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Gothic machine [[electronic resource] ] : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 / / David J. Jones



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Autore: Jones David J Visualizza persona
Titolo: Gothic machine [[electronic resource] ] : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 / / David J. Jones Visualizza cluster
Pubblicazione: Cardiff, : University of Wales Press, 2011
Descrizione fisica: 1 online resource (254 p.)
Disciplina: 700.903
Soggetto topico: Arts and society - History
Visual communication - History
Communication and culture - History
Motion pictures - History
Art, Gothic
Gothic revival (Art)
Soggetto genere / forma: Electronic books.
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Acknowledgements; List of illustrations; Introduction; Memento Mori, Griendel and the Forerunners, Schröpferand Schiller: German Popular Visual Culture 1670-1800. Friedrich Schiller's Der Geisterseher/The Ghost-Seer, Sturm und Drang and Magic-Lantern Shows; Matthew Lewis's The Monk, the Marquis de Sade andInter-Medial Influence: The Publishers, Readership,Visual Spectacle and the Staging of Gothic 1790-1830; Etienne-Gaspard Robertson's Gothic Fantasmagorie and E. T. A. Hoffmann
Gothic Renewal and Bifurcation: Sheridan Le Fanu, Edward Bulwer-Lytton's The Strange Tale, Charles Dickens, Pepper's Ghost and Etienne-Jules Marey.The Daguerreotype and Diablerie in French Visual Media'In or around the Winter, 1895': From the Prelude toCinema Proper. French Gothic Symbolism, Villiersde L'Isle-Adam, J.-K. Huysmans, the féeries of Georges Méliès and Alice Guy Blaché's Esmeralda; 'Another Kind of Showman': Robert Louis Stevenson,Bram Stoker, Robert Paul, Albert Smith and Film's First Frankenstein. Anglo-American Gothic in the Age of the First Films 1895-1910
Conclusion: French ExtremityNotes; Bibliography; Index
Sommario/riassunto: Almost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals their close relation to the great upsurge in Gothic writing, so popular with readers today.
Titolo autorizzato: Gothic machine  Visualizza cluster
ISBN: 1-299-20099-0
0-7083-2408-8
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910461181103321
Lo trovi qui: Univ. Federico II
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Serie: Gothic literary studies.