LEADER 00794nam a22002291i 4500 001 991001105459707536 005 20040303082427.0 008 040318s1956 fr |||||||||||||||||fre 035 $ab12718798-39ule_inst 035 $aARCHE-070305$9ExL 040 $aDip.to Filosofia$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a848 100 1 $aPéguy, Marcel$0390916 245 10$aImpérialisme /$cMarcel Péguy 260 $aParis :$bMaillol,$c1956 300 $a138 p. ;$c25 cm 907 $a.b12718798$b02-04-14$c31-03-04 912 $a991001105459707536 945 $aLE005 MF 15 I 21$g1$iLE005MF-8488$lle005$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13243573$z31-03-04 996 $aImpérialisme$9270818 997 $aUNISALENTO 998 $ale005$b31-03-04$cm$da $e-$ffre$gfr $h0$i1 LEADER 04627oam 2200673 c 450 001 996359644503316 005 20230621135927.0 010 $a3-8394-5243-0 024 7 $a10.14361/9783839452431 035 $a(CKB)4100000011249183 035 $a(DE-B1597)546277 035 $a(DE-B1597)9783839452431 035 $a(OCoLC)1198930963 035 $a(MiAaPQ)EBC6751046 035 $a(Au-PeEL)EBL6751046 035 $a(transcript Verlag)9783839452431 035 $a(MiAaPQ)EBC6956187 035 $a(Au-PeEL)EBL6956187 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/28903 035 $a(MiAaPQ)EBC30494899 035 $a(Au-PeEL)EBL30494899 035 $a(EXLCZ)994100000011249183 100 $a20220221d2020 uy 0 101 0 $aeng 135 $aurm|#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCurating Contemporary Music Festivals$eA New Perspective on Music's Mediation$fBrandon Farnsworth 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2020 215 $a1 online resource (326 pages) $cillustrations; digital file(s) 225 0 $aMusik und Klangkultur$v47 311 08$aPrint version: 9783837652437 320 $aIncludes bibliographical references. 327 $aFrontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 330 $aContemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be. 410 0$aMusik und Klangkultur ;$v47. 606 $aContemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Mu?nchner Biennale Fu?r Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology; 610 $aBerliner Festspiele. 610 $aCultural Management. 610 $aMunich Biennale For New Music Theatre. 610 $aMusic Management. 610 $aMusic. 610 $aMusicology. 610 $aMünchner Biennale Für Neues Musiktheater. 610 $aNeue Musik. 610 $aNew Music. 615 4$aContemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Mu?nchner Biennale Fu?r Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology; 676 $a780.794 700 $aFarnsworth$b Brandon$pZu?richer Hochschule der Ku?nste, Switzerland$4aut$01204636 712 02$aZürcher Hochschule der Künste$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 801 2$bUkMaJRU 906 $aBOOK 912 $a996359644503316 996 $aCurating Contemporary Music Festivals$92780208 997 $aUNISA LEADER 04529nam 22006735 450 001 9910865285003321 005 20250521143020.0 010 $a9783031481475$b(electronic bk.) 010 $z9783031481468 024 7 $a10.1007/978-3-031-48147-5 035 $a(MiAaPQ)EBC31364698 035 $a(Au-PeEL)EBL31364698 035 $a(CKB)32227913800041 035 $a(DE-He213)978-3-031-48147-5 035 $a(EXLCZ)9932227913800041 100 $a20240603d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAI-Assisted Writing and Presenting in English /$fby Adrian Wallwork 205 $a1st ed. 2024. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Springer,$d2024. 215 $a1 online resource (198 pages) 225 1 $aEnglish for Academic Research,$x2625-3453 311 08$aPrint version: Wallwork, Adrian AI-Assisted Writing and Presenting in English Cham : Springer,c2024 9783031481468 327 $aChapter 1 Being realistic about what AI can and cannot do -- Chapter 2 Prompts for correcting or paraphrasing your English -- Chapter 3 Pre-editing -- Chapter 4 ChatGPT as a language editor to check your English -- Chapter 5 How to interact with ChatGPT and simulate typical scenarios that take place in academia -- Chapter 6 Communicating with lay audiences -- Chapter 7 Presentations -- Chapter 8 Email and other forms of correspondence -- Chapter 9 The added value of a professional editing/translation agency -- Chapter 10 For EAP teachers: How to use AI in the classroom -- Back Matter -- Full table of contents -- Index. 330 $aThis book is part of the English for Academic Research series. It shows university students and researchers how to optimize their use of chatbots and machine translation in order to correct the English usage of a research paper, and write emails, letters, and presentation scripts and slides in English. English-speaking language editors, translators, and EAP teachers will also find this book useful. The main focus is on ChatGPT and Google Translate. However the techniques proposed will also work with equivalent tools. You will learn the areas where ChatGPT works well: correcting, improving, paraphrasing, reducing, and summarizing texts; generating / suggesting texts; answering queries; and simulating academic scenarios. A key strategy for enhancing the output of machine translation is to pre-edit and post-edit your texts ? this book tells you how. You will also learn what ChatGPT is currently NOT able to do, e.g. differentiating between ?essential? and ?non-essential?; listing all the changes it has made; highlighting your key findings; and advising you when you have written too much, plagiarized, used biased language, or forgotten to mention the limitations of your work. The book lists over 170 prompts that you can use with a chatbot. The author recommends using ChatGPT as an assistant, but not for generating an entire paper. Adrian Wallwork edits scientific papers and teaches English for Academic Purposes (EAP) to PhD students. In addition to his many books for Springer, he has written course books for Oxford University Press and discussion books for Cambridge University Press. He is passionate about exploiting the advances in artificial intelligence to help researchers around the world write and publish their work. 410 0$aEnglish for Academic Research,$x2625-3453 606 $aPenmanship 606 $aGroup work in education 606 $aLinguistics 606 $aWriting Skills 606 $aGroupwork and Presentation 606 $aLinguistics 606 $aEscrits acadèmics$2thub 606 $aAnglès$2thub 606 $aEnsenyament de llengües estrangeres$2thub 606 $aIntel·ligència artificial$2thub 608 $aLlibres electrònics$2thub 615 0$aPenmanship. 615 0$aGroup work in education. 615 0$aLinguistics. 615 14$aWriting Skills. 615 24$aGroupwork and Presentation. 615 24$aLinguistics. 615 7$aEscrits acadèmics 615 7$aAnglès 615 7$aEnsenyament de llengües estrangeres 615 7$aIntel·ligència artificial 676 $a808.02 700 $aWallwork$b Adrian$0730806 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910865285003321 996 $aAI-Assisted Writing and Presenting in English$94169263 997 $aUNINA LEADER 01865nam 22004693 450 001 9910165258203321 005 20230808201515.0 010 $a1-77667-631-9 035 $a(CKB)3710000001065590 035 $a(MiAaPQ)EBC4810771 035 $a(Au-PeEL)EBL4810771 035 $a(CaPaEBR)ebr11350361 035 $a(OCoLC)974591116 035 $a(EXLCZ)993710000001065590 100 $a20210901d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Daughter of the Storage $eAnd Other Things in Prose and Verse 205 $a1st ed. 210 1$aAuckland :$cFloating Press, The,$d2016. 210 4$d©2017. 215 $a1 online resource (237 pages) 327 $aIntro -- Title -- Contents -- I - The Daughter of the Storage -- II - A Presentiment -- III - Captain Dunlevy's Last Trip -- IV - The Return to Favor -- V - Somebody's Mother -- VI - The Face at the Window -- VII - An Experience -- VIII - The Boarders -- IX - Breakfast is My Best Meal -- X - The Mother-Bird -- XI - The Amigo -- XII - Black Cross Farm -- XIII - The Critical Bookstore -- XIV - A Feast of Reason -- XV - City and Country in the Fall -- XVI - Table Talk -- XVII - The Escapade of a Grandfather -- XVIII - Self-Sacrifice: A Farce-Tragedy -- XIX - The Night Before Christmas. 517 $aDaughter of the Storage 606 $aAmerican fiction 606 $aShort stories, American 606 $aPoetry 615 0$aAmerican fiction. 615 0$aShort stories, American. 615 0$aPoetry. 676 $a813.43 700 $aHowells$b William Dean$0123448 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910165258203321 996 $aThe Daughter of the Storage$93408524 997 $aUNINA