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Biblioteca

MARC Lista (tabellare)
Dead ringers : the remake in theory and practice / / edited by Jennifer Forrest and Leonard R. Koos
Dead ringers : the remake in theory and practice / / edited by Jennifer Forrest and Leonard R. Koos
Edizione [1st ed.]
Pubbl/distr/stampa Albany, : State University of New York Press, c2002
Descrizione fisica 1 online resource (382 p.)
Disciplina 791.43/75
Altri autori (Persone) ForrestJennifer <1958->
KoosLeonard R. <1958->
Collana The SUNY series, cultural studies in cinema/video
Soggetto topico Film remakes - History and criticism
Motion pictures - History
ISBN 9780791489635
0791489639
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto CHAPTER ONE 1 -- Reviewing Remakes: An Introduction -- JENNIFER FORREST AND LEONARD R. KOOS -- CHAPTER TWO 37 -- Twice-Told Tales: Disavowal and the Rhetoric of the Remake -- THOMAS LEITCH -- CHAPTER THREE 63 -- Economy and Aesthetics in American Remakes of French Films -- MICHAEL HARNEY -- CHAPTER FOUR 89 -- The "Personal" Touch: -- The Original, the Remake, and the Dupe in Early Cinema -- JENNIFER FORREST -- CHAPTER FIVE 127 -- Sound Strategies: Lang's Rearticulation of Renoir -- TRICIA WELSCH -- CHAPTER SIX 151 -- The Raven and the Nanny: The Remake as Crosscultural Encounter -- ALAN WILLIAMS -- CHAPTER SEVEN 169 -- Sadie Thompson Redux: -- Postwar Reintegration of the Wartime Wayward Woman -- JENNIFER FORREST -- CHAPTER EIGHT 203 -- Hiring Practices: Simenon/Duvivier/Leconte -- LEONARD R. KOOS -- CHAPTER NINE 225 -- Twice Two: The Fly and Invasion of the Body Snatchers -- MARTY ROTH -- CHAPTER TEN 243 -- Three Takes On Motherhood, Masculinity, and Marriage: -- Serreau's Trois Hommes et un couffin, Nimoy's Remake, -- and Ardolino's Sequel -- CAROLYN A. DURHAM -- CHAPTER ELEVEN 273 -- Pretty Woman with a Gun: La Femme Nikita -- and the Textual Politics of "The Remake" -- LAURA GRINDSTAFF -- Appendix A -- Remaking Le Voile bleu: -- An Interview with Norman Corwin, Screenwriter for The Blue Veil 309 -- JENNIFER FORREST -- Appendix B -- Norman Corwin Letter to Jerry Wald 337 -- List of Contributors 341 -- Film Title Index 343 -- Name and Subject Index 353.
Record Nr. UNINA-9911099374603321
Albany, : State University of New York Press, c2002
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Dead ringers : the remake in theory and practice / / edited by Jennifer Forrest and Leonard R. Koos
Dead ringers : the remake in theory and practice / / edited by Jennifer Forrest and Leonard R. Koos
Edizione [1st ed.]
Pubbl/distr/stampa Albany, : State University of New York Press, c2002
Descrizione fisica 1 online resource (382 p.)
Disciplina 791.43/75
Altri autori (Persone) ForrestJennifer <1958->
KoosLeonard R. <1958->
Collana The SUNY series, cultural studies in cinema/video
Soggetto topico Film remakes - History and criticism
Motion pictures - History
ISBN 9780791489635
0791489639
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto CHAPTER ONE 1 -- Reviewing Remakes: An Introduction -- JENNIFER FORREST AND LEONARD R. KOOS -- CHAPTER TWO 37 -- Twice-Told Tales: Disavowal and the Rhetoric of the Remake -- THOMAS LEITCH -- CHAPTER THREE 63 -- Economy and Aesthetics in American Remakes of French Films -- MICHAEL HARNEY -- CHAPTER FOUR 89 -- The "Personal" Touch: -- The Original, the Remake, and the Dupe in Early Cinema -- JENNIFER FORREST -- CHAPTER FIVE 127 -- Sound Strategies: Lang's Rearticulation of Renoir -- TRICIA WELSCH -- CHAPTER SIX 151 -- The Raven and the Nanny: The Remake as Crosscultural Encounter -- ALAN WILLIAMS -- CHAPTER SEVEN 169 -- Sadie Thompson Redux: -- Postwar Reintegration of the Wartime Wayward Woman -- JENNIFER FORREST -- CHAPTER EIGHT 203 -- Hiring Practices: Simenon/Duvivier/Leconte -- LEONARD R. KOOS -- CHAPTER NINE 225 -- Twice Two: The Fly and Invasion of the Body Snatchers -- MARTY ROTH -- CHAPTER TEN 243 -- Three Takes On Motherhood, Masculinity, and Marriage: -- Serreau's Trois Hommes et un couffin, Nimoy's Remake, -- and Ardolino's Sequel -- CAROLYN A. DURHAM -- CHAPTER ELEVEN 273 -- Pretty Woman with a Gun: La Femme Nikita -- and the Textual Politics of "The Remake" -- LAURA GRINDSTAFF -- Appendix A -- Remaking Le Voile bleu: -- An Interview with Norman Corwin, Screenwriter for The Blue Veil 309 -- JENNIFER FORREST -- Appendix B -- Norman Corwin Letter to Jerry Wald 337 -- List of Contributors 341 -- Film Title Index 343 -- Name and Subject Index 353.
Record Nr. UNINA-9911142999803321
Albany, : State University of New York Press, c2002
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Del Clasicismo a Las Modernidades : Estéticas en Tensión en la Historia Del Cine
Del Clasicismo a Las Modernidades : Estéticas en Tensión en la Historia Del Cine
Autore León ías Isaac
Edizione [1st ed.]
Pubbl/distr/stampa Lima : , : Universidad de Lima, Fondo de Desarrollo Editorial, , 2022
Descrizione fisica 1 online resource (588 pages)
Disciplina 791.4309
Soggetto topico Motion pictures - History
Cinematography
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione spa
Nota di contenuto Prólogo -- Introducción -- Guía de exploración para el ingreso a la segunda edad de la historia del cine -- Cuestiones previas -- 1. El cine de los orígenes y la génesis de la escritura clásica -- 1.1 LOS PASOS INICIALES -- 1.2 LUMIÈRE Y MÉLIÈS: ¿EMBRIONES DEL CLASICISMO Y LA MODERNIDAD EN EL CINE DE LOS ORÍGENES? -- 1.3 LA CONTRIBUCIÓN DUAL DE GRIFFITH AL MODELO CLÁSICO Y A ALGUNAS MODALIDADES ALTERNATIVAS -- 1.4 CONSTITUCIÓN DEL MODELO CLÁSICO -- 1.5 LA “HISTORIA BÁSICA” Y LA “VERSIÓN ESTÁNDAR” -- 1.6 CARACTERÍSTICAS NARRATIVAS Y AUDIOVISUALES DEL ESTILO CLÁSICO -- 1.7 REALISMO Y ARTIFICIO EN EL MODELO CLÁSICO -- 1.8 EL UNIVERSO DE LO REPRESENTADO EN EL CINE CLÁSICO -- 1.9 AFIANZAMIENTO DEL MODELO -- 2. Evoluciones del modelo clásico -- 2.1 PRIMERAS LÍNEAS -- 2.2 DÉCADA DEL VEINTE: AFIRMACIÓN DEL MODELO -- 2.3 LOS AÑOS TREINTA O EL MODELO CONSOLIDADO -- 2.4 LOS AÑOS CUARENTA Y LOS ESTILOS INSIDIOSOS -- 2.4.1 La profundidad de campo y el plano-secuencia -- 2.4.2 Los estilos insidiosos -- 2.4.3 El cromatismo en alza -- 2.4.4 La ficción documentalizada -- 2.5 LOS AÑOS CINCUENTA Y LA DILATACIÓN DEL ESPACIO FÍLMICO -- 2.5.1 Nuevos formatos de proyección y expansión del color -- 2.5.2 La técnica del Actors Studio y la insolencia corporal -- 2.5.3 La nueva visualidad del cuerpo -- 2.6 ¿OTROS MODELOS CLÁSICOS? los CASOS DEL JAPÓN Y LA INDIA -- 2.7 BREVE FINAL DEL CAPÍTULO: UN MODELO FLEXIBLE -- 3. La premodernidad en el cine silente
Record Nr. UNINA-9911117276503321
León ías Isaac  
Lima : , : Universidad de Lima, Fondo de Desarrollo Editorial, , 2022
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Del Clasicismo a Las Modernidades : Estéticas en Tensión en la Historia Del Cine
Del Clasicismo a Las Modernidades : Estéticas en Tensión en la Historia Del Cine
Autore León ías Isaac
Edizione [1st ed.]
Pubbl/distr/stampa Lima : , : Universidad de Lima, Fondo de Desarrollo Editorial, , 2022
Descrizione fisica 1 online resource (588 pages)
Disciplina 791.4309
Soggetto topico Motion pictures - History
Cinematography
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione spa
Nota di contenuto Prólogo -- Introducción -- Guía de exploración para el ingreso a la segunda edad de la historia del cine -- Cuestiones previas -- 1. El cine de los orígenes y la génesis de la escritura clásica -- 1.1 LOS PASOS INICIALES -- 1.2 LUMIÈRE Y MÉLIÈS: ¿EMBRIONES DEL CLASICISMO Y LA MODERNIDAD EN EL CINE DE LOS ORÍGENES? -- 1.3 LA CONTRIBUCIÓN DUAL DE GRIFFITH AL MODELO CLÁSICO Y A ALGUNAS MODALIDADES ALTERNATIVAS -- 1.4 CONSTITUCIÓN DEL MODELO CLÁSICO -- 1.5 LA “HISTORIA BÁSICA” Y LA “VERSIÓN ESTÁNDAR” -- 1.6 CARACTERÍSTICAS NARRATIVAS Y AUDIOVISUALES DEL ESTILO CLÁSICO -- 1.7 REALISMO Y ARTIFICIO EN EL MODELO CLÁSICO -- 1.8 EL UNIVERSO DE LO REPRESENTADO EN EL CINE CLÁSICO -- 1.9 AFIANZAMIENTO DEL MODELO -- 2. Evoluciones del modelo clásico -- 2.1 PRIMERAS LÍNEAS -- 2.2 DÉCADA DEL VEINTE: AFIRMACIÓN DEL MODELO -- 2.3 LOS AÑOS TREINTA O EL MODELO CONSOLIDADO -- 2.4 LOS AÑOS CUARENTA Y LOS ESTILOS INSIDIOSOS -- 2.4.1 La profundidad de campo y el plano-secuencia -- 2.4.2 Los estilos insidiosos -- 2.4.3 El cromatismo en alza -- 2.4.4 La ficción documentalizada -- 2.5 LOS AÑOS CINCUENTA Y LA DILATACIÓN DEL ESPACIO FÍLMICO -- 2.5.1 Nuevos formatos de proyección y expansión del color -- 2.5.2 La técnica del Actors Studio y la insolencia corporal -- 2.5.3 La nueva visualidad del cuerpo -- 2.6 ¿OTROS MODELOS CLÁSICOS? los CASOS DEL JAPÓN Y LA INDIA -- 2.7 BREVE FINAL DEL CAPÍTULO: UN MODELO FLEXIBLE -- 3. La premodernidad en el cine silente
Record Nr. UNINA-9911153983603321
León ías Isaac
Lima : , : Universidad de Lima, Fondo de Desarrollo Editorial, , 2022
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Digital Humanities and Film Studies : Visualising Dziga Vertov's Work / / by Adelheid Heftberger
Digital Humanities and Film Studies : Visualising Dziga Vertov's Work / / by Adelheid Heftberger
Autore Heftberger Adelheid
Edizione [1st ed. 2018.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Springer, , 2018
Descrizione fisica 1 online resource (XI, 311 p. 191 illus., 91 illus. in color.)
Disciplina 519.5
791.430233092
Collana Quantitative Methods in the Humanities and Social Sciences
Soggetto topico Social sciences - Statistical methods
Motion pictures - History
Russia - History
Europe, Eastern - History
Soviet Union - History
Statistics in Social Sciences, Humanities, Law, Education, Behavorial Sciences, Public Policy
Film and TV History
Russian, Soviet, and East European History
ISBN 3-030-02864-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Chapter 1. Introduction -- Chapter 2. The Measurement of Aesthetic Phenomena -- Chapter 3. Annotation and Statistics -- Chapter 4. Dziga Vertov's Films -- Chapter 5. The filmic structure as visualisation -- Chapter 6. Charts and Diagrams of Dziga Vertov -- Chapter 7. From filmic form to meaning -- Chapter 8. Summary and outlook.
Record Nr. UNINA-9910309664903321
Heftberger Adelheid  
Cham : , : Springer International Publishing : , : Imprint : Springer, , 2018
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Direct theory [[electronic resource] ] : experimental motion pictures as major genre / / Edward S. Small and Timothy W. Johnson
Direct theory [[electronic resource] ] : experimental motion pictures as major genre / / Edward S. Small and Timothy W. Johnson
Autore Small Edward S. <1939->
Edizione [2nd ed.]
Pubbl/distr/stampa Carbondale, : Southern Illinois University Press, 2013
Descrizione fisica 1 online resource (161 p.)
Disciplina 791.43/611
Altri autori (Persone) JohnsonTimothy W. <1940->
Soggetto topico Motion pictures - History
Experimental films - History and criticism
Soggetto genere / forma Electronic books.
ISBN 0-8093-3214-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction -- Experimental motion pictures as direct theory -- Experimental motion pictures as major genre -- The European avant-garde -- The American avant-garde and the American underground -- Expanded cinema and visionary film -- Experimental video -- Digital experimental motion pictures.
Record Nr. UNINA-9910452696503321
Small Edward S. <1939->  
Carbondale, : Southern Illinois University Press, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Direct theory [[electronic resource] ] : experimental motion pictures as major genre / / Edward S. Small and Timothy W. Johnson
Direct theory [[electronic resource] ] : experimental motion pictures as major genre / / Edward S. Small and Timothy W. Johnson
Autore Small Edward S. <1939->
Edizione [2nd ed.]
Pubbl/distr/stampa Carbondale, : Southern Illinois University Press, 2013
Descrizione fisica 1 online resource (161 p.)
Disciplina 791.43/611
Altri autori (Persone) JohnsonTimothy W. <1940->
Soggetto topico Motion pictures - History
Experimental films - History and criticism
ISBN 0-8093-3214-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction -- Experimental motion pictures as direct theory -- Experimental motion pictures as major genre -- The European avant-garde -- The American avant-garde and the American underground -- Expanded cinema and visionary film -- Experimental video -- Digital experimental motion pictures.
Record Nr. UNINA-9910779994803321
Small Edward S. <1939->  
Carbondale, : Southern Illinois University Press, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Direct theory : experimental motion pictures as major genre / / Edward S. Small and Timothy W. Johnson
Direct theory : experimental motion pictures as major genre / / Edward S. Small and Timothy W. Johnson
Autore Small Edward S. <1939->
Edizione [2nd ed.]
Pubbl/distr/stampa Carbondale, : Southern Illinois University Press, 2013
Descrizione fisica 1 online resource (161 p.)
Disciplina 791.43/611
Altri autori (Persone) JohnsonTimothy W. <1940->
Soggetto topico Motion pictures - History
Experimental films - History and criticism
ISBN 0-8093-3214-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction -- Experimental motion pictures as direct theory -- Experimental motion pictures as major genre -- The European avant-garde -- The American avant-garde and the American underground -- Expanded cinema and visionary film -- Experimental video -- Digital experimental motion pictures.
Record Nr. UNINA-9911102667703321
Small Edward S. <1939->  
Carbondale, : Southern Illinois University Press, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Direct theory : experimental motion pictures as major genre / / Edward S. Small and Timothy W. Johnson
Direct theory : experimental motion pictures as major genre / / Edward S. Small and Timothy W. Johnson
Autore Small Edward S. <1939->
Edizione [2nd ed.]
Pubbl/distr/stampa Carbondale, : Southern Illinois University Press, 2013
Descrizione fisica 1 online resource (161 p.)
Disciplina 791.43/611
Altri autori (Persone) JohnsonTimothy W. <1940->
Soggetto topico Motion pictures - History
Experimental films - History and criticism
ISBN 0-8093-3214-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction -- Experimental motion pictures as direct theory -- Experimental motion pictures as major genre -- The European avant-garde -- The American avant-garde and the American underground -- Expanded cinema and visionary film -- Experimental video -- Digital experimental motion pictures.
Record Nr. UNINA-9911132154303321
Small Edward S. <1939->
Carbondale, : Southern Illinois University Press, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Directory of World Cinema : Africa / / edited by Blandine Stefanson, Sheila Petty
Directory of World Cinema : Africa / / edited by Blandine Stefanson, Sheila Petty
Autore Stefanson Blandine
Edizione [1st ed.]
Pubbl/distr/stampa Intellect Books Ltd, 2014
Descrizione fisica 1 online resource (424 p.)
Disciplina 791.4309
Collana Directory of world cinema
Soggetto topico Motion pictures - History
ISBN 9781783203925
1783203927
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover; Title; Copyright; Contents; Acknowledgements; Introduction; Films of the Year; A Screaming Man; The Pirogue; Eighteen Days; Directors; Abderrahmane Sissako; Osvalde Lewat; Darrell Roodt; Francois Verster; Modes of Production; What is African Cinema? The Industries of African Cinema; French Funding and African Francophone Cinema; Bongo Movies: A Modern African Film Industry in Tanzania; Aesthetics; Scoring African Cinema; Locations: Authentic or Substituted; Festival Focus; Fespaco Film Festival; African Film Festivals Around the World; Drama; Essay; Reviews; Documentary; Essay; Reviews
ComedyEssay; Reviews; Social Issues; Essay; Reviews; Childhood in African Cinema; Essay; Reviews; Literary Adaptation; Essay; Reviews; History and Film; Essay; Reviews; Screening War, Surviving War; Essay; Reviews; Africa Seen by 'Outsiders': Invention, Idea, Method; Essay; Reviews; Surreal; Essay; Reviews; (Home) Video Films from Nigeria and Ghana; Essay; Reviews; Recommended Reading; African Cinema Online; Test Your Knowledge; Notes On Contributors; Filmography; BackCover
Record Nr. UNINA-9911133612903321
Stefanson Blandine  
Intellect Books Ltd, 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui