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Autore: | Hui Alexandra <1980-> |
Titolo: | The psychophysical ear : musical experiments, experimental sounds, 1840-1910 / / Alexandra Hui |
Pubblicazione: | Cambridge, Mass., : MIT Press, c2013 |
Edizione: | 1st ed. |
Descrizione fisica: | 1 online resource (257 p.) |
Disciplina: | 612.8/54 |
Soggetto topico: | Psychoacoustics - History - 19th century |
Psychoacoustics - History - 20th century | |
Sound - Experiments - History - 19th century | |
Sound - Experiments - History - 20th century | |
Avant-garde (Music) - History - 19th century | |
Avant-garde (Music) - History - 20th century | |
Soggetto non controllato: | Psychoacoustics |
Sound | |
Avant-Garde (Music) | |
Science | |
Note generali: | Description based upon print version of record. |
Nota di bibliografia: | Includes bibliographical references and index. |
Nota di contenuto: | Transformations: Studies in the History of Science and Technology; Contents; Acknowledgments; Introduction; 1 Gustav Fechner, the Day View, and the Origins of Psychophysics; 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann; 3 Sound Materialized and Music Reconciled: Hermann Helmholtz; 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke |
5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the FieldCoda; Appendix; Notes; References; Index | |
Sommario/riassunto: | An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. |
Titolo autorizzato: | The psychophysical ear |
ISBN: | 0-262-30503-8 |
1-283-74161-X | |
0-262-30595-X | |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910817273203321 |
Lo trovi qui: | Univ. Federico II |
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