Post-impressionism [[electronic resource] /] / Nathalia Brodskaïa

• Autore: Brodskai͡a N. V (Natalʹi͡a Valentinovna)
• Pubblicazione: New York, : Parkstone International, [2012?]
• Descrizione fisica: 1 online resource (200 p.)
• Disciplina: 759
• Soggetto topico: Post-impressionism (Art)
• Soggetto genere / forma: Electronic books.
• Note generali: Includes index.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: CONTENTS; INTRODUCTION; The Technical and Scientific Revolution; Post-Impressionism and its Contributions; MAJOR ARTISTS; PAUL CÉZANNE (1839-1906); NEO-IMPRESSIONISM; VINCENT VAN GOGH (1853-1890); PAUL GAUGUIN (1848-1903); HENRI DE TOULOUSE-LAUTREC (1864-1901); THE NABIS; NOTES; INDEX
• Sommario/riassunto: While Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist's theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, while Cézanne renounced perspective. Rich in its variety and in the singularity of its artists,
• Titolo autorizzato: Post-impressionism
• ISBN: 1-283-95223-8; 1-78042-802-2
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910457180103321
• Lo trovi qui: Univ. Federico II
• Serie: Art of century collection.