03830oam 2200601I 450 991046295340332120200520144314.00-203-07896-91-136-15811-110.4324/9780203078969 (CKB)2670000000353047(EBL)1181041(OCoLC)845253980(SSID)ssj0000877258(PQKBManifestationID)12447961(PQKBTitleCode)TC0000877258(PQKBWorkID)10906894(PQKB)11120383(MiAaPQ)EBC1181041(Au-PeEL)EBL1181041(CaPaEBR)ebr10691802(CaONFJC)MIL485298(OCoLC)842885741(EXLCZ)99267000000035304720180706d2013 uy 0engur|n|---|||||txtccrThe unwritten Grotowski theory and practice of the encounter /Kris SalataNew York :Routledge,2013.1 online resource (237 p.)Routledge Advances in Theatre and Performance Studies ;26Description based upon print version of record.1-138-10860-X 0-415-53403-8 Includes bibliographical references and index.The Unwritten Grotowski Theory and Practice of the Encounter; Copyright; Contents; A Note to the Reader; Preface; Acknowledgments; Prologue: A Journal from a Voyage to the Living Room; 1 Grotowski Studies in a New Key; 2 The Inner Man and His Deed: Jerzy Grotowski and the Heritage of Adam Mickiewicz and Polish Romanticism; 3 Towards the Non-(Re)presentational Actor:From Grotowski to Richards; 4 Nearness in Creation: From The Twin to The Letter; 5 Towards a Theory of Aliveness: Pyric Theatre; 6 Genealogy of Homecoming: A Journey of The Living Room; Notes; Bibliography; Index"This book gives a new view on the legacy of Jerzy Grotowski (1933-1999), one of the central, and yet misunderstood, figures who shaped 20th-century theatre, focusing on his least known last phase of work on ancient songs and the craft of the performer. Salata posits Grotowski's work as philosophical practice, and more particularly, as practical research in the phenomenology of being, arguing that Grotowski's departure from theatrical productions (and thus critical consideration) resulted from his uncompromising pursuit of one central problem, "What does it mean to reveal oneself?" --the very question that drove his stage directing work. The book demonstrates that the answer led him through the path of gradually stripping the theatrical phenomenon down to its most elemental aspect, which shows itself through the craft of the performer as a non-representational event. This particular quality released at the heights of the art of the performer is referred to as aliveness, or true liveness in this study in order to shift scholarly focus onto something that has always fascinated great theatre practitioners, including Stanislavski and Grotowski, and of which academic scholarship has limited grasp. Salata's theoretical analysis of aliveness reaches out to phenomenology and a broad range of post-structural philosophy and critical theory, through which Grotowski's project is portrayed as philosophical practice"--Provided by publisher.Routledge advances in theatre and performance studies ;26.Performing artsPhilosophyElectronic books.Performing artsPhilosophy.792.023/3092Salata Kris.856159MiAaPQMiAaPQMiAaPQBOOK9910462953403321The unwritten Grotowski1911568UNINA