LEADER 03830oam 2200601I 450 001 9910462953403321 005 20200520144314.0 010 $a0-203-07896-9 010 $a1-136-15811-1 024 7 $a10.4324/9780203078969 035 $a(CKB)2670000000353047 035 $a(EBL)1181041 035 $a(OCoLC)845253980 035 $a(SSID)ssj0000877258 035 $a(PQKBManifestationID)12447961 035 $a(PQKBTitleCode)TC0000877258 035 $a(PQKBWorkID)10906894 035 $a(PQKB)11120383 035 $a(MiAaPQ)EBC1181041 035 $a(Au-PeEL)EBL1181041 035 $a(CaPaEBR)ebr10691802 035 $a(CaONFJC)MIL485298 035 $a(OCoLC)842885741 035 $a(EXLCZ)992670000000353047 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe unwritten Grotowski $etheory and practice of the encounter /$fKris Salata 210 1$aNew York :$cRoutledge,$d2013. 215 $a1 online resource (237 p.) 225 1 $aRoutledge Advances in Theatre and Performance Studies ;$v26 300 $aDescription based upon print version of record. 311 $a1-138-10860-X 311 $a0-415-53403-8 320 $aIncludes bibliographical references and index. 327 $aThe Unwritten Grotowski Theory and Practice of the Encounter; Copyright; Contents; A Note to the Reader; Preface; Acknowledgments; Prologue: A Journal from a Voyage to the Living Room; 1 Grotowski Studies in a New Key; 2 The Inner Man and His Deed: Jerzy Grotowski and the Heritage of Adam Mickiewicz and Polish Romanticism; 3 Towards the Non-(Re)presentational Actor:From Grotowski to Richards; 4 Nearness in Creation: From The Twin to The Letter; 5 Towards a Theory of Aliveness: Pyric Theatre; 6 Genealogy of Homecoming: A Journey of The Living Room; Notes; Bibliography; Index 330 $a"This book gives a new view on the legacy of Jerzy Grotowski (1933-1999), one of the central, and yet misunderstood, figures who shaped 20th-century theatre, focusing on his least known last phase of work on ancient songs and the craft of the performer. Salata posits Grotowski's work as philosophical practice, and more particularly, as practical research in the phenomenology of being, arguing that Grotowski's departure from theatrical productions (and thus critical consideration) resulted from his uncompromising pursuit of one central problem, "What does it mean to reveal oneself?" --the very question that drove his stage directing work. The book demonstrates that the answer led him through the path of gradually stripping the theatrical phenomenon down to its most elemental aspect, which shows itself through the craft of the performer as a non-representational event. This particular quality released at the heights of the art of the performer is referred to as aliveness, or true liveness in this study in order to shift scholarly focus onto something that has always fascinated great theatre practitioners, including Stanislavski and Grotowski, and of which academic scholarship has limited grasp. Salata's theoretical analysis of aliveness reaches out to phenomenology and a broad range of post-structural philosophy and critical theory, through which Grotowski's project is portrayed as philosophical practice"--$cProvided by publisher. 410 0$aRoutledge advances in theatre and performance studies ;$v26. 606 $aPerforming arts$xPhilosophy 608 $aElectronic books. 615 0$aPerforming arts$xPhilosophy. 676 $a792.023/3092 700 $aSalata$b Kris.$0856159 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462953403321 996 $aThe unwritten Grotowski$91911568 997 $aUNINA