LEADER 04627oam 2200673 c 450 001 996359644503316 005 20230621135927.0 010 $a3-8394-5243-0 024 7 $a10.14361/9783839452431 035 $a(CKB)4100000011249183 035 $a(DE-B1597)546277 035 $a(DE-B1597)9783839452431 035 $a(OCoLC)1198930963 035 $a(MiAaPQ)EBC6751046 035 $a(Au-PeEL)EBL6751046 035 $a(transcript Verlag)9783839452431 035 $a(MiAaPQ)EBC6956187 035 $a(Au-PeEL)EBL6956187 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/28903 035 $a(MiAaPQ)EBC30494899 035 $a(Au-PeEL)EBL30494899 035 $a(EXLCZ)994100000011249183 100 $a20220221d2020 uy 0 101 0 $aeng 135 $aurm|#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCurating Contemporary Music Festivals$eA New Perspective on Music's Mediation$fBrandon Farnsworth 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2020 215 $a1 online resource (326 pages) $cillustrations; digital file(s) 225 0 $aMusik und Klangkultur$v47 311 08$aPrint version: 9783837652437 320 $aIncludes bibliographical references. 327 $aFrontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 330 $aContemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be. 410 0$aMusik und Klangkultur ;$v47. 606 $aContemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Mu?nchner Biennale Fu?r Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology; 610 $aBerliner Festspiele. 610 $aCultural Management. 610 $aMunich Biennale For New Music Theatre. 610 $aMusic Management. 610 $aMusic. 610 $aMusicology. 610 $aMünchner Biennale Für Neues Musiktheater. 610 $aNeue Musik. 610 $aNew Music. 615 4$aContemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Mu?nchner Biennale Fu?r Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology; 676 $a780.794 700 $aFarnsworth$b Brandon$pZu?richer Hochschule der Ku?nste, Switzerland$4aut$01204636 712 02$aZürcher Hochschule der Künste$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 801 2$bUkMaJRU 906 $aBOOK 912 $a996359644503316 996 $aCurating Contemporary Music Festivals$92780208 997 $aUNISA