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Postwar Renoir : film and the memory of violence / / olin Davis



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Autore: Davis Colin <1960-, > Visualizza persona
Titolo: Postwar Renoir : film and the memory of violence / / olin Davis Visualizza cluster
Pubblicazione: New York : , : Routledge, , 2012
Descrizione fisica: 1 online resource (185 p.)
Disciplina: 791.4309
Soggetto topico: Violence in motion pictures
Soggetto genere / forma: Electronic books.
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Cover; Title; Copyright; Contents; List of Figures; Acknowledgements; Introduction; 1 The Shadow of Murder: Swamp Water, The Southerner, The Diary of a Chambermaid; 2 The Aftermath of Trauma: The Woman on the Beach, The River; 3 The Diversion of Art: The Golden Coach, French Cancan, Elena et les hommes; 4 Between Good and Evil: Le Testament du docteur Cordelier, Le Déjeuner sur l'herbe; 5 The Novels: Memories of Love and War; 6 The Unresolved Past: This Land Is Mine, Carola, Le Caporal épinglé; Conclusion: Towards Forgiveness?; Appendix: Renoir's Films, 1941-1969; Notes; Bibliography; Index
Sommario/riassunto: This book re-assesses director Jean Renoir's work between his departure from France in 1940 and his death in 1979, and contributes to the debate over how the medium of film registers the impact of trauma. The 1930s ended in catastrophe for both for Renoir and for France: La Règle du jeu was a critical and commercial disaster on its release in July 1939 and in 1940 France was occupied by Germany. Even so, Renoir continued to innovate and experiment with his post-war work, yet the thirteen films he made between 1941 and 1969, constituting nearly half of his work in sound cinem
Titolo autorizzato: Postwar Renoir  Visualizza cluster
ISBN: 1-283-52042-7
9786613832870
0-203-11758-1
1-136-30452-5
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910461814203321
Lo trovi qui: Univ. Federico II
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Serie: Routledge Advances in Film Studies