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Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth
Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth
Autore Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland)
Edizione [1st ed.]
Pubbl/distr/stampa Bielefeld, : transcript Verlag, 2020
Descrizione fisica 1 online resource (326 pages) : illustrations; digital file(s)
Disciplina 780.794
Collana Musik und Klangkultur
Soggetto topico Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology
Soggetto non controllato Berliner Festspiele
Cultural Management
Munich Biennale For New Music Theatre
Music Management
Music
Musicology
Münchner Biennale Für Neues Musiktheater
Neue Musik
New Music
ISBN 3-8394-5243-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311
Record Nr. UNINA-9910418343903321
Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland)  
Bielefeld, : transcript Verlag, 2020
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth
Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth
Autore Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland)
Edizione [1st ed.]
Pubbl/distr/stampa Bielefeld, : transcript Verlag, 2020
Descrizione fisica 1 online resource (326 pages) : illustrations; digital file(s)
Disciplina 780.794
Collana Musik und Klangkultur
Soggetto topico Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology
Soggetto non controllato Berliner Festspiele
Cultural Management
Munich Biennale For New Music Theatre
Music Management
Music
Musicology
Münchner Biennale Für Neues Musiktheater
Neue Musik
New Music
ISBN 3-8394-5243-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311
Record Nr. UNISA-996359644503316
Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland)  
Bielefeld, : transcript Verlag, 2020
Materiale a stampa
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilità qui
Doktor Faustus (ver-)stimmen : Kompositionen zu Thomas Manns Roman / / von Anna Maria Olivari
Doktor Faustus (ver-)stimmen : Kompositionen zu Thomas Manns Roman / / von Anna Maria Olivari
Autore Olivari Anna Maria
Edizione [1st ed. 2021.]
Pubbl/distr/stampa Springer Nature, 2021
Descrizione fisica 1 online resource (XXIII, 417 S. 51 Abb.)
Disciplina 780
Soggetto topico Music
Literature
Literature, general
Soggetto non controllato Music
Literature, general
Contemporary Music
Literary Interpretation
Doktor Faustus
Thomas Mann
Intermedialität
Musikliteraturforschung
Neue Musik
Vertonung
Open Access
Biography, Literature & Literary studies
ISBN 3-662-62635-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Nota di contenuto Beispiel 1 Kap. 4 Apocalipsis cum figuris -- 4.1 Apokalypsen in Doktor Faustus -- 4.2 Vom Roman zur Musik -- 4.2.1 Inverse Warnapokalypsen: Konrad Boehmers Apocalipsis cum figuris -- Beispiel 2 Kap. 7 Zeitblom und die Viola d’amore -- 7.1 Die (unzuverlässige) Erzählinstanz von Doktor Faustus -- 7.2 Vom Roman zur Musik -- 7.2.2 Simulierte Gleichzeitigkeit, Archivkunst und Autorinszenierung: Lars Petter Hagens To Zeitblom.
Record Nr. UNINA-9910473452003321
Olivari Anna Maria  
Springer Nature, 2021
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui