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| Titolo: |
Net works : case studies in Web art and design / / edited by Xtine Burrough
|
| Pubblicazione: | New York, N.Y. : , : Routledge, , 2012 |
| Edizione: | First edition. |
| Descrizione fisica: | 1 online resource (261 p.) |
| Disciplina: | 776 |
| Soggetto topico: | Art and the Internet |
| Web sites | |
| Soggetto genere / forma: | Electronic books. |
| Altri autori: |
BurroughXtine
|
| Note generali: | Description based upon print version of record. |
| Nota di bibliografia: | Includes bibliographical references and index. |
| Nota di contenuto: | Front Cover; Net Works; Copyright Page; Contents; List of Figures; Acknowledgments; List of Contributors; Introduction to Net Works: Xtine Burrough; Part I: Formalism and Conceptual Art; Formalism and Conceptual Art, introduction: Edward A. Shanken; 1. Color Field Paintings (Browser): Michael Demers; 2. YouTube as a Subject: Constant Dullaart; Part II: Collections and Communities; Virtual Communities: An Interview with Howard Rheingold: Xtine Burrough and Howard Rheingold; 3. WTF?!: Robert Nideffer; 4. SF Garden Registry: Amy Franceschini, David Lu, and Myriel Milicevic |
| Part III: Crowdsourcing and ParticipationCheaper by the Dozen: An Introduction to "Crowdsourcing": Trebor Scholz; 5. Mechanical Olympics: Xtine burrough; 6. Google Maps Road Trip: Peter Baldes and Marc Horowitz; Part IV:Data Visualization; On Data Visualization; 7. Superfund365: Brooke Singer; 8. Pastiche: Christian Marc Schmidt; Part V: Error and Noise; Seductive Errors: A Poetics of Noise, introduction: Mark Nunes; 9. Luscious: Fernanda Viégas and Martin Wattenberg; 10. Tumbarumba: Ethan Ham; Part VI: Surveillance; Web 2.0 Surveillance and Art, introduction: Christian Fuchs | |
| 11. F 'Book: What My Friends Are Doing in Facebook: Lee Walton12. Traceblog: Eduardo Navas; Part VII: Tactical Media and Democracy; Tactical Media, introduction: Critical Art Ensemble; 13. The Good Life/La Buena Vida: Carlos Motta with Eva Díaz, Freckles Studio,and Stamatina Gregory; 14. Oiligarchy: Molleindustria/Paolo Pedercini; Part VIII: Open Source; Open Source Creativity, introduction: David M. Berry; 15. The Real Costs: Michael Mandiberg; 16. Add-Art: Sharing, Freedom, and Beer: Steve Lambert; Part IX: Hacking and Remixing; Hacking and Remixing, introduction: Stefan Sonvilla-Weiss | |
| 17. Pigeonblog: Beatriz Da Costa18. JoyceWalks: Conor McGarrigle; Part X: Performance and Analog Counterparts; Performance and Analog Counterparts, introduction: Ken Goldberg; 19. The Gandhi Complex: The Mahatma in Second Life: Joseph Delappe; 20. Alerting Infrastructure!: Challenging the Temporality of Physical versus Virtual Environments: Jonah Brucker-Cohen; Index | |
| Sommario/riassunto: | Net Works offers an inside look into the process of successfully developing thoughtful, innovative digital media. In many practice-based art texts and classrooms, technology is divorced from the socio-political concerns of those using it. Although there are many resources for media theorists, practice-based students sometimes find it difficult to engage with a text that fails to relate theoretical concerns to the act of creating. Net Works strives to fill that gap.Using websites as case studies, each chapter introduces a different style of web project--from formalis |
| Titolo autorizzato: | Net works ![]() |
| ISBN: | 1-280-68391-0 |
| 9786613660855 | |
| 1-136-94483-4 | |
| 0-203-84794-6 | |
| Formato: | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910462011803321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |