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[null,"1.","Record Nr.",null,"UNINA9910460840303321"]
[null,null,"Titolo",null,"Despite all adversities : Spanish-American adversities queer cinema / / edited by Andrés Lema-Hincapié and Debra A. Castillo ; contributors, Daniel Balderston [and fifteen others]"]
[null,null,"Pubbl/distr/stampa",null,"Albany, New York : , : SUNY Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"1-4384-5912-2"]
[null,null,"Descrizione fisica",null,"1 online resource (322 p.)"]
[null,null,"Collana",null,"SUNY series, Genders in the Global South"]
[null,null,"Disciplina",null,"791.43/652968073"]
[null,null,"Soggetti",null,"Hispanic Americans in the motion picture industry"]
[{"$nulls":4},"Homosexuality in motion pictures"]
[{"$nulls":4},"Gays in motion pictures"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Introduction; Meeting the Macho; LGBTQ in Latin America; About this Book; Appendix: Further Readings; Notes; Part I: Queer Subjectivity, Desire, and Eroticism ; 1. Queer Couples in SeÃ±ora de Nadie (María Luisa Bemberg, 1982) ; Notes; Works Cited; 2. Fresa y chocolate: The Allure of Passions and Controversies (Tomás Gutiérrez Alea and Juan Carlos Tabío, 1993) ; No Stranger to Critique; The Fragile Culture of Critical Engagement; Persuasions of Melodrama; Reality in Counterpoint; Watershed Film; Notes; Works Cited"]
[{"$nulls":4},"3. A Gaynster Quasi-Tragedy: Eroticism and Secrets in Plata quemada (Marcelo Piñeyro, 2000) Greek Tragedy and the Reviews; Piñeyro's Cinematography ; Oscillating Desire in the Plot; The Sexual Dynamic of the Male Bodies; Obstacles of an Oscillating Eros; Notes; Works Cited; 4. Pathology, Poetry, and Pleasure: HIV/AIDS, Confessional Writing, and S/M in Un año sin amor (Anahí Berneri, 2005) ; Mise en abîme ; Argentina at the Turn of the Millennium; Argentina's Queerness from a Global Perspective ; The Global Cinema of HIV/AIDS; Medicine and Literature; Poetry: Pablo Neruda/Pablo Pérez"]
[{"$nulls":4},"Pablo's Writings: Poetry and Personals Pablo's Writing: Poetry and the Diary ; Leather and Masochism; Conclusion; Notes; Works Cited; Part II: Gay Authorship-Queer Agency and Spectatorship ; 5. La venganza del "]
[{"$nulls":4},"sexo: The Curious Mutation from Horror Fantasy into Sexploitation Film (Emilio Vieyra, 1967) ; Crime Thriller and Horror Fantasy; The Mad Doctor and His Henchmen; The Journalist as Voyeur; Double Versions; Notes; Works Cited; 6. Inside-Out: A Socio-Spatial Reading of MecÃ¡nicas celestes (Fina Torres, 1995) ; Inside the Box; Outside the Box; Reinventing the Box; Notes; Works Cited"]
[{"$nulls":4},"7. La Virgen de los Sicarios: From Novel to Film (Barbet Schroeder, 2000) Notes; Works Cited; 8. A Case Study in Transnational Gay Auteurism: Mil nubes de paz cercan el cielo, amor, jamás acabarás de ser amor (Julián Hernández, 2004) ; Notes; Works Cited; 9. Haunted: XXY (Lucía Puenzo, 2007) ; Notes; Works Cited; Part III: Bisexuality Experiences and Lesbian Identities ; 10. Excluded Middle? Bisexuality in Doña Herlinda y su hijo (Jaime Humberto Hermosillo, 1984) ; Notes; Works Cited; 11. The Construction of the Bisexual Subject in No se lo digas a nadie (Francisco Lombardi, 1998)"]
[{"$nulls":4},"Works Cited12. Lesbians Made in Mexico: Sexual Diversity and Transnational Fluxes; Made in Mexico; Female Homosexuality: An Irreparable Evil; All Inclusive in the Mexican Caribbean; Unified Perceptions in a Transnational frame; Ad hoc Products for International Audiences; Notes; Works Cited; Part IV: Queer Relations with Families ; 13. Clothes Make the Man: Closet, Cabaret, Cinema in El lugar sin límites (Arturo Ripstein, 1977) ; Works Cited; 14. Families, Landowners, Servants, and Siblings in La ciénaga (Lucrecia Martel, 2001) ; Swampy Scenes and Ambiguous Boundaries"]
[{"$nulls":4},"Boggy Symbiosis: Affection and Contempt"]