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[null,"1.","Record Nr.",null,"UNISALENTO991001921819707536"]
[null,null,"Autore",null,"Leibniz, Gottfried Wilhelm"]
[null,null,"Titolo",null,"Allgemeiner Politischer und Historischer Briefwechsel / Gottfried Wilhelm Leibniz ; hrsg. von der Deutschen Akademie der Wissenschaften zu Berlin"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; Hildesheim-New York : Akademie ; Georg Olms, 1970-"]
[null,null,"ISBN",null,"3050000120"]
[null,null,"Descrizione fisica",null,"v. ; 26 cm."]
[null,null,"Collana",null,"Sämtliche Schriften und Briefe ; Reihe 1."]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Indice: Band 1: 1668-1676. Band 2: 1676-1679. Band 3: 1680-1683. Band 4: 1684-1687. Band 5: 1687-1690. Band 6: 1690-1691."]
[null,"2.","Record Nr.",null,"UNIORUON00278679"]
[null,null,"Titolo",null,"Bala ranmgamanca : Kucha zaruri savala uttarpradesh samgita nataka Akadami dvara 13va 14may 1978 ko ayojita parisamvada goshtiki riporta / [a cura di] Krishna Narayan Kakkar"]
[null,null,"Pubbl/distr/stampa",null,"Lakhnau, : Uttar Pradesh Samgitanaka Akdamu, 1978"]
[null,null,"Descrizione fisica",null,"82 p. ; 18 cm"]
[null,null,"Classificazione",null,"SI GEN E IX"]
[null,null,"Soggetti",null,"TEATRO INDIANO"]
[null,null,"Lingua di pubblicazione",null,"Hindi"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNISA996359644503316"]
[null,null,"Autore",null,"Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland)"]
[null,null,"Titolo",null,"Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2020"]
[null,null,"ISBN",null,"3-8394-5243-0"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (326 pages) : illustrations; digital file(s)"]
[null,null,"Collana",null,"Musik und Klangkultur ; 47"]
[null,null,"Disciplina",null,"780.794"]
[null,null,"Soggetti",null,"Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Frontmatter    1  Contents    5  Image and Figure Rights    9  1.1 Establishing the Field    11  1.2 The State of the Art    15  1.3 Scope and Overview    23  2.1 Introduction    29  2.2 The Anatomy of Festivals and Biennales    40  2.3 Curating Biennales    61  2.4 Curatorial Discourse    80  2.5 Conclusion    94  3.1 Introduction    97  3.2 Reading Shannon Jackson    98  3.3 Curating Dance / Dance Curating    111  3.4 Curating Theatre / Theatre Curating    124  3.5 Conclusion    136  4.1 Introduction    139  4.2 Hans Werner Henze    141  4.3 Music Theatre?    145  4.4 Peter Ruzicka    148  4.5 Daniel Ott and Manos Tsangaris (DOMTS)    162  4.6 The 2016 and 2018 Biennale Editions    169  4.7 Compositional and Curatorial Practices    180  4.8 The Munich Biennale in Numbers.    203  4.9 Conclusion    216  5.1 Introduction    219  5.2 A Brief Prehistory to the Maerzmusik Festival    222  5.3 Maerzmusik 2002-2014    228  5.4 Berno Odo Polzer    230  5.5 2017 Opening Concert: Julius Eastman    247  5.6 Storytelling for Earthly Survival    258  5.7 Curating and the Maerzmusik Festival    268  5.8 Decolonizing Time    273  5.9 Conclusion/Coda/Konzertemacher    277  6. Conclusion/Curating Music    281  Bibliography    289  Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018    311"]
[null,null,null,"Sommario/riassunto","Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, "]
[{"$nulls":4},"Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be."]