The Modern Supernatural and the Beginnings of Cinema [[electronic resource] /] / by Murray Leeder |
Autore | Leeder Murray |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XII, 209 p. 21 illus., 1 illus. in color.) |
Disciplina | 791.4309 |
Soggetto topico |
Motion pictures—History
Film genres Motion pictures Stage management Motion picture acting Film History Genre Film Theory Technology and Stagecraft Screen Performance Film/TV Technology |
Soggetto genere / forma | History |
ISBN | 1-137-58371-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1.Introduction -- 2. The Haunting of Film Theory -- 3. Light and Lies: Screen Practice and (Super-) Natural Magic -- 4. The Strange Case of George Albert Smith: Mesmerism, Psychical Research and Cinema -- 5. Aesthetics of Co-Registration: Spirit Photography, X-Rays and Cinema -- 6. Méliès’s Skeleton: Gender, Cinema’s Danse Macabre and the Erotics of Bone -- 7. Living Pictures at Will: Projecting Haunted Minds -- 8. Conclusion: Lost Worlds, Ghost Worlds. . |
Record Nr. | UNINA-9910158965803321 |
Leeder Murray | ||
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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National Identity in 21st-Century Cuban Cinema [[electronic resource] ] : Screening the Repeating Island / / by Dunja Fehimović |
Autore | Fehimović Dunja |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (290 pages) |
Disciplina | 305.80097291 |
Soggetto topico |
Motion pictures, American
Ethnology—Latin America Popular Culture Film genres Latin America—Politics and government Latin American Cinema and TV Latin American Culture Genre Latin American Politics |
ISBN | 3-319-93103-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Screening the Repeating Island -- 2. A Cuban Zombie Nation?: Monsters in Havana -- 3. Not Child's Play: Tactics, Strategies, and Heterotopias -- 4. Time 'Out of Joint': Icons, Images, and Archives -- 5. Of Moles and Giraffes: Recluses, Drifters, and Disconnection -- 6. Conclusion: Shipwrecks and Seasickness. |
Record Nr. | UNINA-9910300031903321 |
Fehimović Dunja | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Neo-Noir as Post-Classical Hollywood Cinema [[electronic resource] /] / by Robert Arnett |
Autore | Arnett Robert |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource |
Disciplina | 791.43655 |
Soggetto topico |
Film genres
Motion pictures—United States Genre American Cinema and TV |
ISBN | 3-030-43668-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1 - Transition Noir 1960-1970 -- Chapter 2 - Film Noir in the New Hollywood 1969-1979 -- Chapter 3 - Eighties Noir -- Chapter 4 - Nineties Noir -- Chapter 5 - Digital Noir -- Chapter 6 - Nostalgia Noir -- Chapter 7 - Genre Hybridity on Neo-Noir -- Chapter 8 - Remakes and Homage. |
Record Nr. | UNINA-9910484690303321 |
Arnett Robert | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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New Perspectives on the War Film [[electronic resource] /] / edited by Clémentine Tholas, Janis L. Goldie, Karen A. Ritzenhoff |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (XVI, 301 p. 17 illus., 14 illus. in color.) |
Disciplina | 791.436 |
Soggetto topico |
Film genres
Motion pictures—History Popular Culture Motion pictures Genre Film History Global Cinema and TV Close Reading |
ISBN | 3-030-23096-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Foreword; Robert Burgoyne. -- Introduction; Clémentine Tholas-Disset, Janis Goldie, and Karen A. Ritzenhoff -- 1.Women and Nation in Films of the Great War; Thomas J. Saunders -- 2. Vamps and Virgins: The Women of 1920s Hollywood War Romances; Liz Clarke -- 3. Rafi Bukai's Avanti Popolo: Telling the War from the Traumatized Perpetrator's Perspective; Yael Munk -- 4.The Other Fights Back: Indigenizing the War Film; Jennifer Gauthier -- 5: Shoulder Arms (1918), What Price Glory (1926), Wings (1927): How silent war films discuss homosexuality and gender representations during World War One; Clémentine Tholas -- 6. Black Skin, White Faces: Dead Presidents, and the African-American Vietnam Veteran; Kathleen McClancy -- 7. “So long as they are maintaining a bona fide family relationship in the home”: Women in WWII American Film Propaganda; Zachary Baqué -- 8. Post-Socialist Hauntings in Vietnamese Revisionist Cinema; Thong Win -- 9. The New Face of Fear: How Pandemics and Terrorism Reinvent Terror (and Heroes) in the Twenty-First Century; Dahlia Schweitzer -- 10. Rebelle Rebel: African Child Soldiers, Gender, and the War Film; Janis L. Goldie -- 11. Sisters in Arms: Epic Narratives in United Red Army (2007) and The Baader Meinhof Complex (2008); Elena Caoduro -- 12: The Form of the White Ethno-State: Dunkirk (2017) Omits Indian Soldiers for White Vulnerable Bodies; Zachary Powell. . |
Record Nr. | UNINA-9910484975403321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Nordic Noir, Adaptation, Appropriation [[electronic resource] /] / edited by Linda Badley, Andrew Nestingen, Jaakko Seppälä |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (341 pages) : illustrations |
Disciplina | 791.436556 |
Collana | Palgrave Studies in Adaptation and Visual Culture |
Soggetto topico |
Motion pictures
Film genres Adaptation Studies Genre |
ISBN | 3-030-38658-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Section I, Center/Periphery -- Chapter 01, Appropriations of Nordic locations: Shetland and Ø - Gunhild Agger -- Chapter 02, Arctic Noir on Screen: Midnight Sun (2016–) as a Mix of Geopolitical Criticism and Spectacular, Mythical Landscapes - Anne Marit Waade -- Chapter 03, Arctic Noir: Revitalizing Sámi Culture through Film Noir - Gunnar Iversen -- Chapter 04, Law of the Land Balancing Between Noir and Western - Kaisa Hiltunen -- Chapter 05, Revisiting the Crime Scene: Intermedial Translation, Adaptation and Novelisation of The Killing - Jakob Stougaard-Nielsen -- Chapter 06, Paratextual Adaptations of Nordic Noir - Pietari Kaapa -- Section II, Similarity/Difference -- Chapter 07, The Postman Rings Yet Again. Or: The Appropriation of James M. Cain in Norway - Audun Engelstad -- Chapter 08, Nordic Noir: The Broad Picture - Luis M. García-Mainar -- Chapter 09, Traces of the (in)visible: David Lagercrantz’ Novel The Girl in the Spider’s Web as Filmic Text - Maaret Koskinen -- Chapter 10, After Wallander? Adapting Nordic Noir Success into a Viable Audio-Visual Industry in Southern Sweden - Olof Hedling -- Chapter 11, “Remakes as Rebots: Äkta Människor, Humans, and the Uncanny Valley” - Mark B. Sandberg -- Section III, Narration and Style -- Chapter 12, The Style of Nordic Noir: Exploring Bordertown as a Stylistic Adaptation of Prototypical Nordic noirs - Jaakko Seppälä -- Chapter 13, From Nordic Noir to Euronoir: Nordic Noir Influencing European Serial Drama - Kim Toft Hansen -- Chapter 14, Viking Noir - Björn Nordfjörd -- Chapter 15, Nordic Noir Remade in Hollywood: The Killing and The Bridge Revisited - Lynge Stegger Gemzøe. |
Record Nr. | UNINA-9910483313303321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Nordic Perspectives on the Discourse of Things [[electronic resource] ] : Sakprosa Texts Helping Us Navigate and Understand an Ever-changing Reality / / edited by Catharina Nyström Höög, Henrik Rahm, Gøril Thomassen Hammerstad |
Autore | Nyström Höög Catharina |
Edizione | [1st ed. 2023.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
Descrizione fisica | 1 online resource (171 pages) |
Disciplina | 401.41 |
Altri autori (Persone) |
RahmHenrik
Thomassen HammerstadGøril |
Soggetto topico |
Knowledge, Sociology of
Film genres Linguistics—Methodology Sociology of Knowledge and Discourse Genre Studies Research Methods in Language and Linguistics |
ISBN | 3-031-33122-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: A discourse of things. Nordic perspectives on texts negotiating issues that matter in professional communication -- Chapter 2: Texts complying with societal pressures - Changing genres in Finnish companies’ CSR reporting -- Chapter 3: Subject-oriented prose in digital discourse networks: digital media as a socio-material condition for access and circulation -- Chapter 4: Crisis communication on social media: Informalization in the hour-by-hour struggle for information -- Chapter 5: Sheep, watchdogs and wolves as epistemic positions: How a master’s programme in non-fiction writing produced and reflected an epistemic practice for the field of sakprosa in Norway -- Chapter 6: Postscript: The Power and Potential of the Concept Sakprosa (CPS) A guided tour through five topoi. . |
Record Nr. | UNINA-9910735586303321 |
Nyström Höög Catharina | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Notions of genre : writings on popular film before genre theory / / edited by Barry Keith Grant and Malisa Kurtz |
Edizione | [First edition.] |
Pubbl/distr/stampa | Austin, Texas : , : University of Texas Press, , 2016 |
Descrizione fisica | 1 online resource (305 pages) : illustrations, photographs |
Disciplina | 791.43/6 |
Soggetto topico |
Film genres
Motion picture plays - History and criticism Motion picture authorship |
ISBN | 1-4773-1109-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I. Comedy -- Chapter One. Comedy’s Greatest Era -- Chapter Two. Silent Film Comedy -- Chapter Three. Uncle Sam’s Funny Bone -- Chapter Four. Whatever Happened to Hollywood Comedy -- Chapter Five. The Evolution of the Chase in the Silent Screen Comedy -- Chapter Six. From Kops to Robbers: Transformation of Archetypal Figures in the American Cinema of the 1920s and ’30s -- Part II. The Western -- Chapter Seven. The Psychological Appeal of the Hollywood Western -- Chapter Eight. The Western, or the American Film Par Excellence -- Chapter Nine. The Olympian Cowboy -- Chapter Ten. The Changing Cowboy: From Dime Novel to Dollar Film -- Chapter Eleven. Sociological Symbolism of the “Adult Western” -- Chapter Twelve. Puritanism Revisited: An Analysis of the Contemporary Screen-Image Western -- Part III. The Fantastic -- Chapter Thirteen. Supernaturalism in the Movies -- Chapter Fourteen. Reflections on Horror Movies -- Chapter Fifteen. A Brief, Tragical History of the Science Fiction Film -- Chapter Sixteen. The Imagination of Disaster -- Chapter Seventeen. Extrapolative Cinema -- Chapter Eighteen. Even a Man Who Is Pure at Heart: Poetry and Danger in the Horror Film -- Part IV. Crime and Punishment -- Chapter Nineteen. The Gangster as Tragic Hero -- Chapter Twenty. Evolution of the Thriller -- Chapter Twenty-One. Toward a Definition of Film Noir -- Chapter Twenty-Two. Paint It Black: The Family Tree of the Film Noir -- Chapter Twenty-Three. Introduction to The Gangster Film -- Index |
Record Nr. | UNINA-9910798771703321 |
Austin, Texas : , : University of Texas Press, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Notions of genre : writings on popular film before genre theory / / edited by Barry Keith Grant and Malisa Kurtz |
Edizione | [First edition.] |
Pubbl/distr/stampa | Austin, Texas : , : University of Texas Press, , 2016 |
Descrizione fisica | 1 online resource (305 pages) : illustrations, photographs |
Disciplina | 791.43/6 |
Soggetto topico |
Film genres
Motion picture plays - History and criticism Motion picture authorship |
ISBN | 1-4773-1109-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I. Comedy -- Chapter One. Comedy’s Greatest Era -- Chapter Two. Silent Film Comedy -- Chapter Three. Uncle Sam’s Funny Bone -- Chapter Four. Whatever Happened to Hollywood Comedy -- Chapter Five. The Evolution of the Chase in the Silent Screen Comedy -- Chapter Six. From Kops to Robbers: Transformation of Archetypal Figures in the American Cinema of the 1920s and ’30s -- Part II. The Western -- Chapter Seven. The Psychological Appeal of the Hollywood Western -- Chapter Eight. The Western, or the American Film Par Excellence -- Chapter Nine. The Olympian Cowboy -- Chapter Ten. The Changing Cowboy: From Dime Novel to Dollar Film -- Chapter Eleven. Sociological Symbolism of the “Adult Western” -- Chapter Twelve. Puritanism Revisited: An Analysis of the Contemporary Screen-Image Western -- Part III. The Fantastic -- Chapter Thirteen. Supernaturalism in the Movies -- Chapter Fourteen. Reflections on Horror Movies -- Chapter Fifteen. A Brief, Tragical History of the Science Fiction Film -- Chapter Sixteen. The Imagination of Disaster -- Chapter Seventeen. Extrapolative Cinema -- Chapter Eighteen. Even a Man Who Is Pure at Heart: Poetry and Danger in the Horror Film -- Part IV. Crime and Punishment -- Chapter Nineteen. The Gangster as Tragic Hero -- Chapter Twenty. Evolution of the Thriller -- Chapter Twenty-One. Toward a Definition of Film Noir -- Chapter Twenty-Two. Paint It Black: The Family Tree of the Film Noir -- Chapter Twenty-Three. Introduction to The Gangster Film -- Index |
Record Nr. | UNINA-9910815126303321 |
Austin, Texas : , : University of Texas Press, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Musical Theatre Producers [[electronic resource] /] / edited by Laura MacDonald, William A. Everett |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XVIII, 559 p.) |
Disciplina | 782.1 |
Soggetto topico |
Theater—Production and direction
Theater Performing arts Theater—History Film genres Theatre Direction and Production Theatre Industry Performing Arts Theatre History Genre |
Soggetto genere / forma | Handbooks and manuals. |
ISBN |
1-78684-701-9
1-137-43308-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Prologue -- 1. Overture; -- 2. Actors Act, Directors Direct, Producers…Produce?; Kathryn Edney -- Act 1. To the 1940s -- 3. Tony Pastor; Gillian Rodger -- 4. Adolf Philipp and the German-American Musical Comedy; John Koegel -- 5. George Edwardes; William A. Everett -- 6. Charles Frohman; Brian D. Valencia -- 7. Aggressive, Beleaguered, Commercial, Defiant; Marlis Schweitzer -- 8. Did the Shuberts Save Broadway?; Anthony Vickery -- 9. Sam Harris; Alisa Roost -- 10. Florenz Ziegfeld Jr.’s “Simple Idea”; Todd Decker -- 11. Feather-Footed Impresario; Maya Cantu -- 12. Alexander A. Aarons and Vinton Freedley; Jennifer Ashley Tepper and William A. Everett -- 13. Coherency; Dominic Symonds -- 14. Firm Foundations; Frank Van Straten.-15. Japanese Women’s Popular Musicals; Nobuko Anan -- Act 2. From the 1940s through the 1970s -- 16. Refining the Tastes of Broadway Audiences; Claudia Wilsch Case -- 17. More than a Producer; Paul R. Laird -- 18. Rodgers and Hammerstein; Valerie Joyce -- 19. The Nice One; Michael Schwartz -- 20. The Sparkplug and the Engineer; Dominic McHugh -- 21. Roger L. Stevens; Karen Patricia Heath -- 22. “He Could Get It for You Wholesale”; Ryan McKinney -- 23. Stuart Ostrow; Elissa Harbert -- 24. Hal Prince; Paul R. Laird -- 25. Korean Musical Theatre’s Past; Ji Hyon (Kayla) Yuh -- 26. Joseph Papp and the Public Theater; Elizabeth L. Wollman -- 27. Giora Godik; Shiraz Biggie -- 28. The West End (and Broadway) Head East; Kevin J. Wetmore, Jr. -- Act 3. Since the 1970s -- 29. The Shubert Organization; Mark E. Swartz -- 30. Emanuel Azenberg's Life in Theatre; Sarah Taylor Ellis -- 31. Cameron Mackintosh; Jessica Sternfeld -- 32. Laying Down the RUG; Kyle A. Thomas -- 33. “My American Dream”; Sir Anril Tiatco -- 34. Trading Globally in Austrian History; Laura MacDonald -- 35. Stage Entertainment’s Global Success; Sanne Thierens -- 36. West Side Story; Doug Reside -- 37. Making Musicals that Matter; Donatella Galella -- 38. Broadway Bound; Claudia Case -- 39. Our Brand Is Revival; Bryan M. Vandevender -- 40. Reclaiming, Restoring, and Reviving the American Musical; Bryan M. Vandevender -- 41. Garth Drabinsky’s “Grand Moves”; Todd Decker -- 42. Disney Theatrical Productions; Amy S. Osatinski -- 43. Against All Odds; Chris McCoy -- 44. “I am them”; Rashida Shaw -- 45. Between Broadway and the Local; Hyunjung Lee -- 46. Performing Like a Concert King or a Queen; Sir Anril Tiatco -- 47. Producing Musicals in Russia at the Turn of the Twenty-First Century; Art Babayants -- 48. David Stone; David Carlyon -- 49. ART for ART’s Sake; Stuart Hecht -- 50. Roth and Son; Laura MacDonald.-Curtain Call -- 51. New Paradigms for Broadway Producers in Popular Culture and Beyond; Mary Jo Lodge -- Biblibography -- Index. |
Record Nr. | UNINA-9910255072403321 |
New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Paradoxical Japaneseness [[electronic resource] ] : Cultural Representation in 21st Century Japanese Cinema / / by Andrew Dorman |
Autore | Dorman Andrew |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (230 pages) : illustrations, tables |
Disciplina | 791.430952 |
Soggetto topico |
Ethnology—Asia
Motion pictures—Asia Cultural policy Culture—Study and teaching Film genres Asian Culture Asian Cinema and TV Cultural Policy and Politics Cultural Theory Genre |
Soggetto genere / forma | History |
ISBN | 1-137-55160-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions . |
Record Nr. | UNINA-9910153101203321 |
Dorman Andrew | ||
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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