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035   $a(PQKBTitleCode)TC0000696439
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100   $a20180706d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aPostwar Renoir $efilm and the memory of violence /$folin Davis
210  1$aNew York :$cRoutledge,$d2012.
215   $a1 online resource (185 p.)
225 1 $aRoutledge advances in film studies ;$v16
225  0$aRoutledge advances in film studies ;$v16
300   $aDescription based upon print version of record.
311   $a0-415-80697-6 
320   $aIncludes bibliographical references and index.
327   $aCover; Title; Copyright; Contents; List of Figures; Acknowledgements; Introduction; 1 The Shadow of Murder: Swamp Water, The Southerner, The Diary of a Chambermaid; 2 The Aftermath of Trauma: The Woman on the Beach, The River; 3 The Diversion of Art: The Golden Coach, French Cancan, Elena et les hommes; 4 Between Good and Evil: Le Testament du docteur Cordelier, Le De?jeuner sur l'herbe; 5 The Novels: Memories of Love and War; 6 The Unresolved Past: This Land Is Mine, Carola, Le Caporal e?pingle?; Conclusion: Towards Forgiveness?; Appendix: Renoir's Films, 1941-1969; Notes; Bibliography; Index
330   $aThis book re-assesses director Jean Renoir's work between his departure from France in 1940 and his death in 1979, and contributes to the debate over how the medium of film registers the impact of trauma. The 1930s ended in catastrophe for both for Renoir and for France: La Re?gle du jeu was a critical and commercial disaster on its release in July 1939 and in 1940 France was occupied by Germany. Even so, Renoir continued to innovate and experiment with his post-war work, yet the thirteen films he made between 1941 and 1969, constituting nearly half of his work in sound cinem
410  0$aRoutledge Advances in Film Studies
606   $aViolence in motion pictures
608   $aElectronic books.
615  0$aViolence in motion pictures.
676   $a791.4309
700   $aDavis$b Colin$f1960-,$0858026
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461814203321
996   $aPostwar Renoir$92108178
997   $aUNINA