Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth |
Autore | Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2020 |
Descrizione fisica | 1 online resource (326 pages) : illustrations; digital file(s) |
Disciplina | 780.794 |
Collana | Musik und Klangkultur |
Soggetto topico | Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology |
Soggetto non controllato |
Berliner Festspiele
Cultural Management Munich Biennale For New Music Theatre Music Management Music Musicology Münchner Biennale Für Neues Musiktheater Neue Musik New Music |
ISBN | 3-8394-5243-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 |
Record Nr. | UNINA-9910418343903321 |
Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) | ||
Bielefeld, : transcript Verlag, 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth |
Autore | Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2020 |
Descrizione fisica | 1 online resource (326 pages) : illustrations; digital file(s) |
Disciplina | 780.794 |
Collana | Musik und Klangkultur |
Soggetto topico | Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology |
Soggetto non controllato |
Berliner Festspiele
Cultural Management Munich Biennale For New Music Theatre Music Management Music Musicology Münchner Biennale Für Neues Musiktheater Neue Musik New Music |
ISBN | 3-8394-5243-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 |
Record Nr. | UNISA-996359644503316 |
Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) | ||
Bielefeld, : transcript Verlag, 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Doktor Faustus (ver-)stimmen : Kompositionen zu Thomas Manns Roman / / von Anna Maria Olivari |
Autore | Olivari Anna Maria |
Edizione | [1st ed. 2021.] |
Pubbl/distr/stampa | Springer Nature, 2021 |
Descrizione fisica | 1 online resource (XXIII, 417 S. 51 Abb.) |
Disciplina | 780 |
Soggetto topico |
Music
Literature Literature, general |
Soggetto non controllato |
Music
Literature, general Contemporary Music Literary Interpretation Doktor Faustus Thomas Mann Intermedialität Musikliteraturforschung Neue Musik Vertonung Open Access Biography, Literature & Literary studies |
ISBN | 3-662-62635-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Beispiel 1 Kap. 4 Apocalipsis cum figuris -- 4.1 Apokalypsen in Doktor Faustus -- 4.2 Vom Roman zur Musik -- 4.2.1 Inverse Warnapokalypsen: Konrad Boehmers Apocalipsis cum figuris -- Beispiel 2 Kap. 7 Zeitblom und die Viola d’amore -- 7.1 Die (unzuverlässige) Erzählinstanz von Doktor Faustus -- 7.2 Vom Roman zur Musik -- 7.2.2 Simulierte Gleichzeitigkeit, Archivkunst und Autorinszenierung: Lars Petter Hagens To Zeitblom. |
Record Nr. | UNINA-9910473452003321 |
Olivari Anna Maria | ||
Springer Nature, 2021 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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