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| Titolo: |
Despite all adversities : Spanish-American adversities queer cinema / / edited by Andrés Lema-Hincapié and Debra A. Castillo ; contributors, Daniel Balderston [and fifteen others]
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| Pubblicazione: | Albany, New York : , : SUNY Press, , 2015 |
| ©2015 | |
| Descrizione fisica: | 1 online resource (322 p.) |
| Disciplina: | 791.43/652968073 |
| Soggetto topico: | Hispanic Americans in the motion picture industry |
| Homosexuality in motion pictures | |
| Gays in motion pictures | |
| Soggetto genere / forma: | Electronic books. |
| Persona (resp. second.): | Lema-HincapiéAndrés |
| CastilloDebra A. | |
| BalderstonDaniel | |
| Note generali: | Description based upon print version of record. |
| Nota di bibliografia: | Includes bibliographical references at the end of each chapters and index. |
| Nota di contenuto: | Contents; Acknowledgments; Introduction; Meeting the Macho; LGBTQ in Latin America; About this Book; Appendix: Further Readings; Notes; Part I: Queer Subjectivity, Desire, and Eroticism ; 1. Queer Couples in Señora de Nadie (María Luisa Bemberg, 1982) ; Notes; Works Cited; 2. Fresa y chocolate: The Allure of Passions and Controversies (Tomás Gutiérrez Alea and Juan Carlos Tabío, 1993) ; No Stranger to Critique; The Fragile Culture of Critical Engagement; Persuasions of Melodrama; Reality in Counterpoint; Watershed Film; Notes; Works Cited |
| 3. A Gaynster Quasi-Tragedy: Eroticism and Secrets in Plata quemada (Marcelo Piñeyro, 2000) Greek Tragedy and the Reviews; Piñeyro's Cinematography ; Oscillating Desire in the Plot; The Sexual Dynamic of the Male Bodies; Obstacles of an Oscillating Eros; Notes; Works Cited; 4. Pathology, Poetry, and Pleasure: HIV/AIDS, Confessional Writing, and S/M in Un año sin amor (Anahí Berneri, 2005) ; Mise en abîme ; Argentina at the Turn of the Millennium; Argentina's Queerness from a Global Perspective ; The Global Cinema of HIV/AIDS; Medicine and Literature; Poetry: Pablo Neruda/Pablo Pérez | |
| Pablo's Writings: Poetry and Personals Pablo's Writing: Poetry and the Diary ; Leather and Masochism; Conclusion; Notes; Works Cited; Part II: Gay Authorship-Queer Agency and Spectatorship ; 5. La venganza del sexo: The Curious Mutation from Horror Fantasy into Sexploitation Film (Emilio Vieyra, 1967) ; Crime Thriller and Horror Fantasy; The Mad Doctor and His Henchmen; The Journalist as Voyeur; Double Versions; Notes; Works Cited; 6. Inside-Out: A Socio-Spatial Reading of Mecánicas celestes (Fina Torres, 1995) ; Inside the Box; Outside the Box; Reinventing the Box; Notes; Works Cited | |
| 7. La Virgen de los Sicarios: From Novel to Film (Barbet Schroeder, 2000) Notes; Works Cited; 8. A Case Study in Transnational Gay Auteurism: Mil nubes de paz cercan el cielo, amor, jamás acabarás de ser amor (Julián Hernández, 2004) ; Notes; Works Cited; 9. Haunted: XXY (Lucía Puenzo, 2007) ; Notes; Works Cited; Part III: Bisexuality Experiences and Lesbian Identities ; 10. Excluded Middle? Bisexuality in Doña Herlinda y su hijo (Jaime Humberto Hermosillo, 1984) ; Notes; Works Cited; 11. The Construction of the Bisexual Subject in No se lo digas a nadie (Francisco Lombardi, 1998) | |
| Works Cited12. Lesbians Made in Mexico: Sexual Diversity and Transnational Fluxes; Made in Mexico; Female Homosexuality: An Irreparable Evil; All Inclusive in the Mexican Caribbean; Unified Perceptions in a Transnational frame; Ad hoc Products for International Audiences; Notes; Works Cited; Part IV: Queer Relations with Families ; 13. Clothes Make the Man: Closet, Cabaret, Cinema in El lugar sin límites (Arturo Ripstein, 1977) ; Works Cited; 14. Families, Landowners, Servants, and Siblings in La ciénaga (Lucrecia Martel, 2001) ; Swampy Scenes and Ambiguous Boundaries | |
| Boggy Symbiosis: Affection and Contempt | |
| Titolo autorizzato: | Despite all adversities ![]() |
| ISBN: | 1-4384-5912-2 |
| Formato: | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910460840303321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |