LEADER 03634nam 2200709 a 450 001 9910461181103321 005 20200520144314.0 010 $a1-299-20099-0 010 $a0-7083-2408-8 035 $a(CKB)2670000000138130 035 $a(EBL)819819 035 $a(OCoLC)769342474 035 $a(SSID)ssj0000636010 035 $a(PQKBManifestationID)12252917 035 $a(PQKBTitleCode)TC0000636010 035 $a(PQKBWorkID)10660023 035 $a(PQKB)11109304 035 $a(MiAaPQ)EBC819819 035 $a(Au-PeEL)EBL819819 035 $a(CaPaEBR)ebr10640659 035 $a(CaONFJC)MIL451349 035 $a(EXLCZ)992670000000138130 100 $a20130109d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGothic machine$b[electronic resource] $etextualities, pre-cinematic media and film in popular visual culture, 1670-1910 /$fDavid J. Jones 210 $aCardiff $cUniversity of Wales Press$d2011 215 $a1 online resource (254 p.) 225 0$aGothic library studies 300 $aDescription based upon print version of record. 311 $a0-7083-2407-X 320 $aIncludes bibliographical references and index. 327 $aAcknowledgements; List of illustrations; Introduction; Memento Mori, Griendel and the Forerunners, Schro?pferand Schiller: German Popular Visual Culture 1670-1800. Friedrich Schiller's Der Geisterseher/The Ghost-Seer, Sturm und Drang and Magic-Lantern Shows; Matthew Lewis's The Monk, the Marquis de Sade andInter-Medial Influence: The Publishers, Readership,Visual Spectacle and the Staging of Gothic 1790-1830; Etienne-Gaspard Robertson's Gothic Fantasmagorie and E. T. A. Hoffmann 327 $aGothic Renewal and Bifurcation: Sheridan Le Fanu, Edward Bulwer-Lytton's The Strange Tale, Charles Dickens, Pepper's Ghost and Etienne-Jules Marey.The Daguerreotype and Diablerie in French Visual Media'In or around the Winter, 1895': From the Prelude toCinema Proper. French Gothic Symbolism, Villiersde L'Isle-Adam, J.-K. Huysmans, the fe?eries of Georges Me?lie?s and Alice Guy Blache?'s Esmeralda; 'Another Kind of Showman': Robert Louis Stevenson,Bram Stoker, Robert Paul, Albert Smith and Film's First Frankenstein. Anglo-American Gothic in the Age of the First Films 1895-1910 327 $aConclusion: French ExtremityNotes; Bibliography; Index 330 $aAlmost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals their close relation to the great upsurge in Gothic writing, so popular with readers today. 410 0$aGothic literary studies. 606 $aArts and society$xHistory 606 $aVisual communication$xHistory 606 $aCommunication and culture$xHistory 606 $aMotion pictures$xHistory 606 $aArt, Gothic 606 $aGothic revival (Art) 608 $aElectronic books. 615 0$aArts and society$xHistory. 615 0$aVisual communication$xHistory. 615 0$aCommunication and culture$xHistory. 615 0$aMotion pictures$xHistory. 615 0$aArt, Gothic. 615 0$aGothic revival (Art) 676 $a700.903 700 $aJones$b David J$0394166 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461181103321 996 $aGothic machine$92458536 997 $aUNINA