1.

Record Nr.

UNINA9910457180103321

Autore

Brodskai͡a N. V (Natalʹi͡a Valentinovna)

Titolo

Post-impressionism [[electronic resource] /] / Nathalia Brodskaïa

Pubbl/distr/stampa

New York, : Parkstone International, [2012?]

ISBN

1-283-95223-8

1-78042-802-2

Descrizione fisica

1 online resource (200 p.)

Collana

Art of century collection

Disciplina

759

Soggetti

Post-impressionism (Art)

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Includes index.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

CONTENTS; INTRODUCTION; The Technical and Scientific Revolution; Post-Impressionism and its Contributions; MAJOR ARTISTS; PAUL CÉZANNE (1839-1906); NEO-IMPRESSIONISM; VINCENT VAN GOGH (1853-1890); PAUL GAUGUIN (1848-1903); HENRI DE TOULOUSE-LAUTREC (1864-1901); THE NABIS; NOTES; INDEX

Sommario/riassunto

While Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist's theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, while Cézanne renounced perspective. Rich in its variety and in the singularity of its artists,