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The unwritten Grotowski : theory and practice of the encounter / / Kris Salata



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Autore: Salata Kris. Visualizza persona
Titolo: The unwritten Grotowski : theory and practice of the encounter / / Kris Salata Visualizza cluster
Pubblicazione: New York : , : Routledge, , 2013
Descrizione fisica: 1 online resource (237 p.)
Disciplina: 792.023/3092
Soggetto topico: Performing arts - Philosophy
Soggetto genere / forma: Electronic books.
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: The Unwritten Grotowski Theory and Practice of the Encounter; Copyright; Contents; A Note to the Reader; Preface; Acknowledgments; Prologue: A Journal from a Voyage to the Living Room; 1 Grotowski Studies in a New Key; 2 The Inner Man and His Deed: Jerzy Grotowski and the Heritage of Adam Mickiewicz and Polish Romanticism; 3 Towards the Non-(Re)presentational Actor:From Grotowski to Richards; 4 Nearness in Creation: From The Twin to The Letter; 5 Towards a Theory of Aliveness: Pyric Theatre; 6 Genealogy of Homecoming: A Journey of The Living Room; Notes; Bibliography; Index
Sommario/riassunto: "This book gives a new view on the legacy of Jerzy Grotowski (1933-1999), one of the central, and yet misunderstood, figures who shaped 20th-century theatre, focusing on his least known last phase of work on ancient songs and the craft of the performer. Salata posits Grotowski's work as philosophical practice, and more particularly, as practical research in the phenomenology of being, arguing that Grotowski's departure from theatrical productions (and thus critical consideration) resulted from his uncompromising pursuit of one central problem, "What does it mean to reveal oneself?" --the very question that drove his stage directing work. The book demonstrates that the answer led him through the path of gradually stripping the theatrical phenomenon down to its most elemental aspect, which shows itself through the craft of the performer as a non-representational event. This particular quality released at the heights of the art of the performer is referred to as aliveness, or true liveness in this study in order to shift scholarly focus onto something that has always fascinated great theatre practitioners, including Stanislavski and Grotowski, and of which academic scholarship has limited grasp. Salata's theoretical analysis of aliveness reaches out to phenomenology and a broad range of post-structural philosophy and critical theory, through which Grotowski's project is portrayed as philosophical practice"--
Titolo autorizzato: The unwritten Grotowski  Visualizza cluster
ISBN: 0-203-07896-9
1-136-15811-1
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910462953403321
Lo trovi qui: Univ. Federico II
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Serie: Routledge advances in theatre and performance studies ; ; 26.