret Koskinen -- Chapter 10, After Wallander? Adapting Nordic Noir Success into a Viable Audio-Visual Industry in Southern Sweden - Olof Hedling -- Chapter 11, “Remakes as Rebots: Äkta Människor, Humans, and the Uncanny Valley” - Mark B. Sandberg -- Section III, Narration and Style -- Chapter 12, The Style of Nordic Noir: Exploring Bordertown as a Stylistic Adaptation of Prototypical Nordic noirs - Jaakko Seppälä -- Chapter 13, From Nordic Noir to Euronoir: Nordic Noir Influencing European Serial Drama - Kim Toft Hansen -- Chapter 14, Viking Noir - Björn Nordfjörd -- Chapter 15, Nordic Noir Remade in Hollywood: The Killing and The Bridge Revisited - Lynge Stegger Gemzøe.
Record Nr. UNINA-9910483313303321
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Nordic Perspectives on the Discourse of Things [[electronic resource] ] : Sakprosa Texts Helping Us Navigate and Understand an Ever-changing Reality / / edited by Catharina Nyström Höög, Henrik Rahm, Gøril Thomassen Hammerstad
Nordic Perspectives on the Discourse of Things [[electronic resource] ] : Sakprosa Texts Helping Us Navigate and Understand an Ever-changing Reality / / edited by Catharina Nyström Höög, Henrik Rahm, Gøril Thomassen Hammerstad
Autore Nyström Höög Catharina
Edizione [1st ed. 2023.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023
Descrizione fisica 1 online resource (171 pages)
Disciplina 401.41
Altri autori (Persone) RahmHenrik
Thomassen HammerstadGøril
Soggetto topico Knowledge, Sociology of
Film genres
Linguistics—Methodology
Sociology of Knowledge and Discourse
Genre Studies
Research Methods in Language and Linguistics
ISBN 3-031-33122-2
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Chapter 1: A discourse of things. Nordic perspectives on texts negotiating issues that matter in professional communication -- Chapter 2: Texts complying with societal pressures - Changing genres in Finnish companies’ CSR reporting -- Chapter 3: Subject-oriented prose in digital discourse networks: digital media as a socio-material condition for access and circulation -- Chapter 4: Crisis communication on social media: Informalization in the hour-by-hour struggle for information -- Chapter 5: Sheep, watchdogs and wolves as epistemic positions: How a master’s programme in non-fiction writing produced and reflected an epistemic practice for the field of sakprosa in Norway -- Chapter 6: Postscript: The Power and Potential of the Concept Sakprosa (CPS) A guided tour through five topoi. .
Record Nr. UNINA-9910735586303321
Nyström Höög Catharina  
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Notions of genre : writings on popular film before genre theory / / edited by Barry Keith Grant and Malisa Kurtz
Notions of genre : writings on popular film before genre theory / / edited by Barry Keith Grant and Malisa Kurtz
Edizione [First edition.]
Pubbl/distr/stampa Austin, Texas : , : University of Texas Press, , 2016
Descrizione fisica 1 online resource (305 pages) : illustrations, photographs
Disciplina 791.43/6
Soggetto topico Film genres
Motion picture plays - History and criticism
Motion picture authorship
ISBN 1-4773-1109-2
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I. Comedy -- Chapter One. Comedy’s Greatest Era -- Chapter Two. Silent Film Comedy -- Chapter Three. Uncle Sam’s Funny Bone -- Chapter Four. Whatever Happened to Hollywood Comedy -- Chapter Five. The Evolution of the Chase in the Silent Screen Comedy -- Chapter Six. From Kops to Robbers: Transformation of Archetypal Figures in the American Cinema of the 1920s and ’30s -- Part II. The Western -- Chapter Seven. The Psychological Appeal of the Hollywood Western -- Chapter Eight. The Western, or the American Film Par Excellence -- Chapter Nine. The Olympian Cowboy -- Chapter Ten. The Changing Cowboy: From Dime Novel to Dollar Film -- Chapter Eleven. Sociological Symbolism of the “Adult Western” -- Chapter Twelve. Puritanism Revisited: An Analysis of the Contemporary Screen-Image Western -- Part III. The Fantastic -- Chapter Thirteen. Supernaturalism in the Movies -- Chapter Fourteen. Reflections on Horror Movies -- Chapter Fifteen. A Brief, Tragical History of the Science Fiction Film -- Chapter Sixteen. The Imagination of Disaster -- Chapter Seventeen. Extrapolative Cinema -- Chapter Eighteen. Even a Man Who Is Pure at Heart: Poetry and Danger in the Horror Film -- Part IV. Crime and Punishment -- Chapter Nineteen. The Gangster as Tragic Hero -- Chapter Twenty. Evolution of the Thriller -- Chapter Twenty-One. Toward a Definition of Film Noir -- Chapter Twenty-Two. Paint It Black: The Family Tree of the Film Noir -- Chapter Twenty-Three. Introduction to The Gangster Film -- Index
Record Nr. UNINA-9910798771703321
Austin, Texas : , : University of Texas Press, , 2016
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Notions of genre : writings on popular film before genre theory / / edited by Barry Keith Grant and Malisa Kurtz
Notions of genre : writings on popular film before genre theory / / edited by Barry Keith Grant and Malisa Kurtz
Edizione [First edition.]
Pubbl/distr/stampa Austin, Texas : , : University of Texas Press, , 2016
Descrizione fisica 1 online resource (305 pages) : illustrations, photographs
Disciplina 791.43/6
Soggetto topico Film genres
Motion picture plays - History and criticism
Motion picture authorship
ISBN 1-4773-1109-2
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I. Comedy -- Chapter One. Comedy’s Greatest Era -- Chapter Two. Silent Film Comedy -- Chapter Three. Uncle Sam’s Funny Bone -- Chapter Four. Whatever Happened to Hollywood Comedy -- Chapter Five. The Evolution of the Chase in the Silent Screen Comedy -- Chapter Six. From Kops to Robbers: Transformation of Archetypal Figures in the American Cinema of the 1920s and ’30s -- Part II. The Western -- Chapter Seven. The Psychological Appeal of the Hollywood Western -- Chapter Eight. The Western, or the American Film Par Excellence -- Chapter Nine. The Olympian Cowboy -- Chapter Ten. The Changing Cowboy: From Dime Novel to Dollar Film -- Chapter Eleven. Sociological Symbolism of the “Adult Western” -- Chapter Twelve. Puritanism Revisited: An Analysis of the Contemporary Screen-Image Western -- Part III. The Fantastic -- Chapter Thirteen. Supernaturalism in the Movies -- Chapter Fourteen. Reflections on Horror Movies -- Chapter Fifteen. A Brief, Tragical History of the Science Fiction Film -- Chapter Sixteen. The Imagination of Disaster -- Chapter Seventeen. Extrapolative Cinema -- Chapter Eighteen. Even a Man Who Is Pure at Heart: Poetry and Danger in the Horror Film -- Part IV. Crime and Punishment -- Chapter Nineteen. The Gangster as Tragic Hero -- Chapter Twenty. Evolution of the Thriller -- Chapter Twenty-One. Toward a Definition of Film Noir -- Chapter Twenty-Two. Paint It Black: The Family Tree of the Film Noir -- Chapter Twenty-Three. Introduction to The Gangster Film -- Index
Record Nr. UNINA-9910815126303321
Austin, Texas : , : University of Texas Press, , 2016
Materiale a stampa
Lo trovi qui: Univ. Federico II
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The Palgrave Handbook of Musical Theatre Producers [[electronic resource] /] / edited by Laura MacDonald, William A. Everett
The Palgrave Handbook of Musical Theatre Producers [[electronic resource] /] / edited by Laura MacDonald, William A. Everett
Edizione [1st ed. 2017.]
Pubbl/distr/stampa New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017
Descrizione fisica 1 online resource (XVIII, 559 p.)
Disciplina 782.1
Soggetto topico Theater—Production and direction
Theater
Performing arts
Theater—History
Film genres
Theatre Direction and Production
Theatre Industry
Performing Arts
Theatre History
Genre
Soggetto genere / forma Handbooks and manuals.
ISBN 1-78684-701-9
1-137-43308-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Prologue -- 1. Overture; -- 2. Actors Act, Directors Direct, Producers…Produce?; Kathryn Edney -- Act 1. To the 1940s -- 3. Tony Pastor; Gillian Rodger -- 4. Adolf Philipp and the German-American Musical Comedy; John Koegel -- 5. George Edwardes; William A. Everett -- 6. Charles Frohman; Brian D. Valencia -- 7. Aggressive, Beleaguered, Commercial, Defiant; Marlis Schweitzer -- 8. Did the Shuberts Save Broadway?; Anthony Vickery -- 9. Sam Harris; Alisa Roost -- 10. Florenz Ziegfeld Jr.’s “Simple Idea”; Todd Decker -- 11. Feather-Footed Impresario; Maya Cantu -- 12. Alexander A. Aarons and Vinton Freedley; Jennifer Ashley Tepper and William A. Everett -- 13. Coherency; Dominic Symonds -- 14. Firm Foundations; Frank Van Straten.-15. Japanese Women’s Popular Musicals; Nobuko Anan -- Act 2. From the 1940s through the 1970s -- 16. Refining the Tastes of Broadway Audiences; Claudia Wilsch Case -- 17. More than a Producer; Paul R. Laird -- 18. Rodgers and Hammerstein; Valerie Joyce -- 19. The Nice One; Michael Schwartz -- 20. The Sparkplug and the Engineer; Dominic McHugh -- 21. Roger L. Stevens; Karen Patricia Heath -- 22. “He Could Get It for You Wholesale”; Ryan McKinney -- 23. Stuart Ostrow; Elissa Harbert -- 24. Hal Prince; Paul R. Laird -- 25. Korean Musical Theatre’s Past; Ji Hyon (Kayla) Yuh -- 26. Joseph Papp and the Public Theater; Elizabeth L. Wollman -- 27. Giora Godik; Shiraz Biggie -- 28. The West End (and Broadway) Head East; Kevin J. Wetmore, Jr. -- Act 3. Since the 1970s -- 29. The Shubert Organization; Mark E. Swartz -- 30. Emanuel Azenberg's Life in Theatre; Sarah Taylor Ellis -- 31. Cameron Mackintosh; Jessica Sternfeld -- 32. Laying Down the RUG; Kyle A. Thomas -- 33. “My American Dream”; Sir Anril Tiatco -- 34. Trading Globally in Austrian History; Laura MacDonald -- 35. Stage Entertainment’s Global Success; Sanne Thierens -- 36. West Side Story; Doug Reside -- 37. Making Musicals that Matter; Donatella Galella -- 38. Broadway Bound; Claudia Case -- 39. Our Brand Is Revival; Bryan M. Vandevender -- 40. Reclaiming, Restoring, and Reviving the American Musical; Bryan M. Vandevender -- 41. Garth Drabinsky’s “Grand Moves”; Todd Decker -- 42. Disney Theatrical Productions; Amy S. Osatinski -- 43. Against All Odds; Chris McCoy -- 44. “I am them”; Rashida Shaw -- 45. Between Broadway and the Local; Hyunjung Lee -- 46. Performing Like a Concert King or a Queen; Sir Anril Tiatco -- 47. Producing Musicals in Russia at the Turn of the Twenty-First Century; Art Babayants -- 48. David Stone; David Carlyon -- 49. ART for ART’s Sake; Stuart Hecht -- 50. Roth and Son; Laura MacDonald.-Curtain Call -- 51. New Paradigms for Broadway Producers in Popular Culture and Beyond; Mary Jo Lodge -- Biblibography -- Index.
Record Nr. UNINA-9910255072403321
New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Paradoxical Japaneseness [[electronic resource] ] : Cultural Representation in 21st Century Japanese Cinema / / by Andrew Dorman
Paradoxical Japaneseness [[electronic resource] ] : Cultural Representation in 21st Century Japanese Cinema / / by Andrew Dorman
Autore Dorman Andrew
Edizione [1st ed. 2016.]
Pubbl/distr/stampa London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016
Descrizione fisica 1 online resource (230 pages) : illustrations, tables
Disciplina 791.430952
Soggetto topico Ethnology—Asia
Motion pictures—Asia
Cultural policy
Culture—Study and teaching
Film genres
Asian Culture
Asian Cinema and TV
Cultural Policy and Politics
Cultural Theory
Genre
Soggetto genere / forma History
ISBN 1-137-55160-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions .
Record Nr. UNINA-9910153101203321
Dorman Andrew  
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016
Materiale a stampa
Lo trovi qui: Univ. Federico II
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