LEADER 03354nam 2200757Ia 450 001 9910817273203321 005 20200520144314.0 010 $a0-262-30503-8 010 $a1-283-74161-X 010 $a0-262-30595-X 035 $a(CKB)2670000000276776 035 $a(EBL)3339539 035 $a(SSID)ssj0000759871 035 $a(PQKBManifestationID)11418574 035 $a(PQKBTitleCode)TC0000759871 035 $a(PQKBWorkID)10810832 035 $a(PQKB)10195091 035 $a(MiAaPQ)EBC3339539 035 $a(OCoLC)821645716$z(OCoLC)818734334$z(OCoLC)820120964$z(OCoLC)822031346$z(OCoLC)961613818$z(OCoLC)975244827$z(OCoLC)975291535$z(OCoLC)988450623$z(OCoLC)992020649$z(OCoLC)1004392451 035 $a(OCoLC-P)821645716 035 $a(MaCbMITP)9460 035 $a(Au-PeEL)EBL3339539 035 $a(CaPaEBR)ebr10626206 035 $a(CaONFJC)MIL405411 035 $a(OCoLC)821645716 035 $a(BIP)039414112 035 $a(EXLCZ)992670000000276776 100 $a20120426d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe psychophysical ear $emusical experiments, experimental sounds, 1840-1910 /$fAlexandra Hui 205 $a1st ed. 210 $aCambridge, Mass. $cMIT Press$dc2013 215 $a1 online resource (257 p.) 225 1 $aTransformations : studies in the history of science and technology 300 $aDescription based upon print version of record. 311 $a0-262-01838-1 320 $aIncludes bibliographical references and index. 327 $aTransformations: Studies in the History of Science and Technology; Contents; Acknowledgments; Introduction; 1 Gustav Fechner, the Day View, and the Origins of Psychophysics; 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann; 3 Sound Materialized and Music Reconciled: Hermann Helmholtz; 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke 327 $a5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the FieldCoda; Appendix; Notes; References; Index 330 $aAn examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. 410 0$aTransformations (M.I.T. Press) 606 $aPsychoacoustics$xHistory$y19th century 606 $aPsychoacoustics$xHistory$y20th century 606 $aSound$xExperiments$xHistory$y19th century 606 $aSound$xExperiments$xHistory$y20th century 606 $aAvant-garde (Music)$xHistory$y19th century 606 $aAvant-garde (Music)$xHistory$y20th century 615 0$aPsychoacoustics$xHistory 615 0$aPsychoacoustics$xHistory 615 0$aSound$xExperiments$xHistory 615 0$aSound$xExperiments$xHistory 615 0$aAvant-garde (Music)$xHistory 615 0$aAvant-garde (Music)$xHistory 676 $a612.8/54 700 $aHui$b Alexandra$f1980-$01714673 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817273203321 996 $aThe psychophysical ear$94108700 997 $aUNINA