LEADER 04546oam 2200685I 450 001 9910462011803321 005 20200520144314.0 010 $a1-280-68391-0 010 $a9786613660855 010 $a1-136-94483-4 010 $a0-203-84794-6 024 7 $a10.4324/9780203847947 035 $a(CKB)2670000000203693 035 $a(EBL)743912 035 $a(OCoLC)804664051 035 $a(SSID)ssj0000691841 035 $a(PQKBManifestationID)11451341 035 $a(PQKBTitleCode)TC0000691841 035 $a(PQKBWorkID)10629581 035 $a(PQKB)11675030 035 $a(MiAaPQ)EBC743912 035 $a(PPN)185419119 035 $a(Au-PeEL)EBL743912 035 $a(CaPaEBR)ebr10570431 035 $a(CaONFJC)MIL366085 035 $a(OCoLC)801406048 035 $a(EXLCZ)992670000000203693 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aNet works $ecase studies in Web art and design /$fedited by Xtine Burrough 205 $aFirst edition. 210 1$aNew York, N.Y. :$cRoutledge,$d2012. 215 $a1 online resource (261 p.) 300 $aDescription based upon print version of record. 311 $a0-415-88222-2 311 $a0-415-88221-4 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Net Works; Copyright Page; Contents; List of Figures; Acknowledgments; List of Contributors; Introduction to Net Works: Xtine Burrough; Part I: Formalism and Conceptual Art; Formalism and Conceptual Art, introduction: Edward A. Shanken; 1. Color Field Paintings (Browser): Michael Demers; 2. YouTube as a Subject: Constant Dullaart; Part II: Collections and Communities; Virtual Communities: An Interview with Howard Rheingold: Xtine Burrough and Howard Rheingold; 3. WTF?!: Robert Nideffer; 4. SF Garden Registry: Amy Franceschini, David Lu, and Myriel Milicevic 327 $aPart III: Crowdsourcing and ParticipationCheaper by the Dozen: An Introduction to "Crowdsourcing": Trebor Scholz; 5. Mechanical Olympics: Xtine burrough; 6. Google Maps Road Trip: Peter Baldes and Marc Horowitz; Part IV:Data Visualization; On Data Visualization; 7. Superfund365: Brooke Singer; 8. Pastiche: Christian Marc Schmidt; Part V: Error and Noise; Seductive Errors: A Poetics of Noise, introduction: Mark Nunes; 9. Luscious: Fernanda Vie?gas and Martin Wattenberg; 10. Tumbarumba: Ethan Ham; Part VI: Surveillance; Web 2.0 Surveillance and Art, introduction: Christian Fuchs 327 $a11. F 'Book: What My Friends Are Doing in Facebook: Lee Walton12. Traceblog: Eduardo Navas; Part VII: Tactical Media and Democracy; Tactical Media, introduction: Critical Art Ensemble; 13. The Good Life/La Buena Vida: Carlos Motta with Eva Di?az, Freckles Studio,and Stamatina Gregory; 14. Oiligarchy: Molleindustria/Paolo Pedercini; Part VIII: Open Source; Open Source Creativity, introduction: David M. Berry; 15. The Real Costs: Michael Mandiberg; 16. Add-Art: Sharing, Freedom, and Beer: Steve Lambert; Part IX: Hacking and Remixing; Hacking and Remixing, introduction: Stefan Sonvilla-Weiss 327 $a17. Pigeonblog: Beatriz Da Costa18. JoyceWalks: Conor McGarrigle; Part X: Performance and Analog Counterparts; Performance and Analog Counterparts, introduction: Ken Goldberg; 19. The Gandhi Complex: The Mahatma in Second Life: Joseph Delappe; 20. Alerting Infrastructure!: Challenging the Temporality of Physical versus Virtual Environments: Jonah Brucker-Cohen; Index 330 $aNet Works offers an inside look into the process of successfully developing thoughtful, innovative digital media. In many practice-based art texts and classrooms, technology is divorced from the socio-political concerns of those using it. Although there are many resources for media theorists, practice-based students sometimes find it difficult to engage with a text that fails to relate theoretical concerns to the act of creating. Net Works strives to fill that gap.Using websites as case studies, each chapter introduces a different style of web project--from formalis 606 $aArt and the Internet 606 $aWeb sites$vCase studies 608 $aElectronic books. 615 0$aArt and the Internet. 615 0$aWeb sites 676 $a776 701 $aBurrough$b Xtine$0858417 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462011803321 996 $aNet works$91916428 997 $aUNINA