Autore	Aguilar G
Edizione	[First edition 2008.]
Pubbl/distr/stampa	New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2008
Descrizione fisica	1 online resource (289 pages)
Disciplina	791.43098209
Collana	New Directions in Latino American Cultures.
Soggetto topico	Ethnology - Latin America Motion pictures - History Motion pictures and television Latin American Culture Film History Screen Studies
ISBN	1-282-26044-8 9786612260445 0-230-61665-8
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover; Contents; Acknowledgments; Introduction; 1 On the Existence of the New Argentine Cinema; 2 Film, the Narration of a World; 3 A World without Narration (Political Investigation); Appendix 1 The World of Cinema in Argentina; Appendix 2 The Policy of Actors; Appendix 3 Argentine Films That Premiered between 1997 and Mid-2005; Notes; Bibliography; Index
Record Nr.	UNINA-9910807412503321

Pubbl/distr/stampa	Oxford ; ; New York, : Oxford University Press, 1996
Descrizione fisica	xxii, 824 p. : ill. (some col.)
Disciplina	791.43/09
Altri autori (Persone)	Nowell-SmithGeoffrey
Soggetto topico	Motion pictures - History Mass media - History
Soggetto genere / forma	Electronic books.
ISBN	1-281-34647-0 9786611346478 0-19-151818-2
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Record Nr.	UNINA-9910453579803321

Pubbl/distr/stampa	Aarhus, : Institut for Informations- og Medievirksomhed, 1996-2009
Disciplina	770
Soggetto topico	Motion pictures - History
Soggetto genere / forma	Periodicals.
ISSN	1902-2131
Formato	Materiale a stampa
Livello bibliografico	Periodico
Lingua di pubblicazione	mul
Altri titoli varianti	P.o.v. filmtidsskrift Point-of-view journal of film studies Point-of-view filmtidsskrift
Record Nr.	UNINA-9910144986403321

Pubbl/distr/stampa	Bristol, [England] ; ; Chicago, Illinois : , : Intellect, , 2012
Descrizione fisica	1 online resource (595 p.)
Disciplina	791.4309
Soggetto topico	Motion pictures - History Performance art - History Projection art - History
Soggetto genere / forma	Electronic books.
ISBN	1-78320-437-0 1-78320-436-2
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Title Page; Copyright Page; Contents; Introductions; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; Theories and Histories; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation Chapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; Documents; Introduction; Chapter 14: A Text on 20 years with 66 footnotes Chapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: The Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology Chapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance / Installation Nexus Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDialogues; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist Chapter 42: Every House Has a Door
Record Nr.	UNINA-9910458756303321

Autore	Barber Stephen
Pubbl/distr/stampa	London : , : Reaktion Books, , 2014
Descrizione fisica	1 online resource (258 p.)
Disciplina	791.4301
Soggetto topico	Performance art Projection art Film criticism Motion pictures - History Human body
Soggetto genere / forma	Electronic books.
ISBN	1-78023-409-0
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover; Performance Projections: Film and the Body in Action; Imprint Page; Contents; Part one: In Transit: Between and Across Performance and Film; Part two: Performance's Elsewheres: Rooftops, Courtyards, Subterranean Spaces; Part three: Corporeal Projections: Marks of the Body; Part four: Riot Performance: Filmings of Human Uproar; Part five: Image Interzones: The Digital World and Performance; Coda: The Lost Films of Performance; References; Acknowledgements
Record Nr.	UNINA-9910461159503321