02626nam 2200601 a 450 991045718010332120200520144314.01-283-95223-81-78042-802-2(CKB)2550000000088858(EBL)887040(OCoLC)778448542(SSID)ssj0000639919(PQKBManifestationID)12274355(PQKBTitleCode)TC0000639919(PQKBWorkID)10611132(PQKB)10116602(MiAaPQ)EBC887040(PPN)197277969(Au-PeEL)EBL887040(CaPaEBR)ebr10532437(CaONFJC)MIL426473(EXLCZ)99255000000008885820120315d2012 uy 0engur|n|---|||||txtccrPost-impressionism[electronic resource] /Nathalia BrodskaïaNew York Parkstone International[2012?]1 online resource (200 p.)Art of century collectionIncludes index.1-84484-746-2 Includes bibliographical references and index.CONTENTS; INTRODUCTION; The Technical and Scientific Revolution; Post-Impressionism and its Contributions; MAJOR ARTISTS; PAUL CÉZANNE (1839-1906); NEO-IMPRESSIONISM; VINCENT VAN GOGH (1853-1890); PAUL GAUGUIN (1848-1903); HENRI DE TOULOUSE-LAUTREC (1864-1901); THE NABIS; NOTES; INDEXWhile Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist's theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, while Cézanne renounced perspective. Rich in its variety and in the singularity of its artists, Art of century collection.Post-impressionism (Art)Post-impressionism (Art)Pictorial worksElectronic books.Post-impressionism (Art)Post-impressionism (Art)759Brodskai͡a N. V(Natalʹi͡a Valentinovna)863734MiAaPQMiAaPQMiAaPQBOOK9910457180103321Post-impressionism2457001UNINA