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Record Nr. |
UNINA9910817273203321 |
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Autore |
Hui Alexandra <1980-> |
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Titolo |
The psychophysical ear : musical experiments, experimental sounds, 1840-1910 / / Alexandra Hui |
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Pubbl/distr/stampa |
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Cambridge, Mass., : MIT Press, c2013 |
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ISBN |
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0-262-30503-8 |
1-283-74161-X |
0-262-30595-X |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (257 p.) |
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Collana |
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Transformations : studies in the history of science and technology |
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Disciplina |
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Soggetti |
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Psychoacoustics - History - 19th century |
Psychoacoustics - History - 20th century |
Sound - Experiments - History - 19th century |
Sound - Experiments - History - 20th century |
Avant-garde (Music) - History - 19th century |
Avant-garde (Music) - History - 20th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Transformations: Studies in the History of Science and Technology; Contents; Acknowledgments; Introduction; 1 Gustav Fechner, the Day View, and the Origins of Psychophysics; 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann; 3 Sound Materialized and Music Reconciled: Hermann Helmholtz; 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke |
5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the FieldCoda; Appendix; Notes; References; Index |
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Sommario/riassunto |
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An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. |
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